Devotional Literature And Practice In Medieval England

The abundant evidence from medieval England suggests a deep interest among devotional writers in documenting, teaching and circumscribing devotional reading, given the importance of careful reading practices for salvation. This volume therefore draws together a wide range of interests in and approaches to studying the reading and reception of devotional texts in medieval England, from representations of readers and reading in devotional texts, to literary production and reception of devotional texts and images, to manuscripts and early books as devotional objects, to individual readers and patrons of devotional texts.

The interdisciplinary volume Devotional Interaction in Medieval England and its Afterlives examines the interaction between medieval English worshippers and the material objects of their devotion, with chapters that extend the temporality of objects and buildings beyond the Middle Ages.

Middle English devotional compilations – consisting of a series of texts or extracts of texts that have intentionally been put together to constitute new and unified devotional texts – have often been approached as complex collections of source texts that need to be linked with their originals. This book argues that the study of compilations should move beyond the disentanglement of their sources. It approaches compiling as a literary activity and an active way of shaping the medieval text, with the aim to nuance scholarly discussion about compiling by putting greater emphasis on the literary instead of the technical aspects of compiling activity. In addition to describing the additions, omissions and other types of adaptations that compilers made to their source texts, Middle English Devotional Compilations highlights the nature and function of compiling activity in late medieval England, and examines three major but understudied Middle English devotional compilations in depth: The Pore Caitif, The Tretyse of Love and A Talkyng of the Love of God.

Devotional texts in late medieval England were notable for their flamboyant piety and their preoccupation with the tortured body of Christ and the grief of the Virgin Mary. Generations of readers internalized and shaped the "cultures of piety" represented by these works. Anne Clark Bartlett and Thomas H. Bestul here gather seven examples of this literature, all written in the period 1350–1450, one in Anglo-Norman, the remainder in Middle English. (The volume includes an appendix containing the original texts of the latter six pieces.) The collection illustrates the polyglottal, conflicting, and often polemical nature of devotional culture in the Middle Ages. It provides a valuable context for and interesting counterpoint to the Canterbury Tales and other classic works of late medieval England. The introduction and the translators' headnotes discuss crucial aspects of the texts' histories and thematics, including the importance of the body in spiritual practices, the development of female patronage and of a wide audience for this literature, and the indivisibility of the political and the religious in medieval times.

Essays exploring the great religious and devotional works of the Middle Ages in their manuscript and other contexts.

This collection of commissioned essays explores women's vernacular theology through a wide range of medieval prose and verse texts, from saints' lives to visionary literature. Employing a historicist methodology, the essays are sited at the intersection of two discursive fields: female spiritual practice and female textual practice. The contributors are primarily interested in the relation of women to religious books, as writers, receivers, and as objects of representation. They focus on historical approaches to the question of women's spirituality, and generically unrestricted examinations of issues of female literacy, book ownership, and reading practice. The essays are grouped under four main themes: the influence of anchoritic spirituality upon later lay piety, Carthusian links with female spirituality, the representation of femininity in Anglo-Norman and Middle English religious poetry, and veneration, performance and delusion in the Book of Margery Kempe.

Essays on women and devotional literature in the Middle Ages in commemoration and celebration of the respected feminist scholar Catherine Innes-Parker. Silence was a much-lauded concept in the Middle Ages, particularly in the context of religious literature directed at women. Based on the Pauline prescription that women should neither preach nor teach, and should at all times keep speech to a minimum, the concept of silence lay at the forefront of many devotional texts, particularly those associated with various forms of women's religious enclosure. Following the example of the Virgin Mary, religious women were exhorted to speak seldom, and then only seriously and devoutly. However, as this volume shows, such gendered exhortations to silence were often more rhetorical than literal. The contributions range widely: they consider the English 'Wooing Group' texts and female-authored visionary writings from the Saxon nunnery of Helfta in the thirteenth century; works by Richard Rolle and the Dutch mystic Jan van Ruusbroec in the fourteenth century; Anglo-French treatises, and books housed in the library of the English noblewoman Cecily Neville in the fifteenth century; and the resonant poetics of women from non-Christian cultures. But all demonstrate the ways in which silence, rather than being a mere absence of speech, frequently comprised a form of gendered articulation and proto-feminist point of resistance. They thus provide an apt commemoration and celebration of the deeply innovative work of Catherine Innes-Parker (1956-2019), the respected feminist scholar and a pioneer of this important field of study.