Death Angels And Love Songs 2nd Edition

""There's something wrong with this place."" Several seemingly unrelated stories, all set in a western, modern, futuristic town in the middle of a frosty Summer, unfold about an unassuming poet, Judas Iscariot, who lost his parents as a child and drinks milk alone in his apartment above the town's saloon. One story is set in two frames of time as Judas is feverishly attempting to solve violent murders in a suddenly booming Clock Shop, another story involves a Wolf and a form of secret communication through a Wastebasket (all in the form of one, epic poem), and yet ANOTHER story takes place on a gallant pirate spaceship, crossing multiple dimensions of time and space. However, the one story that binds them all together is a mere love story that is stock full of dangers and impossibilities, all to meet a single end that will tie up a saga of heartache and unrealistic injuries, all taken by a slightly chunky and incredibly deadly poet.

Einojuhani Rautavaara (1928–2016) has been called Finland’s most notable musical export after Sibelius. His prolific output includes eleven operas; eight symphonies; eleven concertos; choral works for the Orthodox, Lutheran, and Roman Catholic churches; secular choral works; chamber music; vocal solos; and keyboard works. Many of these works were commissioned by internationally known performers and ensembles including Vladimir Ashkenazy, Richard Stoltzman, Hilary Hahn, Anne Akiko Meiers, Gerald Finley, the Philadelphia Orchestra, and the Juilliard School of Music Orchestra. Perhaps most frequently performed are his Cantus Arcticus, a concerto for recorded arctic birds and orchestra, Angel of Light, his seventh symphony, and the Lorca choral suite depicting Death as a stalker in a Spanish village. Rautavaara’s Journey in Music is divided into two sections; the first a biography and discussion of works that show his various style changes, from neoclassical, to twelve-tone, to neoromantic, and finally to a personal expressive style combining elements of twelve-tone and tonality. The second part divides his works by genre and gives more detailed information of stylistic analysis, libretto, provenance, and, often, reception.