Diary Of A Mad Mom To Be

Amy, the quirky heroine of "Diary of a Mad Bride, " has survived her wedding with aplomb, only to find herself yearning for the patter of little feet. Next stop: parenthood!

'Either we're having a baby or getting a cat. And since our lease says no pets, I guess it's a baby!' Happily married to Stephen for two years, Amy wants a baby. And it's supposed to be so easy: throw away the contraception, get an obstetrician - right? Wrong. With the help of BABY HOW, BABY NOW magazine [Fifty pages on how to conceive! How do teenage mothers do it?] and an inaudible gynaecologist she dubs the Crotch Whisperer, Amy finds there's much more to getting pregnant than meets the eye. And once you've managed it, things don't necessarily improve. There's the all-day morning sickness. The ban on sushi. Prenatal yoga. Amy can only hope it will all be worth it in the end. She's determined to have her baby without derailing her career, losing her sex appeal or disrupting those fragile relationships with family and friends. Ha! If only life were that simple...

Once I was a sane, levelheaded professional woman. Then I said “yes.” Now I am the lunatic bride I always made fun of! What is it about getting married that turns normal people into total freaks? A savvy, riotously funny novel, Diary of a Mad Bride is for anyone who has ever been a bride, is about to become a bride, yearned to be a bride, or suffered the sheer indignity of appearing in public in the world’s ugliest bridesmaid dress.... My wedding was starting in less than twenty minutes, and I was stuck in a 7-Eleven parking lot with popcorn kernels wedged in my gums and vanilla ice cream melting on my dress. It was a disaster too large to comprehend. After an agonizing year spent planning my wedding, could it really end like this? The voices chronicling a year of wedding hysteria swirled in my head.... — My grandmother upon viewing my engagement ring: “What do you mean he gave you an emerald! Diamonds are eternal, emeralds say, maybe five years.” — My future father-in-law on the night of my engagement party: “To a happy marriage and, if necessary, a painless divorce!” — My best friend, Anita: “Oh, screw congratulations. Of course I’m happy for you. Stephen’s a major piece of ass and he’s got a sense of humor. Just as long as you’re certain this is what you want.” Would I survive this day after all....?

Interdisciplinary and intersectional in emphasis, the Routledge Companion to Motherhood brings together essays on current intellectual themes, issues, and debates, while also creating a foundation for future scholarship and study as the field of Motherhood Studies continues to develop globally. This Routledge Companion is the first extensive collection on the wide-ranging topics, themes, issues, and debates that ground the intellectual work being done on motherhood. Global in scope and including a range of disciplinary perspectives, including anthropology, literature, communication studies, sociology, women’s and gender studies, history, and economics, this volume introduces the foundational topics and ideas in motherhood, delineates the diversity and complexity of mothering, and also stimulates dialogue among scholars and students approaching from divergent backgrounds and intellectual perspectives. This will become a foundational text for academics in Women's and Gender Studies and interdisciplinary researchers interested in this important, complex and rapidly growing topic. Scholars of psychology, sociology or public policy, and activists in both university and workplace settings interested in motherhood and mothering will find it an invaluable guide.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

Someway, somehow, women find themselves branded and rejected by society. The shameful title of deadbeat mom, carries no weight as to what the actual truth of the matter is. What mother could leave her children for sex, drugs and alcohol? This book is the story of a woman who once did just that and overcame that title. The road to reclaiming motherhood is treacherous. There is a reality to face and in a world of instant gratification, this takes time. Success and results don't come instantaneously but with this book, you have entered into a Divine set up. Through this story, you will gain hope in knowing that you are not alone. Victory is attainable and you are victorious. Today is the first day of the rest of your life and rear view mirrors are made small for a reason. Put your hiking boots on and take the first step up what seems to be an unclimbable mountain. The families and loved ones affected by addiction will also gain hope in hearing what goes through the mind of a deadbeat mom. When I first began the journey of writing this book, I didn't know that it would take the path of throwing out a life raft to the loved ones. You may be tired and you may want to give up and that is understandable. What I want you to know is, although you don't know me, I have been praying for you for quite some time.

The author offers a scholarly dissection of "chick lit" from a post-feminist perspective. She analyzes the novel Bridget Jones' Diary and the HBO series Sex and the City while making parallels back to writings of Jane Austen and the Victorian novel in general. She looks at what these works say about women in society and whether they are just an escape or a serious reflection of women's concerns.

From the bestselling Bridget Jones's Diary that started the trend to the television sensation Sex and the Citythat captured it on screen, "chick lit" has become a major pop culture phenomenon. Banking on female audiences' identification with single, urban characters who struggle with the same life challenges, publishers have earned millions and even created separate imprints dedicated to the genre. Not surprisingly, some highbrow critics have dismissed chick lit as trashy fiction, but fans have argued that it is as empowering as it is entertaining. This is the first volume of its kind to examine the chick lit phenomenon from a variety of angles, accounting for both its popularity and the intense reactions-positive and negative-it has provoked. The contributors explore the characteristics that cause readers to attach the moniker "chick" to a particular book and what, if anything, distinguishes the category of chick lit from the works of Jane Austen on one end and Harlequin romance novels on the other. They critique the genre from a range of critical perspectives, considering its conflicted relationship with feminism and postfeminism, heterosexual romance, body image, and consumerism. The fourteen original essays gathered here also explore such trends and subgenres as "Sistah Lit," "Mommy Lit," and "Chick Lit Jr.," as well as regional variations. As the first book to consider the genre seriously, Chick Lit offers real insight into a new generation of women's fiction.