Designs On Empire

In the eyes of both contemporaries and historians, the United States became an empire in 1898. By taking possession of Cuba and the Philippines, the nation seemed to have reached a watershed moment in its rise to power—spurring arguments over whether it should be a colonial power at all. However, the questions that emerged in the wake of 1898 built on long-standing and far-reaching debates over America’s place in the world. Andrew Priest offers a new understanding of the roots of American empire that foregrounds the longer history of perceptions of European powers. He traces the development of American thinking about European imperialism in the years after the Civil War, before the United States embarked on its own overseas colonial projects. Designs on Empire examines responses to Napoleon III’s intervention in Mexico, Spain and the Ten Years’ War in Cuba, Britain’s occupation of Egypt, and the carving up of Africa at the Berlin Conference. Priest shows how observing and interacting with other empires shaped American understandings of the international environment and their own burgeoning power. He highlights ambivalence among American elites regarding empire as well as the prevalence of notions of racial hierarchy. While many deplored the way powerful nations dominated others, others saw imperial projects as the advance of civilization, and even critics often felt a closer affinity with European imperialists than colonized peoples. A wide-ranging book that blends intellectual, political, and diplomatic history, Designs on Empire sheds new light on the foundations of American power.

From a rare, late-18th-century sourcebook of designs — repeatable linear patterns, mythological figures and scenes, vine and leaf forms, real and legendary beasts, and more. The 526 black-and-white motifs will find a wealth of use among craftworkers, graphic artists, and theatrical and architectural designers.

Praise for the earlier edition-- "A fascinating, thought-provoking book.... Hietala shows that it was not destiny but design and aggression that enabled the United States to control Texas, New Mexico, and California."--Historian"Hietala has examined an impressive array of primary and secondary materials.... His handling of the relationship between the domestic and foreign policies of the decade shatters some myths about America's so-called manifest destiny and deserves the attention of all scholars and serious students of the period."--Western Historical Quarterly Since 1845, the phrase "manifest destiny" has offered a simple and appealing explanation of the dramatic expansionism of the United States. In this incisive book, Thomas R. Hietala reassesses the complex factors behind American policymaking during the late Jacksonian era. Hietala argues that the quest for territorial and commercial gains was based more on a desire for increased national stability than on any response to demands by individual pioneers or threats from abroad.

This book is an innovative, interdisciplinary study of the nature of design as a form of communication within and across Britain and its empire in the long nineteenth century. In this period, Britain had developed from the world’s first industrial nation into the ‘Workshop of the World’ but how were technological innovations translated and communicated across the imperial territories? How were designs turned into reality? This book explores these themes, incorporating archival case study technologies such as trains, sugar manufacture and agricultural technologies. Using a four-part framework we firstly examine the identification of innovation opportunities and how these translated to engineering specifications. The realization of conceptual designs through collaboration and their subsequent manufacture and distribution as finished products are then reviewed. Using the authors’ expertise in the fields of historical and design engineering, this study contributes real-world case studies to design theory.

The Japanese fashion designer Rei Kawakubo of Comme des Garçons is undoubtedly one of the world's major fashion designers. In 2017 she was the second living designer to ever be given a retrospective at the renowned Costume Institute of the Metropolitan Museum of Art in New York. Her work exerts an extraordinary influence over succeeding generations of designers and is a major point of reference for all those wishing to explore the place of fashion in contemporary culture. The 14 essays in this collection, written by eminent fashion theorists from around the world, ask what is the relationship of Kawakubo's work to art, philosophy and architecture, and ultimately illustrate how Kawakubo's creative output allows us to understand the very notion of fashion itself.

The design work of Group of Seven painter J.E.H. MacDonald was not only central to his personal artistic development, but inseparable from the graphic design industry in Toronto from the 1890s to the 1930s: the "golden age" of book and magazine illustration. This connection has been largely overshadowed by his painting. Now this splendid book, tracing MacDonald's involvement with fine printing, book design and commercial art, raises the profile of graphic design as a formative influence in Canadian visual culture.

Now for the first time in an inexpensive paperback edition: the "bible" of First Empire style in interior decor, one of the most important and influential sourcebooks in the history of French design, reprinted from the rare 1812 edition, and essential reading for interior designers, architects, and architectural and social historians.