Dead Men Rise Up Never

Original working manuscript of Swinburne's poem "The garden of Proserpine". Bound with the manuscript pages are a printed version of the poem from an unknown published edition (pages numbered 189-192). Formerly owned by the book collector and literary forger Harry Buxton Forman. A note from Forman is written on a blank leaf preceding the manuscript: The Garden of Proserpine, perhaps the loveliest lyric poem Swinburne ever wrote, was set up from this autograph manuscript when the poem took its place in the renowned volume known as Poems and Ballads, issued in the Autumn of 1866, immediately withdrawn under pressure by Mr. Moxon, and speedily re-issued by John Camden Hotten. The calligraphy is more characteristic than excellent. The cancellings and changes, however, are of considerable interest.

A Dan Shaw Thriller Dan Shaw, night school law student, ex-Army cop, and part-time investigator for hotshot attorney Thomas Petrie, has 57 hours to find a man who may already be dead. Peter Falconer is one of the golden boys of Bell Harbor, Florida—or he soon will be after inheriting the family fortune. But what seems to be yet another typical case of murder for profit and passion is about to take a sudden U-turn. For Shaw is about to uncover a brand of thrill killing whose sheer evil he can’t begin to fathom. And Shaw had better get to the bottom—and fast—or the hunt taking him from the Keys to the Caribbean and into the eye of a tropical storm will cost him his life.

The month in which my seventeenth birthday arrived I signed on before the mast on the Sophie Sutherland, a three-topmast schooner bound on a seven-months' seal-hunting cruise to the coast of Japan. We sailed from San Francisco, and immediately I found confronting me a problem of no inconsiderable proportions. There were twelve men of us in the forecastle, ten of whom were hardened, tarry-thumbed sailors. Not alone was I a youth and on my first voyage, but I had for shipmates men who had come through the hard school of the merchant service of Europe.

In Author Under Sail: The Imagination of Jack London, 1902-1907, Jay Williams explores Jack London's necessity to illustrate the inner workings of his vast imagination. In this second installment of a three-volume biography, Williams captures the life of a great writer expressed though his many creative works, such as The Call of the Wild and White Fang, as well as his first autobiographical memoir, The Road, some of his most significant contributions to the socialist cause, and notable uncompleted works. During this time, London became one of the most famous authors in America, perhaps even the author with the highest earnings, as he prepared to become an equally famous international writer. Author Under Sail documents London's life in both a biographical and writerly fashion, depicting the importance of his writing experiences as his career followed a trajectory similar to America's from 1876 to 1916. The underground forces of London's narratives were shaped by a changing capitalist society, media outlets, racial issues, increases in women's rights, and advancements in national power. Williams factors in these elements while exploring London's deeply conflicted relationship with his own authorial inner life. In London's work, the imagination is figured as a ghost or as a ghostlike presence, and the author's personas, who form a dense population among his characters, are portrayed as haunted or troubled in some way. Along with examining the functions and works of London's exhaustive imagination, Williams takes a critical look at London's ability to tell his stories to wide arrays of audiences, stitching incidents together into coherent wholes so they became part of a raconteur's repertoire. Author Under Sail provides a multidimensional examination of the life of a crucial American storyteller and essayist.