Daughters Of London

A Daughter of the Snows (1902) is Jack London's first novel. Set in the Yukon, it tells the story of Frona Welse, "a Stanford graduate and physical Valkyrie" who takes to the trail after upsetting her wealthy father's community by her forthright manner and befriending the town's prostitute. She is also torn between love for two suitors: Gregory St Vincent, a local man who turns out to be cowardly and treacherous; and Vance Corliss, a Yale-trained mining engineer. The novel is noteworthy for its strong and self-reliant heroine, one of many who would people his fiction. Her name echoes that of his mother, Flora Wellman, though her inspiration has also been said to include London's friend Anna Strunsky. Modern commentators have criticized the novel for its approval of the main character's view that Anglo-Saxons are racially superior. The novel was commissioned by publisher S. S. McClure, who provided London a $125 a month stipend to write it.

From an examination of medieval London's Husting wills, Daughters of London offers a new framework for considering urban women’s experiences as daughters. The wills reveal daughters equipped with economic opportunities through bequests of real estate and movable property.

A rich and fascinating account of the lives of Victorian governesses, exploring nineteenth-century attitudes to women, family and class. If a nineteenth century lady had neither a husband to support her nor money of her own, almost her only recourse was to live in someone else's household and educate their children - in particular, their daughters. Marooned within the confines of other people's lives, neither servants nor family members, governesses occupied an uncomfortable social limbo. And being poor and insignificant, their papers were mostly lost. But a few journals and letters have come down to us, giving a vivid record of what it was to be a lone professional woman at a time when such a creature officially did not exist.

This book is the first real study of the social history and cultural significance of the sisterhoods which sprang up in Victorian Britain. It looks at those women who abandoned the domestic sphere to become the precursors of the modern social worker, while pushing back the boundaries of what women could do within the structures of the Anglican Church.

Of Queen Victoria’s four sons, the eldest married a Danish princess, one a Russian Grand Duchess, and the other two princesses of German royal houses. The first to join the family of the ‘Grandmama of Europe’ was Alexandra, eldest daughter of the prince about to become King Christian IX of Denmark. Charming, ever sympathetic and widely considered one of the most attractive royal women of her time, she was prematurely deaf and suffered from a limp which was made fashionable by court ladies due to her popularity. Alexandra proved an ideal wife for the Prince of Wales, later King Edward VII. Grand Duchess Marie, daughter of Tsar Alexander II of Russia and wife of Alfred, Duke of Edinburgh and later Saxe-Coburg Gotha, was cultured and intelligent, but dowdy, haughty and, convinced of the Romanovs’ superiority, resented having to give precedence at court to her in-laws. Louise of Prussia, a niece of William I, German Emperor, had the good fortune to escape from a miserable family life in Berlin and marry Arthur, Duke of Connaught, a dedicated army officer who was always the Queen’s favorite among her children. Finally, Helen of Waldeck-Pyrmont, sister of Emma, Queen Consort of the Netherlands, became the wife of the cultured Leopold, Duke of Albany, but he was hemophiliac and their marriage was destined to be the briefest of all, cut short by his sudden death less than three years later. All four were very different personalities, proved themselves to be supportive wives, mothers and daughters-in-law in their own way, and dedicated workers for charity at home and abroad. Based partly on previously unpublished material from the Royal Archives at Windsor and Madrid, and the Leonie Leslie Papers, University of Chicago, this is the first book to study all four as a family group.

Fathers and Daughters explores the complex nature of this subject using the voices and experiences of both fathers and daughters. Sue Sharpe provides an examination of the important processes operating within the relationship such as those affecting gender roles, achievement, teenage sexuality, women's relationships with men and ageing. It is an original and captivating treatment of a strangely neglected subject. Sue Sharpe is a free-lance writer and researcher based in London.

INSTANT NEW YORK TIMES BESTSELLER From the author of the New York Times bestseller Homecoming—“An ambitious, compelling historical mystery with a fabulous cast of characters…Kate Morton at her very best.” —Kristin Hannah “An elaborate tapestry…Morton doesn’t disappoint.” —The Washington Post "Classic English country-house Goth at its finest." —New York Post In the depths of a 19th-century winter, a little girl is abandoned on the streets of Victorian London. She grows up to become in turn a thief, an artist’s muse, and a lover. In the summer of 1862, shortly after her eighteenth birthday, she travels with a group of artists to a beautiful house on a bend of the Upper Thames. Tensions simmer and one hot afternoon a gunshot rings out. A woman is killed, another disappears, and the truth of what happened slips through the cracks of time. It is not until over a century later, when another young woman is drawn to Birchwood Manor, that its secrets are finally revealed. Told by multiple voices across time, this is an intricately layered, richly atmospheric novel about art and passion, forgiveness and loss, that shows us that sometimes the way forward is through the past.