Devil In Deerskins

Anahareo (1906-1985) was a Mohawk writer, environmentalist, and activist. She was also the wife of Grey Owl, aka Archie Belaney, the internationally celebrated writer and speaker who claimed to be of Scottish and Apache descent, but whose true ancestry as a white Englishman only became known after his death. Devil in Deerskins is Anahareo’s autobiography up to and including her marriage to Grey Owl. In vivid prose she captures their extensive travels through the bush and their work towards environmental and wildlife protection. Here we see the daily life of an extraordinary Mohawk woman whose independence, intellect and moral conviction had direct influence on Grey Owl’s conversion from trapper to conservationist. Though first published in 1972, Devil in Deerskins’s observations on indigeneity, culture, and land speak directly to contemporary audiences. Devil in Deerskins is the first book in the First Voices, First Texts series. This new edition includes forewords by Anahareo’s daughters, Katherine Swartile and Anne Gaskell, an afterword by Sophie McCall, and reintroduces readers to a very important but largely forgotten text by one of Canada’s most talented Aboriginal writers.

A self-taught artist and photographer, Hap Wilson has travelled over sixty thousand kilometres by canoe and snowshoe, and embarked on more than three hundred wilderness expeditions. He is one of North America's best-known wilderness guides and canoeists, and has been building sustainable trails for more than thirty years. He is also the co-founder of the environmental group Earthroots. He lives in Rosseau, Ontario. for more information, please visit Hap's website at www.eskakwa.ca. Ingrid Zschogner is a self taught artist and outdoor enthusiast who has been creating detailed portraits in oil, graphite, and pastel for more than fifteen years. She is also a professional trailbuilder, wilderness guide, and environmental activist. To view Ingrid's portfolio, please visit her website at www.wildrosedesigns.ca.

Recollecting is a rich collection of essays that illuminate the lives of late eighteenth-century to the mid twentieth-century Aboriginal women, who have been overlooked in sweeping narratives of the history of the West. Some essays focus on individual women - a trader, a performer, a non-human woman - while others examine cohorts of women - wives, midwives, seamstresses, nuns. Authors look beyond the documentary record and standard representations of women, drawing also on records generated by the women themselves, including their beadwork, other material culture, and oral histories.

An Englishman with the imagination and the arrogance to pose as a North American Indian, a fur trapper who kept beaver as pets, a drunken brawling bigamist who embraced the wilderness to escape his ghosts, a compelling champion of that wilderness who travelled much of the world speaking to huge audiences about the fate of the natural world - who was the real Archie Belaney, known to many as Grey Owl?Grey Owl, the Mystery of Archie Belaney is a unique, accessible collection of narrative poetry and journal entries which examines this dynamic, often contradictory, always fascinating man who reconstructed his identity and delivered a message of conservation to the world.

In the 1930s Grey Owl was considered the foremost conservationist and nature writer in the world. He owed his fame largely to his four internationally bestselling books, which he supported with a series of extremely popular illustrated lectures across North America and Great Britain. His reputation was transformed radically, however, after he died in April 1938, and it was revealed that he was not of mixed Scottish-Apache ancestry, as he had often claimed, but in fact an Englishman named Archie Belaney. Born into a privileged family in the dominant culture of his time, what compelled him to flee to a far less powerful one? Albert Braz’s Apostate Englishman: Grey Owl the Writer and the Myths is the first comprehensive study of Grey Owl’s cultural and political image in light of his own writings. While the denunciations of Grey Owl after his death are often interpreted as a rejection of his appropriation of another culture, Braz argues that what troubled many people was not only that Grey Owl deceived them about his identity, but also that he had forsaken European culture for the North American Indigenous way of life. That is, he committed cultural apostasy.

In the first half of the twentieth century, a number of Canadian authors were revealed to have faked the identities that made them famous. What is extraordinary about these writers is that they actually "became," in everyday life, characters they had themselves invented. Many of their works were simultaneously fictional and autobiographical, reflecting the duality of their identities. In Literary Impostors, Rosmarin Heidenreich tells the intriguing stories, both the "true" and the fabricated versions, of six Canadian authors who obliterated their pasts and re-invented themselves: Grey Owl was in fact an Englishman named Archie Belaney; Will James, the cowboy writer from the American West, was the Quebec-born francophone Ernest Dufault; the prairie novelist Frederick Philip Grove turned out to be the German writer and translator Felix Paul Greve. Chief Buffalo Child Long Lance, Onoto Watanna, and Sui Sin Far were the chosen identities of three mixed-race writers whose given names were, respectively, Sylvester Long, Winnifred Eaton, and Edith Eaton. Heidenreich argues that their imposture, in some cases not discovered until long after their deaths, was not fraudulent in the usual sense: these writers forged new identities to become who they felt they really were. In an age of proliferating cyber-identities and controversial claims to ancestry, Literary Impostors raises timely questions involving race, migrancy, and gender to illustrate the porousness of the line that is often drawn between an author's biography and the fiction he or she produces.

Presents an encyclopedia of American Indian literature in an alphabetical format listing authors and their works.