Dead I Well May Be

The acclaimed debut from the New York Times bestselling author of The Chain, this Irish bad-boy thriller—set in the hardest streets of New York City—brims with violence, greed, and sexual betrayal. "I didn't want to go to America, I didn't want to work for Darkey White. I had my reasons. But I went." So admits Michael Forsythe, an illegal immigrant escaping the Troubles in Belfast. But young Michael is strong and fearless and clever—just the fellow to be tapped by Darkey, a crime boss, to join a gang of Irish thugs struggling against the rising Dominican powers in Harlem and the Bronx. The time is pre-Giuliani New York, when crack rules the city, squatters live furtively in ruined buildings, and hundreds are murdered each month. Michael and his lads tumble through the streets, shaking down victims, drinking hard, and fighting for turf, block by bloody block. Dodgy and observant, not to mention handy with a pistol, Michael is soon anointed by Darkey as his rising star. Meanwhile Michael has very inadvisably seduced Darkey's girl, Bridget—saucy, fickle, and irresistible. Michael worries that he's being followed, that his affair with Bridget will be revealed. He's right to be anxious; when Darkey discovers the affair, he plans a very hard fall for young Michael, a gambit devilish in its guile, murderous in its intent. But Darkey fails to account for Michael's toughness and ingenuity or the possibility that he might wreak terrible vengeance upon those who would betray him. A natural storyteller with a gift for dialogue, McKinty introduces to readers a stunning new noir voice, dark and stylish, mythic and violent—complete with an Irish lilt.

From the New York Times bestselling author of The Chain comes the riveting sequel to his acclaimed debut, Dead I Well May Be, featuring mercenary bad boy Michael Forsythe—the hero "other writers can only aspire to create" (Ed McBain). With the same poetic lilt and heart-stopping suspense that made Dead I Well May Be a critical favorite, the saga continues with The Dead Yard—a thriller in which Michael Forsythe must insinuate himself into the good graces of a band of calculating political terrorists. As the novel opens, he's on vacation in Spain, but when a soccer riot between Irish and English fans escalates out of control, Michael is suddenly arrested and thrown into a Spanish prison. Enter Samantha, a British intelligence agent as cunning as she is voluptuous. She makes Michael an offer he cannot refuse: instead of being extradited to Mexico to serve time for a prison break, he can help her by infiltrating an IRA sleeper cell in the United States, and she'll see to it that the Spaniards and Mexicans forget all about him. Filled with apprehension about the dangers of the assignment, Michael reluctantly agrees. Within hours he is flown to New York City and thrust into the nightmare world of men known for their distinctive brands of torture and revenge. Michael crosses and double-crosses key players, escapes his own lies by a hairsbreadth, loses his only ally, and falls for the daughter of his enemy—a most inadvisable development. Boasting spot-on dialogue, crackling wit, and one of the most memorable heroes in all of crime fiction, Adrian McKinty's dazzling new novel confirms his reputation as a brilliant storyteller and writer on the rise.

In the heart-stopping finale of the Dead trilogy, tough guy Michael Forsythe -- bad-boy antihero of the critically acclaimed Dead I Well May Be and The Dead Yard -- returns to his native Ireland, where a dangerous and beautiful old flame forces Michael to look for her daughter, who has mysteriously disappeared in Belfast. Laying low in South America, Michael has been running security for the Miraflores Hilton in Lima, Peru, juggling temperamental tourists, irksome dignitaries, and the occasional lady of the night. But Michael's colorful life in Lima comes to a violent halt with the arrival of two Colombian hit men who trap him in one of the hotel's rooms and force him at gunpoint to take a call from Bridget Callaghan in Ireland. Michael and Bridget have a lot of history. For one, they used to be lovers. For another, Michael killed Bridget's husband. Bridget offers Michael a terrible choice: come find my daughter, or my men will kill you -- now. Michael arrives in Dublin on Bloomsday, June 16th, the date that James Joyce's Ulysses takes place -- but whether this coincidence augurs well for him or foretells his end can't yet be known. In the span of this single day, he penetrates the heart of an IRA network, is kidnapped, escapes, then worms his way into the criminal underground in search of the missing girl. Never certain who to trust, Michael keeps his revolver close at hand -- and doesn't hesitate to use it -- outsmarting at every turn any number of determined would-be assassins. Before the day is out, on a windswept ocean cliff, Michael finds himself face-to-face with the kidnappers as well as the lovely and murderous Bridget. It is there that he must finally confront a series of shocking truths -- not just about others but, above all, about himself as well. Riveting, violent, witty, and lyrical, The Bloomsday Dead is vintage McKinty. Packed with crackling dialogue and one-of-a-kind characters, here is an unforgettable new crime novel from a master of literary suspense and the author of The Dead Yard, which Publishers Weekly named one of the fifteen best novels of 2006.

