Decadence And Danger

From the New York Times columnist and bestselling author of Bad Religion, a “clever and stimulating” (The New York Times Book Review) portrait of how our turbulent age is defined by dark forces seemingly beyond our control. The era of the coronavirus has tested America, and our leaders and institutions have conspicuously failed. That failure shouldn’t be surprising: Beneath social-media frenzy and reality-television politics, our era’s deep truths are elite incompetence, cultural exhaustion, and the flight from reality into fantasy. Casting a cold eye on these trends, The Decadent Society explains what happens when a powerful society ceases advancing—how the combination of wealth and technological proficiency with economic stagnation, political stalemate, and demographic decline creates a unique civilizational crisis. Ranging from the futility of our ideological debates to the repetitions of our pop culture, from the decline of sex and childbearing to the escapism of drug use, Ross Douthat argues that our age is defined by disappointment—by the feeling that all the frontiers are closed, that the paths forward lead only to the grave. Correcting both optimism and despair, Douthat provides an enlightening explanation of how we got here, how long our frustrations might last, and how, in renaissance or catastrophe, our decadence might ultimately end.

The first holistic reappraisal of the significance of the decadent movement, from the 1900s through the 1930s. Decadence in the Age of Modernism begins where the history of the decadent movement all too often ends: in 1895. It argues that the decadent principles and aesthetics of Oscar Wilde, Walter Pater, Algernon Swinburne, and others continued to exert a compelling legacy on the next generation of writers, from high modernists and late decadents to writers of the Harlem Renaissance. Writers associated with this decadent counterculture were consciously celebrated but more often blushingly denied, even as they exerted a compelling influence on the early twentieth century. Offering a multifaceted critical revision of how modernism evolved out of, and coexisted with, the decadent movement, the essays in this collection reveal how decadent principles infused twentieth-century prose, poetry, drama, and newspapers. In particular, this book demonstrates the potent impact of decadence on the evolution of queer identity and self-fashioning in the early twentieth century. In close readings of an eclectic range of works by Virginia Woolf, James Joyce, and D. H. Lawrence to Ronald Firbank, Bruce Nugent, and Carl Van Vechten, these essays grapple with a range of related issues, including individualism, the end of Empire, the politics of camp, experimentalism, and the critique of modernity. Contributors: Howard J. Booth, Joseph Bristow, Ellen Crowell, Nick Freeman, Ellis Hanson, Kate Hext, Kirsten MacLeod, Kristin Mahoney, Douglas Mao, Michèle Mendelssohn, Alex Murray, Sarah Parker, Vincent Sherry

‘A riveting account of the pre-First World War years . . . The Age of Decadence is an enormously impressive and enjoyable read.’ Dominic Sandbrook, Sunday Times ‘A magnificent account of a less than magnificent epoch.’ Jonathan Meades, Literary Review The folk-memory of Britain in the years before the Great War is of a powerful, contented, orderly and thriving country. She commanded a vast empire. She bestrode international commerce. Her citizens were living longer, profiting from civil liberties their grandparents only dreamt of, and enjoying an expanding range of comforts and pastimes. The mood of pride and self-confidence is familiar from Elgar’s Pomp and Circumstance marches, newsreels of George V’s coronation and the London’s great Edwardian palaces. Yet things were very different below the surface. In The Age of Decadence Simon Heffer exposes the contradictions of late-Victorian and Edwardian Britain. He explains how, despite the nation’s massive power, a mismanaged war against the Boers in South Africa created profound doubts about her imperial destiny. He shows how attempts to secure vital social reforms prompted the twentieth century’s gravest constitutional crisis and coincided with the worst industrial unrest in British history. He describes how politicians who conceded the vote to millions more men disregarded women so utterly that female suffragists’ public protest bordered on terrorism. He depicts a ruling class that fell prey to degeneracy and scandal. He analyses a national psyche that embraced the motor-car, the sensationalist press and the science fiction of H. G. Wells, but also the Arts and Crafts of William Morris and the nostalgia of A. E. Housman. And he concludes with the crisis that in the summer of 1914 threatened the existence of the United Kingdom – a looming civil war in Ireland. He lights up the era through vivid pen-portraits of the great men and women of the day – including Gladstone, Parnell, Asquith and Churchill, but also Mrs Pankhurst, Beatrice Webb, Baden-Powell, Wilde and Shaw – creating a richly detailed panorama of a great power that, through both accident and arrogance, was forced to face potentially fatal challenges. ‘A devastating critique of prewar Britain . . . disturbingly relevant to the world in which we live.’ Gerard DeGroot, The Times ‘You won’t put it down . . . A really riveting read.’ Rana Mitter, BBC Radio 3 Free Thinking

