Dead Boy S Club

'If they ever come here,' his father had warned, 'drop everything. Just run and hide!' And now they were here. God's Freedom Army or whatever their name was. Bringers of blood and suffering. Rebels! Killers! Every one of them. Hundreds of thousands of children are abducted from their homes and used as boy soldiers. This is the story of one them. 12-year-old Sam is ripped from his village in Uganda and forced to march with rebel soldiers to their training camp in southern Sudan. A weapon is thrust into his innocent young hands and his life becomes that of enemies and battles, violence and death, as he's turned into a soldier. With no escape, danger is around every corner, the threat of death is everywhere. But there are ways to survive. Sam becomes friends with a fellow boy soldier and together their dreams of escape become a strength. Together, they are ready to fight.

'If they ever come here,' his father had warned, 'drop everything. Just run and hide!' And now they were here. God's Freedom Army or whatever their name was. Bringers of blood and suffering. Rebels! Killers! Every one of them. Hundreds of thousands of children are abducted from their homes and used as boy soldiers. This is the story of one them. 12-year-old Sam is ripped from his village in Uganda and forced to march with rebel soldiers to their training camp in southern Sudan. A weapon is thrust into his innocent young hands and his life becomes that of enemies and battles, violence and death, as he's turned into a soldier. With no escape, danger is around every corner, the threat of death is everywhere. But there are ways to survive. Sam becomes friends with a fellow boy soldier and together their dreams of escape become a strength. Together, they are ready to fight.

Fifteen-year-old Harper J. Ellis lives in Juniper Hollow, a hotbed for paranormal activity. Here the dead outnumber the living ten to one, and strange occurrences are a way of life. Most of the residents choose to ignore the odd quirks of the small Victorian town.But not Harper.She's perfectly content to spend her days in the graveyard, reading paranormal romance books at the foot of a tombstone. Like many girls her age, she obsesses over boys. However, it's her taste for all things strange and unusual that prompt her to start a club.A pulse isn't required, but a flair for ghoulish fun is.Care to join?

*A Kirkus Best Book of July* *An InsideHook Book You Should Be Reading This July* A fascinating history that examines how real estate, gentrification, community and the highs and lows of New York City itself shaped the city’s music scenes from folk to house music. Take a walk through almost any neighborhood in Manhattan and you’ll likely pass some of the most significant clubs in American music history. But you won’t know it—almost all of these venues have been demolished or repurposed, leaving no record of what they were, how they shaped music scenes or their impact on the neighborhoods around them. Traditional music history tells us that famous scenes are created by brilliant, singular artists. But dig deeper and you’ll find that they’re actually created by cheap rent, empty space and other unglamorous factors that allow artistic communities to flourish. The 1960s folk scene would have never existed without access to Greenwich Village’s Washington Square Park. If the city hadn’t gone bankrupt in 1975, there would have been no punk rock. Brooklyn indie rock of the 2000s was only able to come together because of the borough’s many empty warehouse spaces. But these scenes are more than just moments of artistic genius—they’re also part of the urban gentrification cycle, one that often displaces other communities and, eventually, the musicians themselves. Drawing from over a hundred exclusive interviews with a wide range of musicians, deejays and scenesters (including members of Peter, Paul and Mary; White Zombie; Moldy Peaches; Sonic Youth; Treacherous Three; Cro-Mags; Sun Ra Arkestra; and Suicide), writer, historian and tour guide Jesse Rifkin painstakingly reconstructs the physical history of numerous classic New York music scenes. This Must Be the Place examines how these scenes came together and fell apart—and shows how these communal artistic experiences are not just for rarefied geniuses but available to us all.

History and the speculative collide with the modern world when a group of high school girls form a secret society after discovering they can communicate with boys from the past, in this powerful look at female desire, jealousy, and the shifting lines between friendship and rivalry. After her life is upended by divorce and a cross-country move, 16-year-old Saskia Brown feels like an outsider at her new school—not only is she a transplant, but she’s also biracial in a population of mostly white students. One day while visiting her only friend at her part-time library job, Saskia encounters a vial of liquid mercury, then touches an old daguerreotype—the precursor of the modern-day photograph—and makes a startling discovery. She is somehow able to visit the man in the portrait: Robert Cornelius, a brilliant young inventor from the nineteenth century. The hitch: she can see him only in her dreams. Saskia shares her revelation with some classmates, hoping to find connection and friendship among strangers. Under her guidance, the other girls steal portraits of young men from a local college’s daguerreotype collection and try the dangerous experiment for themselves. Soon, they each form a bond with their own “Mercury Boy,” from an injured Union soldier to a charming pickpocket in New York City. At night, the girls visit the boys in their dreams. During the day, they hold clandestine meetings of their new secret society. At first, the Mercury Boys Club is a thrilling diversion from their troubled everyday lives, but it’s not long before jealousy, violence and secrets threaten everything the girls hold dear.