The acclaimed debut from the New York Times bestselling author of The Chain, this Irish bad-boy thriller—set in the hardest streets of New York City—brims with violence, greed, and sexual betrayal. "I didn't want to go to America, I didn't want to work for Darkey White. I had my reasons. But I went." So admits Michael Forsythe, an illegal immigrant escaping the Troubles in Belfast. But young Michael is strong and fearless and clever—just the fellow to be tapped by Darkey, a crime boss, to join a gang of Irish thugs struggling against the rising Dominican powers in Harlem and the Bronx. The time is pre-Giuliani New York, when crack rules the city, squatters live furtively in ruined buildings, and hundreds are murdered each month. Michael and his lads tumble through the streets, shaking down victims, drinking hard, and fighting for turf, block by bloody block. Dodgy and observant, not to mention handy with a pistol, Michael is soon anointed by Darkey as his rising star. Meanwhile Michael has very inadvisably seduced Darkey's girl, Bridget—saucy, fickle, and irresistible. Michael worries that he's being followed, that his affair with Bridget will be revealed. He's right to be anxious; when Darkey discovers the affair, he plans a very hard fall for young Michael, a gambit devilish in its guile, murderous in its intent. But Darkey fails to account for Michael's toughness and ingenuity or the possibility that he might wreak terrible vengeance upon those who would betray him. A natural storyteller with a gift for dialogue, McKinty introduces to readers a stunning new noir voice, dark and stylish, mythic and violent—complete with an Irish lilt.

“It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore.”—The New York Times Book Review Eleven years ago, wealthy Nebraska businessman James Herold gave his only son, Paul, a very raw deal. Now he wants Nero Wolfe to track Paul down so that he can make amends. But what if the young man doesn’t want to be found . . . and what if he’s the same P.H. who’s currently on trial for cold-blooded murder? It’s a case that will draw the great detective and his dedicated sidekick into a sticky web of deceit, one that will tax their resources to the utmost, and even cost them one of their own.

THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • The final book in the A Good Girl's Guide to Murder series that reads like your favorite true crime podcast or show. By the end, you'll never think of good girls the same way again... Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears? Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars. Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . .and if she doesn’t find the answers, this time she will be the one who disappears. . . And don't miss Holly Jackson's next thriller, Five Surive!

Perhaps only someone who has worked for almost a decade as a medic in New York City's Hell's Kitchen--as Joe Connelly has--could write a novel as riveting and fiercely authentic as Bringing Out the Dead. Like a front-line reporter, Connelly writes from deep within the experience, and the result is a debut novel of extraordinary power and intensity. In Frank Pierce, a brash EMS medic working the streets of Hell's Kitchen, Connelly gives us a man who is being destroyed by the act of saving people. Addicted to the thrill ("the best drug in the world") and the mission of the job, Frank is nevertheless drowning in five years' worth of grief and guilt--his own and others': "my primary role was less about saving lives than about bearing witness." His wife has left him, he's drinking on the job, and just a month ago he "helped to kill" an eighteen-year-old asthmatic girl. Now she's become the waking nightmare of all his failures: hallucination and projection ("the ghosts that once visited my dreams had followed me out to the street and were now talking back"), and as real to him as his own skin. And in reaction to her death, Frank has desperately resurrected a patient back into a life now little better than death. In a narrative that moves with the furious energy of an ambulance run, we follow Frank through two days and nights: into the excitement and dread of the calls; the mad humor that keeps the medics afloat; the memories, distant and recent, through which Frank reminds himself why he became a medic and tries, in vain, to convince himself to give it up. And we are with him as he faces his newest ghost: the resurrected patient, whose demands to be released into death might be the most sensible thing Frank has heard in months, if only he would listen. Bringing Out the Dead is a stunning novel.

An FBI agent, rotting away in a high-security prison for a murder he did not commit... His brilliant, psychotic brother, about to perpetrate a horrific crime... A young woman with an extrodinary past, on th edge of a violent breakdown... An ancient Egyptian tomb with an enigmatic curse, about to be unveiled at a celebrity-studded New York gala... Memento Mori