Death Is Not Enough

The past comes back to haunt a high-profile defense attorney in the newest book in the Baltimore series from the New York Times bestselling author of Edge of Darkness and Monster in the Closet. In his work as a defense attorney in Baltimore, Thorne has always been noble to a fault--specializing in helping young people in trouble just as someone did for him when he was younger. He plays the part of the bachelor well, but he secretly holds a flame for his best friend and business partner, Gwyn Weaver, a woman struggling to overcome her own demons. After four years, he thinks he might finally be ready to confess his feelings, come what may. But his plans are derailed when he wakes up in bed with a dead woman--her blood on his hands and no recollection of how he got there. Whoever is trying to frame Thorne is about to lead him down the rabbit hole of his past, something he thought he had outran long ago. Thorne must figure out who has been digging into his secrets, how much they know, and how far they will go to bring him down . . .

Hannah Coulter is Wendell Berry’s seventh novel and his first to employ the voice of a woman character in its telling. Hannah, the now–elderly narrator, recounts the love she has for the land and for her community. She remembers each of her two husbands, and all places and community connections threatened by twentieth–century technologies. At risk is the whole culture of family farming, hope redeemed when her wayward and once lost grandson, Virgil, returns to his rural home place to work the farm.

This is a comprehensive guide to one of the most volatile, misunderstood and potentially dangerous states in the world, and one of great strategic importance to US interests in Asia. Featuring a detailed "who's who" section, it covers politics, the economy, the military, education and culture.

Memories and scars are the signs of a life well lived, and more often than not our milestones are similar: love, a first home, marriage, and a child. The same goes for Marty and Suzanne Dempsey, but happy memories and years of a life built together weren't enough to help their relationship survive the terminal diagnosis of their only child, Abigail. Coping in their own ways, Marty and Suzanne drift apart and eventually divorce after one finds comfort in the arms of a stranger. The expected and devastating death of their daughter had seemingly severed any ties that remained between them, but an insightful letter from Abigail gives Marty the one thing that seemed so elusive before: Hope.

This is a novel for everyone who has ever been happily married -- and for everyone who would like to be. Reminiscent of the work of David Bergen and Barbara Gowdy, Love Letters of the Angels of Death heralds the arrival of a formidable literary voice.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Named a Most Anticipated Book of 2020 by: The Washington Post, Vogue, Marie Claire, Entertainment Weekly, The Millions, New York Magazine, Paste Magazine, LitHub, E! News Online, and many more From one of our most ceaselessly provocative literary talents, a novel of haunting metaphysical suspense about an elderly widow whose life is upturned when she finds an ominous note on a walk in the woods. While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate. With very little to go on, she invents a list of murder suspects and possible motives for the crime. Oddly, her suppositions begin to find correspondences in the real world, and with mounting excitement and dread, the fog of mystery starts to fade into menacing certainty. As her investigation widens, strange dissonances accrue, perhaps associated with the darkness in her own past; we must face the prospect that there is either an innocent explanation for all this or a much more sinister one. A triumphant blend of horror, suspense, and pitch-black comedy, Death in Her Hands asks us to consider how the stories we tell ourselves both reflect the truth and keep us blind to it. Once again, we are in the hands of a narrator whose unreliability is well earned, and the stakes have never been higher.