Deep South Dispatch

Former New York Times correspondent John N. Herbers (1923-2017), who covered the civil rights movement for more than a decade, has produced Deep South Dispatch: Memoir of a Civil Rights Journalist, a compelling story of national and historical significance. Born in the South during a time of entrenched racial segregation, Herbers witnessed a succession of landmark civil rights uprisings that rocked the country, the world, and his own conscience. Herbers's retrospective is a timely and critical illumination on America's current racial dilemmas and ongoing quest for justice. Herbers's reporting began in 1951, when he covered the brutal execution of Willie McGee, a black man convicted for the rape of a white housewife, and the 1955 trial for the murder of Emmett Till, a black teenager killed for allegedly whistling at a white woman. With immediacy and first-hand detail, Herbers describes the assassination of John F. Kennedy; the death of four black girls in the Birmingham, Alabama, church bombing; extensive travels and interviews with Martin Luther King Jr.; Ku Klux Klan cross-burning rallies and private meetings; the Freedom Summer murders in Philadelphia, Mississippi; and marches and riots in St. Augustine, Florida, and Selma, Alabama, that led to passage of national civil rights legislation. This account is also a personal journey as Herbers witnessed the movement with the conflicted eyes of a man dedicated to his southern heritage but who also rejected the prescribed laws and mores of a prejudiced society. His story provides a complex understanding of how the southern status quo, in which the white establishment benefited at the expense of African Americans, was transformed by a national outcry for justice.

First published in 1941, Deep South is the cooperative effort of a team of social anthropologists to document the economic, racial, and cultural character of the Jim Crow South through a study of a representative rural Mississippi community. Researchers Allison Davis, Burleigh B. Gardner, and Mary R. Gardner lived among the people of Natchez, Mississippi, as they investigated how class and caste informed daily life in a typical southern community. This Southern Classics edition of their study offers contemporary students of history a provocative collection of primary material gathered by conscientious and well-trained participant-observers, who found then, as now, intertwined social and economic inequalities at the root of racial tensions. Expanding on earlier studies of community stratification by social class, researchers in the Deep South Project introduced the additional concept of caste, which parsed a community through rigid social ranks assigned at birth and unalterable through life, a concept readily identifiable in the racial divisions of the Jim Crow South. As African American researchers, Davis and his wife, Elizabeth, along with his assistant St. Clair Drake, were able to gain unrivaled access to the black community in rural Mississippi, unavailable to their white counterparts. Through their interviews and experiences, the authors vividly capture the nuances in caste-enforcing systems of tenant-landlord relations, local government, and law enforcement. But the chief achievement of Deep South is its rich analysis of how the southern economic system, and sharecropping in particular, functioned to maintain rigid caste divisions along racial lines. In the new introduction to this edition, Jennifer Jensen Wallach situates this germinal study within the field of social anthropology and against the backdrop of similar community studies of the era. She also details the subsequent careers of this distinguished team of researchers.

Beauregard Forrest is a cub reporter at the the Standard Dispatch in Birmingham, Alabama. Mostly assigned to write obituaries. eauregard has never had his stories make it beyond Section b, page 4 of the paper-hence his nickname, B-Four. Butt of the newsroom jokes, B-Four longs for a bigger story, a scoop that will make his name-or at least change his nickname. His father, a bank president and leading Civil War reenactor, is the very image of General Robert E. Lee: his brother Jackson is a former football star. How B-Four pursues his dreamed-of scoop is a sweetly funny, deliciously Southern novel.

Making it in Hell, says Bruce Jackson, is the spirit behind the sixty-five work songs gathered in this eloquent dispatch from a brutal era of prison life in the Deep South. Through engagingly documented song arrangements and profiles of their singers, Jackson shows how such pieces as "Hammer Ring," "Ration Blues," "Yellow Gal," and "Jody's Got My Wife and Gone" are like no other folk music forms: they are distinctly African in heritage, diminished in power and meaning outside their prison context, and used exclusively by black convicts. The songs helped workers through the rigors of cane cutting, logging, and cotton picking. Perhaps most important, they helped resolve the men's hopes and longings and allowed them a subtle outlet for grievances they could never voice when face-to-face with their jailers.

Memoir by former sharecropper, steel worker and organizer of struggles a black man in the south.

“[A] vivid . . . quest for roots. . . . Splendid.” —The New York Times Book Review Growing up in the small river town of Moline, Illinois, Diane Johnson always dreamed of venturing off to see the world—and did. Now having traveled widely and lived part-time in Paris for many years, she is stung when a French friend teases her about Americans’ indifference to history. Could it be true? The j’accuse haunts Diane and inspires her to dig into her family’s past, working back from the Friday night football of her youth to the adventures illuminated in the letters and memoirs of her stalwart pioneer ancestors—beginning with a lonely young soldier who came to America from France in 1711. As enchanting as her bestselling novels, Flyover Lives is a moving examination of identity and the “wispy but material” family ghosts who shape us. As Johnson pays tribute to her deep Midwestern roots, she captures the perpetual tug-of-war between the magnetic pull of home and our lust for escape and self-invention.

In September 1962, James Meredith became the first African American admitted to the University of Mississippi. A milestone in the civil rights movement, his admission triggered a riot spurred by a mob of three thousand whites from across the South and all but officially stoked by the state's segregationist authorities. Historians have called the Oxford riot nothing less than an insurrection and the worst constitutional crisis since the Civil War. The escalating conflict prompted President John F. Kennedy to send twenty thousand regular army troops, in addition to federalized Mississippi National Guard soldiers, into the civil unrest (ten thousand into the town itself) to quell rioters and restore law and order. James Meredith and the Ole Miss Riot is the memoir of one of the participants, a young army second lieutenant named Henry Gallagher, born and raised in Minnesota. His military police battalion from New Jersey deployed, without the benefit of riot-control practice or advance briefing, into a deadly civil rights confrontation. He was thereafter assigned as the officer-in-charge of Meredith's security detail at a time when he faced very real threats to his life. Gallagher's first-person account considers the performance of his fellow soldiers before and after the riot. He writes of the behavior of the white students, some of them defiant, others perceiving a Communist-inspired Kennedy conspiracy in Meredith's entry into Mississippi's “flagship” university. The author depicts the student, Meredith, a man who at times seemed disconnected with the violent reality that swirled around him, and who even aspired to be freed of his protectors so that he could just be another Ole Miss student. James Meredith and the Ole Miss Riot is both an invaluable perspective on a pivotal moment in American history and an in-depth look at a unique home front military action. From the vantage of the fiftieth anniversary of the riot, Henry T. Gallagher reveals the young man he was in the midst of one of history's most profound tests, a soldier from the Midwest encountering the powder keg of the Old South and its violent racial divisions.