Deconstruction For Beginners

Deconstruction is so labyrinthine (and rumored to be fatal) that it’s become the monster that murdered philosophy. When Jacques Derrida, the father of deconstruction, uses buzz-words such as “phallogocentrism” and “transcendental signified,” humanities students and aspiring philosophers may get weak in the knees. Following up on the success of Derrida For Beginners, Jim Powell’s Deconstruction For Beginners is an irreverent romp through deconstructive domains. Though Powell offers lucid explanations of the most important deconstructive ideas and texts, he also dive into lesser known works. One of these, The Right to Look, finds Derrida offering his thoughts on a photo-novella consisting of images of women making love with each other. Powell then goes on to explore how deconstruction, like an unruly mistress, has escaped Derrida, especially in the realm of architecture. Then, based on Derrida’s assertion that deconstruction happens differently in different cultures, Powell examines how – through Buddhism and Taoism – deconstruction took place in ancient India, Japan, and China.

The father of modern-day electricity and considered by some to be the ultimate “mad scientist,” Nikola Tesla filed nearly 300 patents in his lifetime. Many of these patents resulted in functioning inventions; others were little more than wide-eyed dreams—or still await possible development. Tesla For Beginners examines the man behind the alternating current and wireless technologies who traveled from Serbia by steamship to arrive in the United States with only four cents in his pocket. It was in the early 1880s, at the tail end of the Industrial Revolution and the beginning of the Second Industrial Revolution, that America beckoned him. Nikola Tesla—a poet of invention—left behind a vast and intriguing legacy. He was a scientist, physicist, mathematician, electrical engineer, and extensively published author who spent his last decades scraping for funding for celestial projects and living out his final days in penurious solitude with a pigeon.

Proust For Beginners is a compelling biography of French novelist Marcel Proust and a vivid portrait of his times. It also serves as a concise guide and critical review of In Search of Lost Time (À la recherche du temps perdu, 7 volumes, 1913–1927), one of the most difficult—yet widely taught—works of French literature. With extensive passages from In Search of Lost Time and other essential works, Proust For Beginners highlights the defining themes and unique literary style of a modern master whom many have heard about but few fully fathom. It portrays Proust and the milieu in which he wrote in vivid detail, bringing to life the “Proustian moments” at the heart of his greatest work—and our own everyday experience. Proust’s masterpiece “begins in a series of rooms in which he unlocks themes, styles, references, and foreshadows,” writes Harold Augenbraum in the foreword. Proust For Beginners will provide the key.

Libertarianism isn’t about winning elections; it is first and foremost a political philosophy—a description of how, in the opinion of libertarians, free people ought to treat one another, at least when they use the law, which they regard as potentially dangerous. If libertarians are correct, the law should intrude into people’s lives as little as possible, rarely telling them what to do or how to live. A political and economic philosophy as old as John Locke and John Stuart Mill, but as alive and timely as Rand Paul, the Tea Party, and the novels of Ayn Rand, libertarianism emphasizes individual rights and calls for a radical reduction in the power and size of government. Libertarianism For Beginners lays out the history and principles of this often-misunderstood philosophy in lucid, dispassionate terms that help illuminate today’s political dialogue.

Many people consider Morrison’s novels difficult to read. Most of her readers have at least one book on their shelves that they couldn’t finish or, when they did finish one, just scratched their heads in confusion. And when we think we are sure we know what she’s writing about, it turns out we are half wrong or only getting the tip of the iceberg instead of the whole, beautiful, brooding thing. Toni Morrison For Beginners is about the woman, her books, her mission, her word music, and all that subtext in her writings. Morrison’s books are like the ocean: the surface is beautiful but everything that gives them life lies beneath. She’s the kind of writer who can change your life and this book is here to help you navigate the words and the woman.

Despite the widespread popularity of Buddhist practices (like meditation), there is little understanding of the complex philosophy behind Buddhism. The historical Buddha, Gautama, was a real person—a radical—who challenged the religious leaders of his day. Buddha For Beginnersintroduces the reader to the historical Buddha, to the ideas that made him change his life, and to the fascinating philosophical debates that engaged him and formed the core of Buddhism. Buddha For Beginners compares Buddha’s philosophy with those of his contemporaries, the later Buddhist schools, and Western Philosophy. The book includes a survey, distinguishing the philosophical differences among later schools of Buddhism, such as Theravada, Madhyamaika, Tantric, Zen, and others. Buddha For Beginners is not a book you read, it is a book you experience. It makes you stop and close your eyes. Through some magical combination of words, drawings, and intuitive wisdom, Buddha For Beginners conveys not only the facts of Buddhism, but the peace, the silence...the feel of it. It is historically accurate, spiritually challenging, and the white spaces mean as much as the words.

Charles Bukowski, poet, novelist, short-story writer, journalist, and cult figure of the dissident and rebellious was born in Germany in 1920 and died in the USA in 1994. During his life he was hailed as "laureate of American lowlife" by Time magazine literary critic Adam Kirsch of The New Yorker wrote: "The secret of Bukowski's appeal...(is that) he combines the confessional poet's promise of intimacy with the largerthan-life aplomb of a pulp-fiction hero." Bukowski was one of the most unconventional writers and cultural critics of the 20th century. He lived an unorthodox, idiosyncratic life and wrote in a style that was unique—one that is impossible to classify or categorize. His work was at times cynical or humorous, but was always brilliant and challenging. His life and work are distinguished not only by a remarkable talent for words, but also by his rejection of the dominant social and cultural values of American society. Bukowski began writing at the age of forty and published forty-five books, six of them novels. He is also considered one of the great literary voices of Los Angeles. In Bukowski For Beginners, playwright Carlos Polimeni evaluates the life and literary achievements of the cult writer whose voice of dissidence and discontent is still heard and appreciated by readers worldwide.

Stanislavski was the first person to develop a cogent and practical system of acting. Throughout his life he sought the answers to such fundamental questions as: "What is great acting?" and "How can you find inspiration in every performance?" Stanislavski remains the most important influence on actor training today, and yet many of his ideas are little known, or even misunderstood. Stanislavski For Beginners charts the development of the Stanislavski system. It includes a clear exposition of the key elements of the system and explores his Method of Physical Actions, which he worked on in the years before his death, and which he called “the result of my whole life’s work.”