Death Bound

During the 1940s, in response to the charge that his writing was filled with violence, Richard Wright replied that the manner came from the matter, that the “relationship of the American Negro to the American scene [was] essentially violent,” and that he could deny neither the violence he had witnessed nor his own existence as a product of racial violence. Abdul R. JanMohamed provides extraordinary insight into Wright’s position in this first study to explain the fundamental ideological and political functions of the threat of lynching in Wright’s work and thought. JanMohamed argues that Wright’s oeuvre is a systematic and thorough investigation of what he calls the death-bound-subject, the subject who is formed from infancy onward by the imminent threat of death. He shows that with each successive work, Wright delved further into the question of how living under a constant menace of physical violence affected his protagonists and how they might “free” themselves by overcoming their fear of death and redeploying death as the ground for their struggle. Drawing on psychoanalytic, Marxist, and phenomenological analyses, and on Orlando Patterson’s notion of social death, JanMohamed develops comprehensive, insightful, and original close readings of Wright’s major publications: his short-story collection Uncle Tom’s Children; his novels Native Son, The Outsider, Savage Holiday, and The Long Dream; and his autobiography Black Boy/American Hunger. The Death-Bound-Subject is a stunning reevaluation of the work of a major twentieth-century American writer, but it is also much more. In demonstrating how deeply the threat of death is involved in the formation of black subjectivity, JanMohamed develops a methodology for understanding the presence of the death-bound-subject in African American literature and culture from the earliest slave narratives forward.

June 1943. Many Germans—some of them high-ranking officers—believe the tides of war have turned against them. Increased activity suggests there may be truth to whispers heard by Office of Strategic Services spies: that the Nazis are extorting Jews outside Germany to buy their relatives’ freedom from extermination camps, then smuggling the ransom in Operation Phoenix to fund safe havens in Argentina, Brazil, and Paraguay for senior Nazi officials when Germany falls. With so much money and more at stake, lives are, too, and it’s up to USMC Major Cletus Frade—the top OSS spook in “neutral” Argentina—to find out. That is, before the ruthless Nazis order his murder...

One evening in early spring, eight-year-old Erika Aurelia realizes she’s the detestable little villainess from an otome game called Liber Monstrorum: The Winter Maiden and the Phantasmic Beasts. As if that wasn’t bad enough already, Erika’s role in the game is to pester the main character... and then die in order to kick off a mysterious series of events! These incidents are different in each love interest’s route, and seven routes means seven deaths to avoid. Not one to throw in the towel, Erika knows she must take action to destroy her death flags—and since her life is on the line, there’s no time to lose! Her very first death flag is set to rise after she meets two noble children from a prominent magician’s house. In order to prevent the resulting incidents, the Gold Rush Murders, she arms herself with her brother's expensive(!!!) magical items and heads into the ancient Seafarer’s Ruins. But things don’t quite go according to plan...

New York Times and USA Today best-selling author Cynthia Eden continues her "Bound" paranormal romance series with...BOUND IN DEATH. She can’t remember him… He can never forget her. For over two hundred years, alpha werewolf Alerac O’Neill has been searching for his mate, Keira McDonough, a woman who was taken from him and imprisoned by a dark vampire master. He’s hunted for her, endlessly, using vampire blood to extend his life. He has become a vicious predator, feared by all the supernaturals. His hold on reality seems to slip more each day because he is consumed by her. Only…the woman he discovers in a small Miami bar isn’t the Keira that he remembers. In fact, this woman doesn’t remember anything. She calls herself Jane Smith, and she has no memory at all of Alerac—or of her own past. Now that she’s been found, Alerac knows that his enemies are going to start closing in on her. Jane may try to act human, but she’s not. She’s a pureblood vampire princess, incredibly powerful and incredibly valuable. His enemies want to use her, her enemies want to destroy her, and Alerac—he just wants her. If he can’t make her remember him, then Alerac has to seduce Jane into loving him once again. Because now that he’s found her, he’ll fight hell—and every sadistic vampire that stalks the night—in order to keep her safe at his side. Some bonds go deeper than the flesh. Some go beyond life. Beyond death. Jane will soon learn that a werewolf’s claiming…is forever. Author's Note: BOUND IN DEATH is a dark and sensual paranormal romance. It contains a hot alpha wolf, a vampire heroine with no memory, and some dangerous killers. Adult language and sexy situations are included. Total word count for BOUND IN DEATH is 60,000. Cynthia Eden's BOUND books: BOUND BY BLOOD (Bound, Book 1) BOUND IN DARKNESS (Bound, Book 2) BOUND IN SIN (Bound, Book 3) BOUND BY THE NIGHT (Bound, Book 4) BOUND IN DEATH (Bound, Book 5) Or you can purchase the FOREVER BOUND anthology that includes: BOUND BY BLOOD, BOUND IN DARKNESS, BOUND IN SIN, and BOUND BY THE NIGHT.

What is illness? Is it a physiological dysfunction, a social label, or a way of experiencing the world? How do the physical, social and emotional worlds of a person change when they become ill? And can there be well-being within illness? In this remarkable and thought-provoking book, Havi Carel explores these questions by weaving together the personal story of her own serious illness with insights and reflections drawn from her work as a philosopher. Carel's fresh approach to illness raises some uncomfortable questions about how we all - whether healthcare professionals or not - view the ill and challenges us to become more thoughtful. 'Illness' unravels the tension between the universality of illness and its intensely private, often lonely, nature. It offers a new way of looking at a matter that affects every one of us.