Diary Of A Man In Despair

Hailed as one of the most important works on the Hitler period, this is an “astonishing, compelling, and unnerving” portrait of life in Nazi Germany between 1936 and 1944—from a man who nearly shot Hitler himself (The New Yorker) Friedrich Reck might seem an unlikely rebel against Nazism. Not just a conservative but a rock-ribbed reactionary, he played the part of a landed gentleman, deplored democracy, and rejected the modern world outright. To Reck, the Nazis were ruthless revolutionaries in Gothic drag, and helpless as he was to counter the spell they had cast on the German people, he felt compelled to record the corruptions of their rule. The result is less a diary than a sequence of stark and astonishing snapshots of life in Germany between 1936 and 1944. We see the Nazis at the peak of power, and the murderous panic with which they respond to approaching defeat; their travesty of traditional folkways in the name of the Volk; and the author’s own missed opportunity to shoot Hitler. This riveting book is not only, as Hannah Arendt proclaimed it, “one of the most important documents of the Hitler period,” but a moving testament of a decent man struggling to do the right thing in a depraved world.

"The Journal of a Disappointed Man" by W. N. P. Barbellion. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Part One February to July 1990Part Two July to September 1990Part Three December 1990 to February 1991Part Four June 1991Part Five January 1992 to December 1994 Copyright © Libri GmbH. All rights reserved.

Extensively revised by Nabokov in 1965--thirty years after its original publication--Despair is the wickedly inventive and richly derisive story of Hermann, a man who undertakes the perfect crime--his own murder.

Between 1919 and his death by suicide in 1963, Arthur Crew Inman wrote what is surely one of the fullest diaries ever kept by any American. Convinced that his bid for immortality required complete candor, he held nothing back. This abridgment of the original 155 volumes is at once autobiography, social chronicle, and an apologia addressed to unborn readers. Into this fascinating record Inman poured memories of a privileged Atlanta childhood, disastrous prep-school years, a nervous collapse in college followed by a bizarre life of self-diagnosed invalidism. Confined to a darkened room in his Boston apartment, he lived vicariously: through newspaper advertisements he hired "talkers" to tell him the stories of their lives, and he wove their strange histories into the diary. Young women in particular fascinated him. He studied their moods, bought them clothes, fondled them, and counseled them on their love affairs. His marriage in 1923 to Evelyn Yates, the heroine of the diary, survived a series of melodramatic episodes. While reflecting on national politics, waifs and revolutions, Inman speaks directly about his fears, compulsions, fantasies, and nightmares, coaxing the reader into intimacy with him. Despite his shocking self-disclosures he emerges as an oddly impressive figure. This compelling work is many things: a case history of a deeply troubled man; the story of a transplanted and self-conscious southerner; a historical overview of Boston illuminated with striking cityscapes; an odd sort of American social history. But chiefly it is, as Inman himself came to see, a gigantic nonfiction novel, a new literary form. As it moves inexorably toward a powerful denouement, The Inman Diary is an addictive narrative.

An incendiary work of scholarship arguing that racism was the driving force behind Nazism, rather than a by-product of it—essential reading in an age of renewed fears of bigotry, tyranny, and fascism. World War II was the defining event of the twentieth century, redrawing the political map in ways that continue to affect nearly the entire human race. What was unprecedented, however, was not simply the war’s scale, but its causes. Unlike previous territorial or political clashes, the war launched by Nazi Germany was an ideological one, waged to wipe entire peoples and cultures from the face of the earth. In Nazism and War, Richard Bessel, one of the preeminent authorities on the social and political history of modern Germany, demonstrates that “Nazi war was racial struggle; Nazi racial struggle was war.” War was the anvil on which Hitler’s worldview was forged: German National Socialism emerged triumphant over a country deeply scarred by defeat and eager to reclaim its greatness. As a political philosophy, Nazism glorified struggle and conflict, viewing them as the purpose of a nation and a measure of its overall condition. As a political movement and state system, Nazism made its ideology real, plunging the European continent into a war of annihilation and a sea of blood. Nazism destroyed the old Europe, and thus helped to create the world in which we live. Praise for Nazism and War “[A] stimulating and thoughtful volume.”—Richard Overy, Literary Review “[A] rich, well-rounded portrait . . . offers both the serious scholar and the lay reader a concise yet comprehensive perspective on the events and horrors of that period.”—Publishers Weekly “[An] impressive study . . . highly recommended.”—Library Journal “Clear, engaging, and quietly profound.”—Booklist

The Diary of Anne Frank is a seminal piece of twentieth-century literature. It recounts the tragic and moving story of a young Jewish teenager faced with the horrors of Nazism. In it, Anne establishes a bond with her readers that transcends both time and space, making them her friends and confidants. Readers feel a connection with each dream she had, each fear she endured, and each struggle she confronted. Her diary ended, but her story did not. The Lost Diary of Anne Frank picks up where her original journal left off, taking the reader on a credible journey through the tragic final months of her life, faithfully adhering to her own, very personal, diary format in the process. In The Lost Diary of Anne Frank, Anne receives mysterious help from many quarters. A strange lady on the other side of the fence haunts her dreams. Her mom once vilified, becomes a hero. Anne struggles with the existence of God and His presence or absence in all of her ordeals. She contrasts the depravity of man with what she sees as mankind’s evident virtues. Her longing to experience sensual pleasures is numbed by forced over-exposure. She finds that in the Nazi efforts to extinguish the humanity of their victims, a chorus of unity evolves among the captives. Anne’s vaulted dreams for fame and notice are ultimately traded in for the true longings of life, love, and peace. The Lost Diary of Anne Frank follows her story to the chilling end. Dr. Johnny Teague is an author and historian, having earned five degrees, culminating with a doctorate in exposition from Southwestern Baptist Theological Seminary. In preparation for writing this book, he interviewed many Holocaust survivors and studied at the Holocaust museums in Houston, Washington, D.C., and Yad Vashem in Israel. His studies have taken him to numerous historical sites, including Auschwitz, Dachau, the Corrie ten Boom House, and the Anne Frank House.