Deconstructing The Nation

Deconstructing the Nation examines the connection between racism and the development of the nation-state in modern France. The author raises important questions about the nature of citizenship rights in modern French society and contributes to wider European debates on citizenship. By challenging the myths of the modern French nation Maxim Silverman opens up the debate on questions of immigration, racism, the nation and citizenship in France to non-French speaking readers. Until quite recently these matters have largely been ignored by researchers in Britain and the USA. However, European integration has made it essential to look beyond national frontiers. The major part of his analysis concerns the period from the end of the 1960s to the beginning of the 1990s. Yet contemporary developments are placed in a historical context: first through a consideration of the construction of the modern question of immigration since the second half of the nineteenth century, and second through a survey of political, economic and social developments since 1945. There are analyses of the major debates on nationality in 1987 and the headscarf' affair of 1989. Finally questions of immigration, racism and citizenship are considered within the framework of European integration.

This book analyses contemporary French films by focussing closely on cinematic representations of immigrants and residents of suburban housing estates known as banlieues. It begins by examining how these groups are conceived of within France's Republican political model before analysing films that focus on four key issues. Firstly, it will assess representations of undocumented migrants known as sans-papiers before then analysing depictions of deportations made possible by the controversial double peine law. Next, it will examine films about relations between young people and the police in suburban France before exploring films that challenge cliches about these areas. The conclusion assesses what these films show about contemporary French political cinema. Introduction Chapter One: Cinema and the Republic Chapter Two: T he Sans-papiers on Screen – Contextualising Immigrant Experiences in Film Chapter Three: Double peine: The Challenges of Mobilising Support for Foreign Criminals via Cinema Chapter Four: C hallenging or Perpetuating Clichés? Young People and the Police in France’s Banlieues Chapter Five: C hallenging Stereotypes about France’s Banlieues by Shifting the Focus? Conclusion Notes Filmography and Bibliography Index

By providing a unique combination of theories on the state, on territoriality and on governance, The Disoriented State explores the relationship between state governmentality and specific forms of policy making. The Disoriented State begins with a theorisation of these new modes of territoriality, governmentality and governance by three prominent scholars in the field: Neil Brenner, Phil Cerny and Bob Jessop. This is followed by a series of in-depth case studies which manifest the variety as well the various forms of co-constitution between state governmentality, new modes of governance and policy-making, focusing on migration, spatial economic policy, city-marketing, urban development, water management and environmental policy.

This volume in the Political Theory and Contemporary Philosophy series provides a political and philosophical critique of Zionism. While other nationalisms seem to have adapted to twenty-first century realities and shifting notions of state and nation, Zionism has largely remained tethered to a nineteenth century mentality, including the glorification of the state as the only means of expressing the spirit of the people. These essays, contributed by eminent international thinkers including Slavoj Zizek, Luce Irigaray, Judith Butler, Gianni Vattimo, Walter Mignolo, Marc Ellis, and others, deconstruct the political-metaphysical myths that are the framework for the existence of Israel.Collectively, they offer a multifaceted critique of the metaphysical, theological, and onto-political grounds of the Zionist project and the economic, geopolitical, and cultural outcomes of these foundations. A significant contribution to the debates surrounding the state of Israel today, this groundbreaking work will appeal to anyone interested in political theory, philosophy, Jewish thought, and the Middle East conflict.

Barbara Crain Major and Joseph Barndt bring ninety combined years of experience as community organizers, teachers, and anti-racism trainers in community and church settings to this book. In Deconstructing Racism, they propose the deconstruction of racism's roots within systems and institutions that have been created, both structurally and legally, to serve white people. The authors propose that the deconstruction of racism must take place through the reconstruction of these systems and institutions. The authors seek to unmask the complexities of racism and the invisible patterns that keep it in place. There is no quick fix, but they believe racism can be deconstructed and undone. In order to do this, they identify and address race-based identity, history, and cultural issues rooted in current systems. Three chapters specifically address societal systems and provide anti-racism strategies for community organizers. Three chapters address racism as rooted in systems in the church and challenge people of faith to seek racial healing through understanding, honest confession, true reconciliation, and reconstructed church institutions. A final chapter outlines a way forward to and through a new era of anti-racist reconstruction. This way forward includes a new anti-racist mission statement, a new model of decision-making power, and new processes for accountability.

The human condition has continued to improve phenomenally in today’s world with the development of technology and medicine. This includes developing countries in areas such as Africa, Asia, and South America. Despite the emergence of economy, education, and infrastructure in these regions, media outlets continue to forego their advancements in favor of the negativities that plague these states such as poverty, hunger, and corruption. There is a need to research international media portrayals of the less developed world to ascertain the myth that these areas are still struggling. Deconstructing Images of the Global South Through Media Representations and Communication provides emerging research exploring the theoretical and practical aspects of how global media analyzes developing countries. Featuring coverage on a broad range of topics such as cultural affirmation, online platforms, and audience perception, this book is ideally designed for communications specialists, journalists, broadcasters, newscasters, conflict photographers, media practitioners, policymakers, international relation experts, column writers/editors, students, politicians, government officials, researchers, and academicians seeking current research on the world’s perception of developing countries through media coverage.