Desdemona

'This is a remarkable, challenging and bravely original work.' The Guardian Ripped from the world by her husband's paranoia, Desdemona turns in death towards the memory of Barbary, the North African maid who raised her: together, they explore the contours of death, race, war, love and motherhood, in a moving elegy. Audacious with ambition, Desdemona is Toni Morrison's intimate reimagining of the fourth act of Shakespeare's Othello, mixing monologue with Rokia Traore's lyrical songs to re-examine the Bard's presentation of race and female suffering. Part-play, part-concert, part-quest into the afterlife, Desdemona is published in Methuen Drama's Modern Classics series, featuring a new introduction by Joyce Green MacDonald.

THE STORY: Having slept with Othello's entire encampment, Desdemona revels in her bawdy tales of conquest. Her foils and rapt listeners are the other integral and re-imagined women of this Shakespeare tragedy: Emilia, Desdemona's servant and the wi

William Shakespeare (1564-1616) excels in plot, poetry and wit, and his talent encompasses the tragedies of "Hamlet", "King Lear", "Othello", and "Macbeth" as well as history plays and the comedies such as "A Midsummer Night's Dream", and "As You Like It". This volume presents his plays in the chronological order in which they were written.

A LOCUS AWARD FINALIST FOR BEST NOVELLA Award-winning author C.S.E. Cooney indulges in luxurious, dizzying fantasy In Desdemona and the Deep, the spoiled daughter of a rich mining family must retrieve the tithe of men her father promised to the world below. On the surface, her world is rife with industrial pollution that ruins the health of poor factory workers while the idle rich indulge themselves in unheard-of luxury. Below are goblins, mysterious kingdoms, and an entirely different hierarchy. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Goodnight Desdemona (Good Morning Juliet) is an exuberant comedy and feminist revisioning of Shakespeare’s Othello and Romeo and Juliet. It takes us from a dusty office in Canada’s Queen’s University, into the fraught and furious worlds of two of Shakespeare’s best-known tragedies, and turns them upside-down. Constance Ledbelly is the beleaguered “spinster” academic, and unlikely heroine who embarks on a quest for Shakespearean origins and, ultimately, her own identity. When she deciphers an ancient and neglected manuscript, Constance is propelled through a very modern rabbit hole and lands smack in the middle of the tragic turning points of each play in turn. Her attempts to save first Desdemona, then Juliet, from their harrowing fates, result in a wild unpredictable ride through comedy and near-tragedy, as mild-mannered Constance learns to love, sword-fight, dance Renaissance-style, and master a series of disguises… Goodnight Desdemona (Good Morning Juliet) a gender-bendy, big-hearted and crazily intelligent romp, where irony and anger sing in perfect harmony with innocence and poignancy.

In 1616, William Shakespeare shuffled loose the mortal coil. In honor of his death four centuries ago, Ana Maribel de Moncada, Panamanian, professor of English at Panamas Universidad Especializada de la Amricas (UDELAS) created Desdemona, Lady Macbeth, and Cleopatra: Tragic Women in Shakespeares Plays, a literary analysis of three of Shakespeares most compelling, complicated, and cherished characters. Using information and insight gleaned from the works of her peers and other Shakespearean experts, Ana Maribels scholarly analysis of the importance of these three women as characters drew heavily upon the foundational works in which they appeared. The stories of Desdemona, the doomed wife of Othello; Lady Macbeth, the scheming queen from Macbeth; and Cleopatra, the all-powerful but ultimately tragic queen caught between love, rivalry, and ambition in Antony and Cleopatra are well documented through movies, novels, plays, operas, television, songs, and more. To entice students and educators alike, Ana Maribel designed her work to inspire both scholarly and casual reflection, analysis, and discussion of the works of the most well-known and respected English-language playwright. From the richness of the original plays, the author harvested the extensive detail and profound imagery found in Shakespearean text. To best honor Shakespeare four hundred years after his death, Ana Maribel sought to inspire a global celebration and discussion of his work and its impact on language, theatre, and literature in all segments of human society.

35 reproducible exercises in each guide reinforce basic reading and comprehension skills as they teach higher order critical thinking skills and literary appreciation. Teaching suggestions, background notes, act-by-act summaries, and answer keys included.

Macbeth clutches an imaginary dagger; Hamlet holds up Yorick's skull; Lear enters with Cordelia in his arms. Do these memorable and iconic moments have anything to tell us about the definition of Shakespearean tragedy? Is it in fact helpful to talk about 'Shakespearean tragedy' as a concept, or are there only Shakespearean tragedies? What kind of figure is the tragic hero? Is there always such a figure? What makes some plays more tragic than others? Beginning with a discussion of tragedy before Shakespeare and considering Shakespeare's tragedies chronologically one by one, this 2007 book seeks to investigate such questions in a way that highlights both the distinctiveness and shared concerns of each play within the broad trajectory of Shakespeare's developing exploration of tragic form.