Dialogues Concerning Two New Sciences 1638

As enjoyable as it is important, this classic encompasses 30 years of highly original experiments and theories. Its lively, readable expositions discuss dynamics, elasticity, sound, strength of materials, more. 126 diagrams.

"Dialogues Concerning Two New Sciences 1638" from Galileo Galilei. Italian physicist, mathematician, astronomer, and philosopher (1564-1642).

Galileo's groundbreaking dialogues are a summation of three decades of scientific work he had undertaken in the fledgling field of physics. This edition includes the diagrams crucial for understanding the text. Writing these dialogues in 1638, the elderly Galileo had a life of achievements behind him. Despite attempts at suppression of his writings by the Roman Inquisition, his ideas were successfully communicated across Europe. The motion of objects and resistance to such motion, the concept of velocity, and the laws of gravity are merely a few of the topics covered in these detailed dialogues. At the outset, we are introduced to the three conversation partners: Salviati, Sagredo and Simplicio. These three Venetians embark on a scientific discussion, hoping to explain the curiosities of things such as speed and movement. Over the course of four days, their meetings grow in complexity and scope as they strive to explain physical phenomena.

Galileo’s Dialogue Concerning the Two Chief World Systems, published in Florence in 1632, was the most proximate cause of his being brought to trial before the Inquisition. Using the dialogue form, a genre common in classical philosophical works, Galileo masterfully demonstrates the truth of the Copernican system over the Ptolemaic one, proving, for the first time, that the earth revolves around the sun. Its influence is incalculable. The Dialogue is not only one of the most important scientific treatises ever written, but a work of supreme clarity and accessibility, remaining as readable now as when it was first published. This edition uses the definitive text established by the University of California Press, in Stillman Drake’s translation, and includes a Foreword by Albert Einstein and a new Introduction by J. L. Heilbron.

Mark Peterson makes an extraordinary claim in this fascinating book focused around the life and thought of Galileo: it was the mathematics of Renaissance arts, not Renaissance sciences, that became modern science. Galileo's Muse argues that painters, poets, musicians, and architects brought about a scientific revolution that eluded the philosopher-scientists of the day, steeped as they were in a medieval cosmos and its underlying philosophy. According to Peterson, the recovery of classical science owes much to the Renaissance artists who first turned to Greek sources for inspiration and instruction. Chapters devoted to their insights into mathematics, ranging from perspective in painting to tuning in music, are interspersed with chapters about Galileo's own life and work. Himself an artist turned scientist and an avid student of Hellenistic culture, Galileo pulled together the many threads of his artistic and classical education in designing unprecedented experiments to unlock the secrets of nature. In the last chapter, Peterson draws our attention to the Oratio de Mathematicae laudibus of 1627, delivered by one of Galileo's students. This document, Peterson argues, was penned in part by Galileo himself, as an expression of his understanding of the universality of mathematics in art and nature. It is "entirely Galilean in so many details that even if it is derivative, it must represent his thought," Peterson writes. An intellectual adventure, Galileo’s Muse offers surprising ideas that will capture the imagination of anyone—scientist, mathematician, history buff, lover of literature, or artist—who cares about the humanistic roots of modern science.