Dexys Midnight Runners Young Soul Rebels

Dexys Midnight Runners were one of the most misunderstood and overlooked groups of the 1980s. At the centre of it all, their front man and originator, Kevin Rowland, had a reputation for maintaining control and domination over Dexys at all costs. In the first comprehensive history of the band, author, Richard White, has conducted in-depth interviews with former members on the experience of being a Midnight Runner. Shedding light on the Dexys legend, including the fractious period of writing and recording the classic Come on Eileen, one of the biggest selling singles in UK history and its parent album Too Rye Ay. While celebrating their achievements on record and on stage, this book also uncovers aspects of Rowland's working methods in the studio and the latest Dexys re-invention, championed on a triumphant tour in 2003.

Dexys' saxophonist Blythe recounts the recording of the band's first album with images from the band's official photographer Laye.

The Charlatans’ Tim Burgess invites you to the greatest listening party of all time. In 2020 when the world was forced to hit pause on live in-person gigs, Tim Burgess found an ingenious way to bring people together by inviting artists and bands, from Paul McCartney and New Order to Michael Kiwanuka and Kylie, to host real-time album playbacks via Twitter. Relive 100 of the most memorable listening parties here with stories from bands and fans, rarely seen backstage images, and unique insider info from those who created these iconic albums. "Hey Twitter, let's all say a big thanks to Tim for these brilliant events this year! We really needed them. So much great music being talked about.'" - Sir Paul McCartney "Twitter being used for something really positive." - Mary Beard

'The inside story of one of the greatest bands of them all. I devoured it!' GARY CROWLEY 'Terrific idea, wonderfully executed' PETE PAPHIDES 'An incredible feat of journalism' DAVID QUANTICK In the early 1980s, the pop charts were dominated by musicians tarted up in Day-Glo colours, who fought it out for coverage on our TV screens and magazine pages. Dexys Midnight Runners did things differently. They were surly. They were serious. They were ambitious, but success had to come on their terms. They were a disciplined outfit, a gang with a defined purpose: to make music so pure that it couldn't fail to elicit a deep emotional response from anyone within earshot. And they managed it. This motley crew - in woolly hats and donkey jackets for their first coming; all dungarees and copious body hair for the second - gate-crashed the charts, scoring number-one hits around the globe. But being in Dexys wasn't all sunshine and roses. Many members came, many members went. Some returned unexpectedly as being part of this particular gang was a way of life; it was everything. Nige Tassell, author of the Penderyn Prize-shortlisted Whatever Happened to the C86 Kids? employs his skills of detection to go off in search of the dozens of members who - for however brief a period, and to whatever level of success - have been a part of Dexys Midnight Runners. These are the people who gave the band its sound, its soul, its substance. But whatever happened to them?

In the past few years, Detroit bandmates Jack and Meg White have in conjunction with a stream of similar-minded bands, revitalised rock music. Their sound is raw, stripped right back -- back to the primal fury and alienation of bluesmen like Son House and protopunks The Stooges and the MC5. In the Stripes' hard knocks hometown of Detroit, an entire scene has emerged -- rudimentary, primordial garage rock championed by legendary names such as Mick 'Dirtbombs' Collins, Jack White's own Third Man Records, Electric Six and producer Jim Diamond. Over in Brooklyn meanwhile, loft parties are all the rage -- illegal happenings put on in abandoned buildings, fuelled by vodka stills and loud music, featuring names such as Yeah Yeah Yeahs, Liars and Oneida. Writer Everett True has already covered much of this music in his own underground rock magazine Careless Talk Costs Lives. Now he goes public with his passion, delving deep into the lives of the personalities who make up the scenes -- the countless hours touring, the celebrity girlfriends, the parties, the power and the people.

Before Pete May became a journalist he was a punk, struggling to find a decent flat in Thatchers' England. Only rent, landlords and asbestos stood between him and independent living. With Dexys Midnight Runners blaring from his speakers, May searched all of London for sane roommates and functional plumbing. Finding refuge in a group of like-minded Londoners, he was able to find comedy and hope amidst the cycle of packing boxes and heartbreak. This is a story of a real estate misfit -- one that should give strength to those working their way through the next rental application.

This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.

'A fantastic tribute to an amazingly creative musical period . . . An instant pop classic, worthy of a place on your shelves beside the handful of music books that really matter.' John McTernan, Scotland on Sunday Punk revitalized rock in the mid-seventies, but the movement soon degenerated into self-parody. Rip It Up and Start Again is the first book-length celebration of what happened next: post-punk bands who dedicated themselves to fulfilling punk's unfinished musical revolution. 1978 - 1984 rivals the sixties for the sheer amount of fabulous music created, the spirit of adventure and possibility that infused it, and the way the sounds felt inextricably connected to the political and social turbulence of the day. Simon Reynolds, acclaimed author of Energy Flash, recreates a time of tremendous urgency and idealism in pop music. Packed with anecdote and insight, populated by charismatic and maverick characters, Rip It Up and Start Again stands as one of the most inspired and inspiring books on popular music ever written. 'I had never expected there to be a book on this subject; had I done so, I would never have dared to hope it could be as good as this.' Nicholas Lezard, Guardian Book of the Week 'This remarkable and perfectly timed cultural history is required reading.' Q Magazine