Denying Her Voice

Hanna Tervanotko first analyzes the treatment and development of Miriam as a literary character in ancient Jewish texts, taking into account all the references to this figure preserved in ancient Jewish literature from the exilic period to the early second century C.E.: Exodus 15:20-21; Deuteronomy 24:8-9; Numbers 12:1-15; 20:1; 26:59; 1 Chronicles 5:29; Micah 6:4, the Septuagint, the Dead Sea Scrolls (4Q365 6 II, 1-7; 4Q377 2 I, 9; 4Q543 1 I, 6 = 4Q545 1 I, 5; 4Q546 12, 4; 4Q547 4 I, 10; 4Q549 2, 8), Jubilees 47:4; Ezekiel the Tragedian 18; Demetrius Chronographer frag. 3; texts by Philo of Alexandria: De vita contemplativa 87; Legum allegoriae 1.76; 2.66-67; 3.103; De agricultura 80-81; Liber antiquitatum biblicarum 9:10; 20:8, and finally texts by Josephus: Antiquitates judaicae 2.221; 3.54; 3.105; 4.78. These texts demonstrate that the picture of Miriam preserved in the ancient Jewish texts is richer than the Hebrew Bible suggests. The results provide a contradictory image of Miriam. On the one hand she becomes a tool of Levitical politics, whereas on the other she continues to enjoy a freer role. People continued to interpret earlier literary traditions in light of new situations, and interpretations varied in different contexts. Second, in light of poststructuralist literary studies that treat texts as reflections of specific social situations, Tervanotko argues that the treatment of Miriam in ancient Jewish literature reflects mostly a reality in which women had little space as active agents. Despite the general tendency to allow women only little room, the references to Miriam suggest that at least some prominent women may have enjoyed occasional freedom.

Hanna Tervanotko first analyzes the treatment and development of Miriam as a literary character in ancient Jewish texts, taking into account all the references to this figure preserved in ancient Jewish literature from the exilic period to the early second century C.E.: Exodus 15:20-21; Deuteronomy 24:8-9; Numbers 12:1-15; 20:1; 26:59; 1 Chronicles 5:29; Micah 6:4, the Septuagint, the Dead Sea Scrolls (4Q365 6 II, 1-7; 4Q377 2 I, 9; 4Q543 1 I, 6 = 4Q545 1 I, 5; 4Q546 12, 4; 4Q547 4 I, 10; 4Q549 2, 8), Jubilees 47:4; Ezekiel the Tragedian 18; Demetrius Chronographer frag. 3; texts by Philo of Alexandria: De vita contemplativa 87; Legum allegoriae 1.76; 2.66-67; 3.103; De agricultura 80-81; Liber antiquitatum biblicarum 9:10; 20:8, and finally texts by Josephus: Antiquitates judaicae 2.221; 3.54; 3.105; 4.78. These texts demonstrate that the picture of Miriam preserved in the ancient Jewish texts is richer than the Hebrew Bible suggests. The results provide a contradictory image of Miriam. On the one hand she becomes a tool of Levitical politics, whereas on the other she continues to enjoy a freer role. People continued to interpret earlier literary traditions in light of new situations, and interpretations varied in different contexts. Second, in light of poststructuralist literary studies that treat texts as reflections of specific social situations, Tervanotko argues that the treatment of Miriam in ancient Jewish literature reflects mostly a reality in which women had little space as active agents. Despite the general tendency to allow women only little room, the references to Miriam suggest that at least some prominent women may have enjoyed occasional freedom.

This major essay collection takes a fresh look at how differences among people matter for music and musical thought.

On her way to visit Egypt and its ancient past, Mabel Havelock gets more than she bargains for. She stumbles upon a murder plot. As she cruises down the Nile, the mystery takes on an added twist. Inspired by Agatha Christie’s Hercule Poirot. Mabel is determined to solve the mysteries. Unfortunately, Mabel does not possess Hercule Poirot’s finesse. But with the help of her reluctant friend, Violet Ficher and a quirky Egyptian room steward. Mabel untangles the web of lies and deceit.

A forbidden love, gothic romance adventure from a New York Times bestselling author: One look at the towering ocean-side manor that is to be her new home, and exiled socialite Susan Stanton knows: This is a place haunted by secrets, and riddled with menace. For Susan, there is no escaping the most dangerous element of all—dark-haired smuggler Evan Bothwick, a man whose rakish countenance cannot hide his wicked intent. But Susan has a secret of her own—a special gift that renders her privy to the darkest mysteries lurking within the walls of the manor and in the labyrinthine cellars beneath. And the only man who can help her is the very rogue she would do anything to be able to resist… GOTHIC LOVE STORIES 1. Too Wicked to Kiss 2. Too Sinful to Deny 3. Too Tempting to Resist 4. Too Wanton to Wed 5. Too Brazen to Bite

It had been fifteen years since Pierce Westin stepped foot on the Open Sky Ranch. But after a mysterious phone call disrupted a life lived on the edge, the security expert agreed it was time to come home. And although his presence in Wyoming was only temporary, Pierce fell back into the easygoing lifestyle he'd once been desperate to escape. Unfortunately, that peace was shattered when gorgeous Princess Analise showed up, claiming she'd angered all the wrong people and needed his protection. As cases went, it certainly wasn't his most dangerous. But after a day spent looking into her crystal-blue eyes, and stealing breathtaking kisses, Pierce knew the outcome of this mission would change his life. Forever.

LOVE BECOMES A REAL SCIENCE For Jeremy, a high school senior growing up near Seattle, there are five seasons: rainy, dry, football, basketball, and baseball season. Jeremy's world has always revolved around his father and sports. Now there is a new Heavenly body in town whose gravity is pulling Jeremy away from the orbit around his dad. Maria Masterson, the new girl in school, is on a mission to make her voice heard in the debate over the theory that man evolved from lower life forms. Jeremy's father adamantly believes in Charles Darwin's theory. Who will win the tug of war over Jeremy's heart and mind?

The Cankered Rose and Esther's Revenge begins the author's dramatic journey of adopting his teenage daughter with severe attachment issues in Seattle. The heartbreak of then seeing Cordelia "stolen" by the efforts of his former wife and the child-welfare legal complex in Los Angeles, alongside that of the trauma of being denied during efforts to reunify with her are each foreshadowed here. Issues surrounding adoption trauma, parenting children with reactive attachment disorder, and the author's own struggles with Asperger's syndrome will be his constant companions on this perilous journey of adopting, losing, and then trying to reunite with his beloved daughter. In this and subsequent volumes, the author will also be questioning the ability of the child-welfare legal complex and the Los Angeles Juvenile Dependency Court to understand the nature of damaged child attachment or the therapeutic parenting needed to heal children with "special needs." Ultimately, each would be as responsible for "failing Cordelia" as the breaking of the violent waves for the shattering movement of the rocks on the beach.