David Wolfe S Fashions That Rocked And Wrecked The Red Carpet Paper Dolls

David Wolfe's Fashions that Rocked and Wrecked the Red Carpet is a paper doll book for collectors, movie fans and awards show viewers. In it, the artist and fashion authority has chosen his own winners and losers seen on the red carpet over the years. Included are infamous fashion flops worn by Bjork and Cher, gorgeous gowns seen on Gwyneth Paltrow and Jennifer Lawrence, sexy sensations on Halle Berry and Eva Longoria. Four glamour girl paper dolls wear the 23 fashions, stylish winners that rocked it and even more fun, the flops that wrecked it. Included is an essay explaining the red carpet's history and its importance for fashion today.

Artist and movie buff, David Wolfe, turns back the cinematic clock to the 1940s and 50s for a paper doll book dedicated to the glamorous and often lethal leading ladies of Film Noir. The dark and sinister movies popular after WWII starred tough guy anti-heroes who were always entangled with dangerous dames portrayed by stars like Lauren Bacall, Joan Bennett, Rita Hayworth and Barbara Stanwyck. This sophisticated new book presents four femme fatale paper dolls who look sexy and chic in dozens of fashions from films such as Double Indemnity, The Maltese Falcon and The Lady from Shanghai. Included are seductive gowns, smartly tailored suits, playwear with pizzazz and sensational accessories. An essay by David explains the Film Noir genre and its fascination with fabulous '40s and '50s fashions.

Ava Gardner was a great star, a breathtaking beauty and famed celebrity, yet she came from humble beginnings and became a glamorous sophisticate. Artist David Wolfe has captured Ava Gardner's special allure in a new paper doll book for Paper Studio Press. A seductive portrait and a trio of Ava dolls grace the cover, designed to emulate the lush style of paper doll books of the 1950s. The carefully researched and beautifully rendered costumes include such hits as Show Boat, Mogambo, The Barefoot Contessa, One Touch of Venus and many more. The fashions in the book chart Ava Gardner's long career from her first film in 1941 through the following decades. They include both contemporary styles and period pieces. This new star vehicle paper doll is a must for movie fans and collectors of David Wolfe's inimitable artistic flair.

Fashion expert, David Wolfe, has created a gorgeous paper doll wardrobe representing twenty-five movie costumes that influenced fashion during Hollywood's Golden Era for three classic fashion figures. David also offers commentary on the fashions, designers, stars and movie studios of these three important decades in movie history.

When stars would "take it off" in old Hollywood movies, they were still dressed! This paper doll collection is a fun way to look at the various states of "undressed" in some of our favorite classic films. Four glamorous models (three ladies and a handsome gentleman) are ready to cut-out and UNdress-up in corsets, pajamas, negligees, nightgowns, robes, slips, swimwear and even a union suit. Included are iconic costumes worn by Marilyn Monroe, Jean Harlow, Sophia Loren, Barbra Streisand and even Tom Cruise. There are 45 fashion items in all! A witty essay by artist and fashion historian David Wolfe explains how even undressed, Hollywood is a fun fashion fantasy, perfect inspiration for paper dolls!

Learn to communicate with your dog—using their language “Good reading for dog lovers and an immensely useful manual for dog owners.”—The Washington Post An Applied Animal Behaviorist and dog trainer with more than twenty years’ experience, Dr. Patricia McConnell reveals a revolutionary new perspective on our relationship with dogs—sharing insights on how “man’s best friend” might interpret our behavior, as well as essential advice on how to interact with our four-legged friends in ways that bring out the best in them. After all, humans and dogs are two entirely different species, each shaped by its individual evolutionary heritage. Quite simply, humans are primates and dogs are canids (as are wolves, coyotes, and foxes). Since we each speak a different native tongue, a lot gets lost in the translation. This marvelous guide demonstrates how even the slightest changes in our voices and in the ways we stand can help dogs understand what we want. Inside you will discover: • How you can get your dog to come when called by acting less like a primate and more like a dog • Why the advice to “get dominance” over your dog can cause problems • Why “rough and tumble primate play” can lead to trouble—and how to play with your dog in ways that are fun and keep him out of mischief • How dogs and humans share personality types—and why most dogs want to live with benevolent leaders rather than “alpha wanna-bes!” Fascinating, insightful, and compelling, The Other End of the Leash is a book that strives to help you connect with your dog in a completely new way—so as to enrich that most rewarding of relationships.

This sparkling tribute features 2 dolls and 29 costumes from the famous pin-up girl's movie career, including apparel by such noted designers as Orry-Kelly, Charles LeMaire, and René Hubert.

A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013