This book investigates how we should form ourselves in a world saturated with technologies that are profoundly intruding in the very fabric of our selfhood. New and emerging technologies, such as smart technological environments, imaging technologies and smart drugs, are increasingly shaping who and what we are and influencing who we ought to be. How should we adequately understand, evaluate and appreciate this development? Tackling this question requires going beyond the persistent and stubborn inside-outside dualism and recognizing that what we consider our "inside" self is to a great extent shaped by our "outside" world. Inspired by various philosophers – especially Nietzsche, Peirce and Lacan –this book shows how the values, goals and ideals that humans encounter in their environments not only shape their identities but also enable them to critically relate to their present state. The author argues against understanding technological self-formation in terms of making ourselves better, stronger and smarter. Rather, we should conceive it in terms of technological sublimation, which redefines the very notion of human enhancement. In this respect the author introduces an alternative, more suitable theory, namely Technological Sublimation Theory (TST). Extimate Technology will be of interest to scholars and advanced students working in philosophy of technology, philosophy of the self, phenomenology, pragmatism, and history of philosophy. The Open Access version of this book, available at http://www.taylorfrancis.com/books/9781003139409, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

From the New York Times columnist and bestselling author of Bad Religion, a powerful portrait of how our wealthy, successful society has passed into an age of gridlock, stalemate, public failure and private despair. Today the Western world seems to be in crisis. But beneath our social media frenzy and reality television politics, the deeper reality is one of drift, repetition, and dead ends. The Decadent Society explains what happens when a rich and powerful society ceases advancing—how the combination of wealth and technological proficiency with economic stagnation, political stalemates, cultural exhaustion, and demographic decline creates a strange kind of “sustainable decadence,” a civilizational languor that could endure for longer than we think. Ranging from our grounded space shuttles to our Silicon Valley villains, from our blandly recycled film and television—a new Star Wars saga, another Star Trek series, the fifth Terminator sequel—to the escapism we’re furiously chasing through drug use and virtual reality, Ross Douthat argues that many of today’s discontents and derangements reflect a sense of futility and disappointment—a feeling that the future was not what was promised, that the frontiers have all been closed, and that the paths forward lead only to the grave. In this environment we fear catastrophe, but in a certain way we also pine for it—because the alternative is to accept that we are permanently decadent: aging, comfortable and stuck, cut off from the past and no longer confident in the future, spurning both memory and ambition while we wait for some saving innovation or revelations, growing old unhappily together in the glowing light of tiny screens. Correcting both optimists who insist that we’re just growing richer and happier with every passing year and pessimists who expect collapse any moment, Douthat provides an enlightening diagnosis of the modern condition—how we got here, how long our age of frustration might last, and how, whether in renaissance or catastrophe, our decadence might ultimately end.

Haworth's concerns are urgent. Modern society, he argues, threatens to collapse under the burden of mindless growth. Its demands have begun to exhaust the world's resources. The pursuit of growth has hollowed out our social foundations. Advanced technology has emancipated us from toil but condemned us to work that is perceived as meaningless. The dissolution of traditional communities has resulted in a society which has no sense of common concern or public purpose. Most people live largely in private spheres, and value the public sphere only for its capacity to improve their private lives, a function which is exercised unevenly and is largely incidental to its purpose. Modern urban society is characterized by its 'decadence,' a pervasive lack of inspiring vision. In this book Haworth concerns himself with the conceptual foundations of social order and the options for a future society. He analyses two sharply contrasting systems, the one committed to individual satisfaction and independence and the other based on collective values and rewards. Both would retain advanced technology but restrain consumption. The leisure-oriented society would reduce the hours of work at a sacrifice of efficiency and at the expense of individual determination. This analysis provides the basis for a new model of what Haworth calls an 'objective' society, based on the ideals of responsibility, leisureliness, and professionalism. These ideals imply a sympathetic yet not strictly custodial attitude towards the natural world, a responsible use of human creativity and natural potential, a sense of absorption in the present (in the original Greek sense of leisure which is contrasted with the more recent association of leisure with discretionary time), and above all a sense of professional commitment. Commitment links individuals who locate the point of their lives outside themselves and their private interests in some work for which they have a distinctive talent and in the pursuit of which they experience a meaningful, shared existence. Lawrence Howarth offers a model, not a blueprint, but it is one that political scientists, economists, sociologists, urban planners, and all who are committed to improving the design of our society should consider carefully.

Who: Griffin Stone, tenth Duke of Rotherham. What: A disheveled woman who is nearly trampled by his carriage horses. When: Late one summer night while the Duke is in pursuit of would-be assassins. Why: When the mysterious beauty's identity is revealed as Lady Beatrix Stanton, Griffin realizes it's she who holds the key to everything. Bea's memory must be unlocked, but with every second in her presence inflaming Griffin's desire, keeping his mind on the task ahead proves nigh on impossible!