Death To The Bullshit Artists Of South Texas

Fiction. Music. DEATH TO THE BULLSHIT ARTISTS OF SOUTH TEXAS is a psychedelic romp through the Rio Grande Valley music scene. This collection of 10 punk rock fairy-tales offers a prismatic view of a subculture so rich that if it knew its own worth, it just might revolt against itself. This is the book you wish you had as a teenager, headphones on, waiting at a bus stop for a ride to the record store.

McAllen, Texas is the indie-rock capital of the world; or at least it would be, if all their bands didn't have the pesky habit of disintegrating before ever having their first big success. That's the central premise of Austinite Fernando A. Flores' literary debut, and anyone who's ever pawned their guitar to buy more beer will find much in this book to celebrate. Working from the conceit that all acts of creativity are vital to human happiness, no matter what the public reaction, Flores presents a smorgasbord of interconnected tales about artists who can't quite seem to get their act together--from the performance artist whose most important work was only ever seen by five people, to the revered punk singer who never recorded a single album, to the bar band who accidentally become pawns of a local political campaign--and shows how in all these cases, the mere existence of these artists is a magical antidote against day-to-day ennui and adversity, and that it's actually the rest of the squares who are the true bullshit artists. By turns hilarious, heartbreaking and infuriating, this compact story collection is a loving ode to small-town music scenes in all their messy glory, and a welcome slap in the face to our "Yes We Can" times.

One of Lit Hub and The Millions's Most Anticipated Books of 2019 and one of Buzzfeed and Tor.com's Books to Read This Spring “Funny, futuristic, phenomenal, Fernando A. Flores is from another galaxy. Fasten your seat belt. You are in for a stupendous ride.” —Sandra Cisneros A parallel universe. South Texas. Narcotics are legal and there’s a new contraband on the market: ancient Olmec artifacts, shrunken indigenous heads, and filtered animals—species of animals brought back from extinction to clothe, feed, and generally amuse the very wealthy. Esteban Bellacosa has lived in the border town of MacArthur long enough to know to keep quiet and avoid the dangerous syndicates who make their money through trafficking. But his simple life starts to get complicated when the swashbuckling investigative journalist Paco Herbert invites him to come to an illegal underground dinner serving filtered animals. Bellacosa soon finds himself in the middle of an increasingly perilous, surreal, psychedelic journey, where he encounters legends of the long-disappeared Aranaña Indian tribe and their object of worship: the mysterious Trufflepig, said to possess strange powers. Written with infectious verve, bold imagination, and oddball humor, Fernando A. Flores’s debut novel, Tears of the Trufflepig, is an absurdist take on life along the border, an ode to the myths of Mexican culture, a dire warning against the one percent’s determination to dictate society’s decline, and a nuanced investigation of loss. It’s also the perfect introduction for Flores: a wonderfully weird, staggeringly smart new voice in American fiction, and a mythmaker of the highest order.

"In this exuberantly strange story collection, Flores asks: Whose reality? What rules?" —Jean Chen Ho, author of The New York Times Book Review "These are marvelously unpredictable stories, anchored by Fernando A. Flores’s deadpan prose and his surefooted navigation of those overlapping territories, the real and the fantastic, where so much of the best contemporary fiction now lives." —Kelly Link, author of Get in Trouble Psychedelic, dazzling stories set in the cracks of the Texas-Mexico borderland, from an iconoclastic storyteller and the author of Tears of the Trufflepig. No one captures the border—its history and imagination, its danger, contradiction, and redemption—like Fernando A. Flores, whose stories reimagine and reinterpret the region’s existence with peerless style. In his immersive, uncanny borderland, things are never what they seem: a world where the sun is both rising and setting, and where conniving possums efficiently take over an entire town and rewrite its history. The stories in Valleyesque dance between the fantastical and the hyperreal with dexterous, often hilarious flair. A dying Frédéric Chopin stumbles through Ciudad Juárez in the aftermath of his mother’s death, attempting to recover his beloved piano that was seized at the border, while a muralist is taken on a psychedelic journey by an airbrushed Emiliano Zapata T-shirt. A woman is engulfed by a used-clothing warehouse with a life of its own, and a grieving mother breathlessly chronicles the demise of a town decimated by violence. In two separate stories, queso dip and musical rhythms are bottled up and sold for mass consumption. And in the final tale, Flores pieces together the adventures of a young Lee Harvey Oswald as he starts a music career in Texas. Swinging between satire and surrealism, grief and joy, Valleyesque is a boundary- and border-pushing collection from a one-of-a-kind stylist and voice. With the visceral imagination that made his debut novel, Tears of the Trufflepig, a cult classic, Flores brings his vision of the border to life—and beyond.

An anthology of near future science fiction from VICE’s acclaimed, innovative digital speculative story destination, Terraform—in print for the first time. Terraform hones the predictive capacity of science fiction and seeks new, vivid, and visceral ways to depict the future we’re hurtling toward, translating the decay and anxiety that surround us into something else, something unexpected, something that burns like a beacon and upends the conventional ideas of where we’ll end up next. Section by section—Watch/Worlds/Burn—the book takes on surveillance, artificial intelligence, and climate collapse. With a potent roster of established names and rising talents—from Bruce Sterling, Ellen Ullman, Cory Doctorow, Jeff VanderMeer, and Omar El Akkad, to E. Lily Yu, Elvia Wilk, Fernando Flores, Tochi Onyebuchi, and Gus Moreno—it confronts the issues that orbit our everyday existence, and takes them to unsettling dimensions.

This book, a sequel and companion volume to Marcus's Real Life Rock: The Complete Top Ten Columns, 1986-2014, is a collection of hundreds of items from the crisscrossing spectrum of culture and politics throughout the tumultuous past six years of American life. Tracking the evolution of national identity during the convulsive Trump administration, Marcus spotlights the most whip-smart cultural artifacts to compose a mosaic portrait of American society, replete with unexpected heroes and villains, absurdity and its consequences, humor and despair, terror and defiance--as seen through media, music, and more. Bursting with Marcus's effortless, no-nonsense, unapologetic verve, this book features seventy-three columns from 2014 through February 2021.

The perfect murder is a work of art. The final book in the New York Times–bestselling author’s sexy and suspenseful Raines of Wind Canyon series. In one catastrophic instant, Haley Warren’s father was taken from her. She knows the explosion that killed him was no accident. Tyler Brodie, the provocative and handsome P.I. hired by Haley, discovers that her father was investigating a suspected art theft. As Haley and Ty get closer to the truth, the truth gets ugly: Did Haley’s dad know too much . . . or was he in on the take? And although Ty’s a consummate professional, he’s having trouble focusing on the facts of the case, and not the figure of his gorgeous client. The two are determined to get to the bottom of the case, even if it means they die trying. Praise for Kat Martin “Kat Martin is a fast gun when it comes to storytelling, and I love her books.” —Linda Lael Miller, #1 New York Times–bestselling author “It doesn’t matter what Martin’s characters are up against—she dishes up romantic suspense, sizzling sex . . . and fans are going to be the winners.” —RT Book Reviews