Demonizing The Queen Of Sheba

Over the centuries, Jewish and Muslim writers transformed the biblical Queen of Sheba from a clever, politically astute sovereign to a demonic force threatening the boundaries of gender. In this book, Jacob Lassner shows how successive retellings of the biblical story reveal anxieties about gender and illuminate the processes of cultural transmission. The Bible presents the Queen of Sheba's encounter with King Solomon as a diplomatic mission: the queen comes "to test him with hard questions," all of which he answers to her satisfaction; she then praises him and, after an exchange of gifts, returns to her own land. By the Middle Ages, Lassner demonstrates, the focus of the queen's visit had shifted from international to sexual politics. The queen was now portrayed as acting in open defiance of nature's equilibrium and God's design. In these retellings, the authors humbled the queen and thereby restored the world to its proper condition. Lassner also examines the Islamization of Jewish themes, using the dramatic accounts of Solomon and his female antagonist as a test case of how Jewish lore penetrated the literary imagination of Muslims. Demonizing the Queen of Sheba thus addresses not only specialists in Jewish and Islamic studies, but also those concerned with issues of cultural transmission and the role of gender in history.

Relating the Muslim understanding of Moses in the Qur'an to the Epic of Gilgamesh, Alexander Romances, Aramaic Targums, Rabbinic Bible exegesis, and folklore from the ancient and medieval Mediterranean, this book shows how Muslim scholars authorize and identify themselves through allusions to the Bible and Jewish tradition. Exegesis of Qur'an 18:60-82 shows how Muslim exegetes engage Biblical theology through interpretation of the ancient Israelites, their prophets, and their Torah. This Muslim use of a scripture shared with Jews and Christians suggests fresh perspectives for the history of religions, Biblical studies, cultural studies, and Jewish-Arabic studies.

Through Solomon and his place in the larger consciousness of Israel, Walter Brueggemann considers what narratives reveal about the ideals of the ancient Israelite people. Paying attention to nuances of the biblical text, he exposes the competing voices that claim to offer a reliable rendering of Solomon and invites critique of accepted beliefs.

This volume offers a close reading of the historical books of I and II Kings, concentrating on not only issues in the history of Israel but also the literary techniques of storytelling used in these books.

Exploring how the depiction of otherness or alterity during the Middle Ages became problematic in the aesthetics of the Romance epics written during the centuries of the Crusades, this book offers a vital contribution to the growing interest in the way foreign women are presented in the texts of the Latin West and will be of consuming interest to students in women's studies, cultural studies, and medieval literature.The texts considered are written in the major European languages of the time and range from the Song of Songs through Geoffrey of Vinsauf's Poetria Nova to such epics and romances as Erec et Enide,Doon de Maience, Fierabras, La Prise d'Orange, Ars Versificatoria, The Sowdone of Babylone, and Parzifal.

This collection presents the sacred legends and spiritual reflections of numerous works that were lost, neglected, or suppressed for many centuries.

Discussing the Bible and the Qur'an in one breath will surprise some Jews, Christians, and Muslims. But Anton Wessels argues that all three traditions must read the Scriptures together and not against each other. As his book title suggests, the three books, in the end, are actually one tale. Wessels accepts Muhammad as a prophet and takes the Qur'an seriously as Holy Scripture along with the Old and New Testaments -- without giving up his own Christian convictions. Respectfully reading the Torah, the Gospel, and the Qur'an together, he argues, is of crucial importance: our world often sees these religious books as the cause of conflicts rather than the solution to them.

"The most comprehensive account of its subject now available, this impressive study lives up to the encyclopedic promise of its title." -- Choice The Hebrew Folktale seeks to find and define the folk-elements of Jewish culture. Through the use of generic distinctions and definitions developed in folkloristics, Yassif describes the major trends -- structural, thematic, and functional -- of folk narrative in the central periods of Jewish culture.