Death Tells Me Jokes

2022 Midwest Book Awards- Debut Poetry Finalist 2022 Eric Hoffer Awards - Da Vinci Eye Finalist 2022 Eric Hoffer Awards - Grand Prize Short List 2022 Eric Hoffer Awards - Poetry Honorable Mention 2019 Button Poetry Video Contest Winner Dead Dad Jokes is an unflinching take on family, loss and trauma. There is nothing quiet about Schminkey's debut. Every page is raw, honest and unforgettable. Dead Dad Jokes brings the impact of addiction into crisp focus while also shattering our simplistic TV preconceptions about it. Ollie never lets the reader slip into the easy sadness of cliche - instead they guide us through the realities and contradictions of losing someone you love and of death - reminding us that they need not be one and the same.

Abe and his friend Sol are out for a walk together in a part of town they haven't been in before. Passing a Christian church, they notice a curious sign in front that says "$1,000 to anyone who will convert." "I wonder what that's about," says Abe. "I think I'll go in and have a look. I'll be back in a minute; just wait for me." Sol sits on the sidewalk bench and waits patiently for nearly half an hour. Finally, Abe reappears. "Well," asks Sol, "what are they up to? Who are they trying to convert? Why do they care? Did you get the $1,000?" Indignantly Abe replies, "Money. That's all you people care about." Ted Cohen thinks that's not a bad joke. But he also doesn't think it's an easy joke. For a listener or reader to laugh at Abe's conversion, a complicated set of conditions must be met. First, a listener has to recognize that Abe and Sol are Jewish names. Second, that listener has to be familiar with the widespread idea that Jews are more interested in money than anything else. And finally, the listener needs to know this information in advance of the joke, and without anyone telling him or her. Jokes, in short, are complicated transactions in which communities are forged, intimacy is offered, and otherwise offensive stereotypes and cliches lose their sting—at least sometimes. Jokes is a book of jokes and a book about them. Cohen loves a good laugh, but as a philosopher, he is also interested in how jokes work, why they work, and when they don't. The delight at the end of a joke is the result of a complex set of conditions and processes, and Cohen takes us through these conditions in a philosophical exploration of humor. He considers questions of audience, selection of joke topics, the ethnic character of jokes, and their morality, all with plenty of examples that will make you either chuckle or wince. Jokes: more humorous than other philosophy books, more philosophical than other humor books. "Befitting its subject, this study of jokes is . . . light, funny, and thought-provoking. . . . [T]he method fits the material, allowing the author to pepper the book with a diversity of jokes without flattening their humor as a steamroller theory might. Such a book is only as good as its jokes, and most of his are good. . . . [E]ntertainment and ideas in one gossamer package."—Kirkus Reviews "One of the many triumphs of Ted Cohen's Jokes-apart from the not incidental fact that the jokes are so good that he doesn't bother to compete with them-is that it never tries to sound more profound than the jokes it tells. . . . [H]e makes you feel he is doing an unusual kind of philosophy. As though he has managed to turn J. L. Austin into one of the Marx Brothers. . . . Reading Jokes makes you feel that being genial is the most profound thing we ever do-which is something jokes also make us feel-and that doing philosophy is as natural as being amused."—Adam Phillips, London Review of Books "[A] lucid and jargon-free study of the remarkable fact that we divert each other with stories meant to make us laugh. . . . An illuminating study, replete with killer jokes."—Kevin McCardle, The Herald (Glasgow) "Cohen is an ardent joke-maker, keen to offer us a glimpse of how jokes are crafted and to have us dwell rather longer on their effects."—Barry C. Smith, Times Literary Supplement "Because Ted Cohen loves jokes, we come to appreciate them more, and perhaps think further about the quality of good humor and the appropriateness of laughter in our lives."—Steve Carlson, Christian Science Monitor

“Would you like to see what a piece of fried chicken looks like after I remove it from your heart?” These startling words came from a surgeon as 360-pound Sellers lay on an operating table experiencing a catastrophic and life-threatening cardiac event. It was enough to get his attention—and transform his life. That day, he came to a sobering realization: change or die. In I Almost Died Last Wednesday, Steven Sellers shares with uproarious humor and startling candor the event and the process that helped him shed a hundred pounds (and counting). Readers will learn from his experience: I Almost DIED Last Wednesday Steven Sellers • a simple strategy for losing weight (no gimmicks or high-cost program needed) • four easy changes to your lifestyle that will make a BIG difference in your health • tips for communicating more effectively with your health-care providers It’s a quick read with high impact. Read it, apply it, and change the trajectory of your health—and maybe your life.

Barry Friedman, a veteran of 30 years on the comedy road, delivers another punchline on standup. Filled with garden-variety kleptomaniacs, large, rum-drinking Bahamians, bitter, glorious, troubled, and sex-addicted women with ankle monitors, loquacious drug addicts, first-time Vegas lesbians, and tall, neurotic Jews in sweaters— and these are the sane people—The Joke Was On Me is the story, his story, of laughs and love and almost fame. It’s all true—as much as comedy will allow anyway.

Humor at its best, even if you are a bathroom reader. The blue collar humor pokes fun at the people and the world we live in. Reading this is a perfect opportunity to escape this insane world and step into comedy.

A grasshopper walks into a bar and orders a drink. The bartender looks at him and says, 'You know we have a drink named after you?' The grasshopper replies, 'You have a drink named Stanley?' Just one of the gags in this book, many of which explore Jewish themes.

Through the lens of cognitive science, Jokes and the Linguistic Mind investigates jokes that play on some aspect of the structure and function of language. In so doing, Debra Aarons shows that these 'linguistic jokes' can evoke our tacit knowledge of the language we use. Analyzing hilarious examples from movies, plays and books, Jokes and the Linguistic Mind demonstrates that tacit linguistic knowledge must become conscious for linguistic jokes to be understood. The book examines jokes that exploit pragmatic, semantic, morphological, phonological and semantic features of language, as well as jokes that use more than one language and jokes that are about language itself. Additionally, the text explores the relationship between cryptic crossword clues and linguistic jokes in order to demonstrate the difference between tacit knowledge of language and rules of language use that are articulated for a particular purpose. With its use of jokes as data and its highly accessible explanations of complex linguistic concepts, this book is an engaging supplementary text for introductory courses in linguistics, psycholinguistics and cognitive science. It will also be of interest to scholars in translation studies, applied linguistics and philosophy of language.