Desiring Hong Kong Consuming South China

This is a study of the complex and changing cultural patterns in Hong Kong’s relationship with the neighbouring mainland. From interviews, TV dramas, media representations and other sources, it traces the fading of Hong Kong’s once-influential position as a role model for less developed mainland cities and explores changing perceptions as China grows in confidence and Hong Kong encounters a powerful nation culture in the mainland. Part One (‘Desiring Hong Kong’) examines the history of cross-border relations and movements from the 1970s, focusing on Hong Kong as an object of desire for people in South China. Part Two (‘Consuming South China’), moves to the turn of the century, when, despite increased communications and a ‘disappearing border’, Hong Kong is no longer a powerful role model; it nevertheless continues to be a resourceful node in the chain of global capitalism. This is a timely and provocative discussion of a topical issue, and one written in an approachable style using lively case studies. In contrast with the popular theorization that Hong Kong shows her true colour in “the politics of disappearance”, this book argues that Hong Kong returns with a politics of reappearance in a dense network of ‘fear and excitement’, differentiating and assimilating with the mainland at the same time. It will be of interest to scholars and students in cultural studies, political science, sociology and cultural geography. It will also have some general appeal to policy-makers, journalists, and the concerned public.

More than a quarter of a million Muslims live and work in Hong Kong. Among them are descendants of families who have been in the city for generations, recent immigrants from around the world, and growing numbers of migrant workers. Islam in Hong Kong explores the lives of Muslims as ethnic and religious minorities in this unique post-colonial Chinese city. Drawing on interviews with Muslims of different origins, O’Connor builds a detailed picture of daily life through topical chapters on language, space, religious education, daily prayers, maintaining a halal diet in a Chinese environment, racism, and other subjects. Although the picture that emerges is complex and ambiguous, one striking conclusion is that Muslims in Hong Kong generally find acceptance as a community and do not consider themselves to be victimised because of their religion.

The Routledge Handbook on Crime and International Migration is concerned with the various relationships between migration, crime and victimization that have informed a wide criminological scholarship often driven by some of the original lines of inquiry of the Chicago School. Historically, migration and crime came to be the device by which Criminology and cognate fields sought to tackle issues of race and ethnicity, often in highly problematic ways. However, in the contemporary period this body of scholarship is inspiring scholars to produce significant evidence that speaks to some of the biggest public policy questions and debunks many dominant mythologies around the criminality of migrants. The Routledge Handbook on Crime and International Migration is also concerned with the theoretical, empirical and policy knots found in the relationship between regular and irregular migration, offending and victimization, the processes and impact of criminalization, and the changing role of criminal justice systems in the regulation and enforcement of international mobility and borders. The Handbook is focused on the migratory ‘fault lines’ between the Global North and Global South, which have produced new or accelerated sites of state control, constructed irregular migration as a crime and security problem, and mobilized ideological and coercive powers usually reserved for criminal or military threats. Offering a strong international focus and comprehensive coverage of a wide range of border, criminal justice and migration-related issues, this book is an important contribution to criminology and migration studies and will be essential reading for academics, students and practitioners interested in this field.

This book traces the evolution of the Hong Kong’s popular culture, namely film, television and popular music (also known as Cantopop), which is knotted with the city’s geo-political, economic and social transformations. Under various historical contingencies and due to the city’s special geo-politics, these three major popular cultural forms have experienced various worlding processes and have generated border-crossing impact culturally and socially. The worlding processes are greatly associated the city’s nature as a reception and departure port to Sinophone migrants and populations of multiethnic and multicultural. Reaching beyond the “golden age” (1980s) of Hong Kong popular culture and afar from a film-centric cultural narration, this book, delineating from the dawn of the 20th century and following a chronological order, untangles how the nowadays popular “Hong Kong film”, “Hong Kong TV” and “Cantopop” are derived from early-age Sinophone cultural heritage, re-shaped through cross-cultural hybridization and influenced by multiple political forces. Review of archives, existing literatures and corporation documents are supplemented with policy analysis and in-depth interviews to explore the centennial development of Hong Kong popular culture, which is by no means demise but at the juncture of critical transition.

