Death Watch

"An exciting novel of suspense, based on a fight to the finish between an honest and courageous young man and a cynical business tycoon who believes that anything can be had for a price."--Horn Book. An ALA Best of the Best Books for Young Adults, Edgar Allan Poe Mystery Writers Award, A New York Times Outstanding Book of the Year, New York Public Library--Books for the Teen Age.

When seventeen-year-old Silas Umber's father disappears, Silas is sure it is connected to the powerful artifact he discovers, combined with his father's hidden hometown history, which compels Silas to pursue the path leading to his destiny and ultimately, to the discovery of his father, dead or alive.

Action packed novel featuring the galaxies foremost alien hunting taskforce, the Deathwatch. Led by Librarian Karras, the elite alien-hunting Talon Squad must penetrate a genestealer lair and put the abominations to the flame or face the consequences of an entire planet's extinction. Gathered from the many Chapters of Space Marines, the Deathwatch are elite, charged with defending the Imerium of Man from aliens. Six Space Marines, strangers from different words, make up Talon Squad. On 31-Caro, a new terror has emerged, a murderous shadow that stalks the dark, and only the Deathwatch can stop it. Underthe direction of a mysterious Inquisitor Lord known only as Sigma, they must cleanse this planet or die in the attempt.

YOU HAVE BEEN SELECTED FOR DEATH STOP PRECISELY FORTY-EIGHT HOURS FROM THE TIME OF THIS TRANSMISSION YOU WILL DIE STOP THIS IS AN OFFICIAL DEATH WATCH NOTICE STOP Rookie news reporter Sydney St. James found the first Death Watch notice in a vehicle at the scene of a fatal accident. That was just hours ago. Now other notices are turning up worldwide—and Sydney finds herself paired with renowned international newscaster Hunz Vonner in a desperate attempt to unmask the terrorists. The wording of the notices is always the same—as are the results. There is no pattern to the victims’ deaths. Every attempt to save the recipients fails. Government agencies and news organizations are stumped. Then it gets personal. People close to Sydney begin receiving Death Watch notices. The clock is ticking . . . and suddenly, Sydney finds herself in possession of an astonishing secret. It could break the power of Death Watch, save the lives of those she loves . . . and ruin her forever.

'An outstanding series' NEW YORK TIMES BOOK REVIEW A Bill Slider Mystery The lot of the working copper is getting harder: new regulations, regular rousting by the top brass, a budget tighter than a Victoria corset and a DC who thinks he's in a John Le Carré novel makes it a trying time for Detective inspector Bill Slider. Then when a noted womanizer dies in mysterious fire in a sleazy motel and the whole of his murky past comes to light, Slider begins to question whether this was suicide... or murder. And that's not the only thing Slider is questioning. As soon as he's solved the motel mystery, Bill is going to have to put his own house in order... Praise for the Bill Slider series: 'Slider and his creator are real discoveries' Daily Mail 'Sharp, witty and well-plotted' Times 'Harrod-Eagles and her detective hero form a class act. The style is fast, funny and furious - the plotting crisply devious' Irish Times

In the shadowy hallway of clockmaker Johannes Carver's house a policeman is found murdered, the arrow-tipped minute hand of an antique clock embedded in his neck. For Dr Gideon Fell this is the only case that has ever really frightened him, and before he can solve it he must find answers to some seemingly impossible questions: why was Calvin Boscombe standing near the corpse with a silencer on his gun? Who locked the attic door? And what has become of the sixteenth-century death-watch?

The topics covered in this volume include: how capital cases are different in the legal process how death penalty offenders are selected the selective application of the death penalty to women and juveniles problems in providing competent counsel to death penalty defendants medical issues related to organ donation and physician participation in executions the execution of blacks for rape in the South how the death penalty was imposed and carried out in the past reflections on death row life by inmates under death sentence the last words of men and women before execution the dilemma of defending the innocent on death row feature articles on two Louisiana inmates, Antonio James and John A. Brown, Jr., executed in 1996 and 1997 the ethics of the death penalty today

The first book to unpack American cinema's long history of representing death, this work considers movie sequences in which the process of dying becomes an exercise in legibility and exploration for the camera. Reading attractions-based cinema, narrative films, early sound cinema, and films using voiceover or images of medical technology, C. Scott Combs connects the slow or static process of dying to formal film innovation throughout the twentieth century. He looks at Thomas Edison's Electrocuting an Elephant (1903), D. W. Griffith's The Country Doctor (1909), John Ford's How Green Was My Valley (1941), Billy Wilder's Sunset Boulevard (1950), Stanley Kubrick's 2001: A Space Odyssey (1968), and Clint Eastwood's Million Dollar Baby (2004), among other films, to argue against the notion that film cannot capture the end of life because it cannot stop moving forward. Instead, he shows how the end of dying occurs more than once and in more than one place, understanding death in cinema as constantly in flux, wedged between technological precision and embodied perception.