Desert Bloom

To the Navajo, sandpaintings are sacred, living entities that reflect the interconnectedness of all living beings--humans, plants, stars, animals, and mountains. This book, now available in paperback, explores the circularity of Navajo thought in sandpaintings, Navajo chantway myths, and stories reflected in the celestial constellations.Beautifully illustrated by the author, this well-documented book explores the spiritual world of the Navajo, their ceremonial practices, and their conceptions of time and stellar motion. Griffin-Pierce shows how the images of sacred sandpaintings not only communicate the temporal and spatial dimensions of the Navajo universe but also present, in visual form, Navajo ideas about relationships among nature, self, and society."Griffin-Pierce's approach is highly original, bringing this material together in an innovative and creative manner while grounding it holistically within the context of Navajo world view."--M. Jane Young, author of Signs from the Ancestors: Zuni Cultural Symbolism and Perceptions of Rock Art

Deserts pose a particularly difficult challenge to gardeners. Surprising toany desert newcomers, it is possible to have a beautifully invitingandscape in the desert and minimize the use of precious water resources. TheArizona Flowerscaper" offers the key to successful desert gardening and is aeneral understanding of the extreme climate, seasons, and soil conditions.hrough wise plant choices, gardens emerge that intrigue and delight, oftenith little maintenance involved. The illustrated plants can be viewedogether through a unique tri-cut format, showing the plant at maturity andith appropriate details of foliage or flora. Offering plant selections fromround the world, the "Arizona Flowerscaper" is an essential resource foresert gardeners everywhere.

"Now that I am seventy years of age, it is my prerogative to offer a summing up," says Meron Benvenisti, internationally known author and columnist, Jerusalem native, and scion of Israel’s founders. Born in Palestine in 1934 to a Sephardic father and an Ashkenazi mother, Benvenisti has enjoyed an unusual vantage point from which to consider his homeland’s conflicts and controversies. Throughout his long and provocative career as a scholar, an elected official, and a respected journalist, he has remained intimately involved with Israel’s social and political development. Part memoir and part political polemic, Son of the Cypresses threads Benvenisti’s own story through the story of Israel. The result is a vivid, sharply drawn eyewitness account of pre-state Jerusalem and Israel’s early years. He memorably sets the scene by recalling his father’s emotional journey from Jewish Salonika in 1913 to Palestine, with all its attendant euphoria and frustration, and his father’s pioneer dedication to inculcating Israeli youth with a "native’s" attachment to the homeland. In describing the colorful and lively Jerusalem in which he grew up, Benvenisti recalls the many challenges faced by new Jewish immigrants, who found themselves not only in conflict with the Arab population but also with each other as Sephardim and Ashkenazim. He revisits his own public disagreements with both Zionists and Palestinians and shares indelible memories such as his boyhood experiences of the 1948 War. In remembering his life as an Israeli sabra, Benvenisti offers a vivid record of the historical roots of the conflict that persists today.

Encyclopedia of Deserts represents a milestone: it is the first comprehensive reference to the first comprehensive reference to deserts and semideserts of the world. Approximately seven hundred entries treat subjects ranging from desert survival to the way deserts are formed. Topics include biology (birds, mammals, reptiles, amphibians, fishes, invertebrates, plants, bacteria, physiology, evolution), geography, climatology, geology, hydrology, anthropology, and history. The thirty-seven contributors, including volume editor Michael A. Mares, have had extensive careers in deserts research, encompassing all of the world’s arid and semiarid regions. The Encyclopedia opens with a subject list by topic, an organizational guide that helps the reader grasp interrelationships and complexities in desert systems. Each entry concludes with cross-references to other entries in the volume, inviting the reader to embark on a personal expedition into fascinating, previously unknown terrain. In addition a list of important readings facilitates in-depth study of each topic. An exhaustive index permits quick access to places, topics, and taxonomic listings of all plants and animals discussed. More than one hundred photographs, drawings, and maps enhance our appreciation of the remarkable life, landforms, history, and challenges of the world’s arid land.

Introduction / Lyle Massey and James Nisbet -- Desolate dreams / Joseph Masco -- Air, wind, breath, life : desertification and Will Wilson's AIR (Auto-Immune Response) / Jessica L. Horton -- Notes from bioteknika / Albert Narath -- Troglodyte modernists / Lyle Massey -- Explosive modernism : Hiram Hudson Benedict's Bouldereign and Zabriskie Point at 50 / Edward Dimendberg -- Point Omega/Omega Point : desert In three parts / Stefanie Sobelle -- The desert in fine grain / Emily Eliza Scott -- The desert as black mythology / Bridget R. Cooks -- On the recalcitrance of the desert island, by way of Andrea Zittel's A-Z West / James Nisbet -- Four theses for the coming deserts / Hans Baumann and Karen Pinkus.

The canonical legacy of Allan Sekula in contemporary visual art “Disassembled” Images takes as a point of departure Allan Sekula’s productive approach of disassembling elements in order to reassemble them in alternative constellations. Some of the most pressing issues of our time, such as human labor in a globalized economy or the claim for radical democracy, are recurrent themes in Sekula’s oeuvre and are investigated by a wide range of experts in this book. Addressing a variety of artworks, both by Sekula and other artists, the collected essays focus on three crucial aspects within recent politically engaged art: collecting as a tool for representing folly and madness, the confrontation of the maritime space of ecological disasters and geopolitical processes with alternative models of solidarity, and what Sekula named “critical realism” as a reflective method in search of new social agencies and creative freedom. A text–image portfolio by Marco Poloni completes this profound reflection on Sekula’s influential legacy within contemporary visual art. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors Anthony Abiragi (University of Colorado), Barbara Baert (KU Leuven), Edwin Carels (School of Arts KASK/HoGent/M HKA), Ronnie Close (American University in Cairo), Bart De Baere (M HKA), Stefanie Diekmann (Hildesheim University), Carles Guerra (Fundació Antoni Tàpies), Clara Masnatta (ICI Berlin), W. J. T. Mitchell (University of Chicago), Marco Poloni (Berlin), Anja Isabel Schneider (KU Leuven/ M HKA), Stephanie Schwartz (University College London), Jonathan Stafford (Nottingham Trent University), Alexander Streitberger (UC Louvain), Hilde Van Gelder (KU Leuven), Benjamin Young (Parsons School of Design) Assistant editor Federica Mantoan

Typical development in the American Southwest often resulted in scraping the desert lands of the ancient living landscape, to be replaced with one that is human-made and dependent on a large consumption of energy and natural resources. This transdisciplinary book explores the natural and built environment of this desert region and introduces development tools for shaping its future in a more sustainable way. It offers valuable insights to help promote ecological balance between nature and the built environment in the American Southwest-and in other ecologically fragile regions around the world.

This special anniversary volume of Symbolism explores the nexus between symbolic signification and the future from an interdisciplinary perspective. How, contributors ask, has the future been variously rendered in symbolic terms? How do symbols and symbolic reference shape our ideas of the future? To what extent are symbols constitutive of futures, and to what extent do they restrain communication about what is possible and the imagination of fundamental change? Moreover, how have symbolic practices shaped not only artistic representations of the future, but also scientific attempts at forecasting and modelling it? What, then, is the relevance of symbolism for negotiations of the future in cultural and academic production? In essays ranging from literary and film studies to the philosophy of art and ecological modelling, the volume seeks to lay groundwork in theorizing and historicising ‘symbols of the future’ as much as ‘the future of symbolism’.