Phone-in programs on public and commercial radio channels have been a staple of popular Hong Kong politics since the 1990s. In the absence of a fully democratic system, they have played an influential role in channeling and mediating public opinion. This work examines the phenomenon of talk radio in Hong Kong, using as its analytical framework the idea of remediation. It argues that the circulation and re-circulation of talk radio content through the mainstream media is crucial in explaining the medium’s social prominence and influence. The process has not only widened the dissemination of talk radio content, but also established talk radio as a channel as well as a symbol for free political expression, giving it a role in shaping serious debate not seen in many other societies. Drawing on interviews with radio personnel, analysis of radio and newspaper content, and audience surveys, Talk Radio explores the vital and influential world of Hong Kong’s phone-in programs. The book will be of interest to scholars of politics, media studies, and cultural studies both in Hong Kong and overseas. “This is the first comprehensive study on political radio phone-in talk shows that integrates analyses of the historical transformations of the genre, the conversational dynamics and the remediations of citizens’ voices. Exceptionally rich in data, rigorous, and written in an accessible style, it contributes significantly to the fields of media studies, discourse analyses, public opinion and political communication.” —Mats Ekström, Professor, Department of Journalism, Media and Communication, University of Gothenburg, Sweden “One of the most exciting developments in Hong Kong is the rise of talk radio as an interface between the political and public spheres. As this new volume demonstrates, no one is more qualified to discuss this process than Francis L. F. Lee, one of the most original analysts of modern Hong Kong and its media landscape.” —Gary Rawnsley, author of Political Communications and Democracy and editor ofRoutledge Handbook of Chinese Media “A fascinating and extensively researched study of political opinion, the general public, and the mass media in Hong Kong.” —Jan Servaes, editor of Sustainable Development and Green Communication: African and Asian Perspectives and author of Communication for Development: One World, Multiple Cultures

The relationship between government and society in Hong Kong has become an intensely debated topic as the complexities of governance grow and the old strategies of consensus building without genuine public participation fail to satisfy. Increasingly interventionist, yet lacking democratic credentials, the Hong Kong SAR government finds itself more and more limited in its capacity to implement policies and less able to rely on traditional allies. A society dissatisfied with old forms of governance has become ever more ready to mobilize itself outside of the formal political structures. This collection of studies by leading scholars examines the Hong Kong government's efforts to reposition itself in the economy and society under the pressures of globalization, economic and political restructuring and the rise of the civil society. Drawing on changing theoretical conceptions of state, market and citizenship and on comparisons with other Asian economies,Repositioning the Hong Kong Governmentoffers new interpretations of the problems of governance in Hong Kong and puts forward positive suggestions for resolving them.

This volume examines the transmission, reception, and reproduction of new cinematic styles, meanings, practices, and norms in early twenty-first-century Asia. Hong Kong and Bollywood offers new answers to the field of inter-Asian cultural studies, which has been energized by the trends towards transnationalism and translatability. It brings together a team of international scholars to capture the latest development in the film industries of Hong Kong and Mumbai, and to explore similar cross-cultural, political, and socioeconomic issues. It also explains how Hong Kong and Bollywood filmmakers have gone beyond the traditional focus on nationalism, urbanity and biculturalism to reposition themselves as new cultural forces in the pantheon of global cinema.

Ip uses Hong Kong as a case study in how the production of the desire for "the local" lies at the heart of global cultural economy. Perhaps more so than most places, the construction of a local identity in Hong Kong has come about through a complex interplay of neoliberalism, postcoloniality and reaction to the consequent anxieties and uncertainties. As its importance as an economic centre has diminished and its relationship with Mainland China has become more strained, its people have become more concerned to define a "Hong Kong" identity that can be defended from external threat. Ip analyses the working and reworking of power relations and modes of agency in this global city. A must read for scholars of Hong Kong politics and society as well as a fascinating case study for scholars of identity politics as a global phenomenon.