Diasporas And Exiles

"Rarely have I encountered a collection of essays that coheres so well around an overarching theme. This will be an important resource."—Hillel J. Kieval, author of Languages of Community

"Migration throws objects, identities and ideas into flux across a global network of travelling cultures. Examining life-changing journeys that transplanted artists and intellectuals from one cultural context to another, Exiles, Diasporas & Strangers offers a thematic overview of the critical and creative role of estrangement and displacement in the story of 20th-century art.Revealing the traumatic conditions that shaped numerous variants of modernism – among indigenous artists in Australia and Canada as much as émigré art historians from Central Europe – these critical studies also highlight multidirectional patterns of cross-appropriation that trouble the settled boundaries of national belonging, whether manifested in 1920s Nigeria or in post-modern works by black British artists of the 1980s. Coming up to date with historical perspectives on conceptual art’s engagement with alterity, Exiles, Diasporas & Strangers makes a unique contribution to art history’s rapprochement with the post-colonial turn.--

During the late twentieth and early twenty-first centuries, dictatorships in Latin America hastened the outward movement of intellectuals, academics, artists, and political and social activists to other countries. Following the coups that toppled democratically elected governments or curtailed parliamentary oversight, the incoming military or civilian-military administrations assumed that, by forcing those aligned with opposition movements out of the country, they would assure their control of politics and domestic public spheres. Yet, by enlarging a diaspora of co-nationals, the authoritarian rulers merely extrapolated internal dissent and conflicts, emboldening opposition forces beyond their national borders. Displaced individuals soon had a presence in many host countries, gaining the support of solidarity circles and advocacy networks that condemned authoritarianism and worked with exiles and internal resistance towards the restoration of electoral democracy. Exiles soon became vehicles for spreading cultural ideas from abroad, celebrating cosmopolitanism over nationalism, and emphasizing human rights and democracy in Latin American countries. Exile, Diaspora, and Return explores how Argentina, Chile, Paraguay, and Uruguay have been affected by post-exilic relocations, transnational migrant displacements, and diasporas. Specifically, this book provides the first comprehensive analysis of diasporic experiences and the impact of returnees on the public life, culture, institutions, and development of post-authoritarian politics in the Southern Cone of the Americas. Bringing together sociopolitical, cultural, and policy analysis with the testimonies of dozens of intellectuals, academics, political activists, and policy makers, the authors address the impact of exile on people's lives and on their fractured experiences; the debates and prospects of return; the challenges of dis-exile and post-exilic trends; and the ways in which those who experienced exile impacted democratized institutions, public culture, and discourse. Furthermore, the authors present new readings of the recent history of South America and the diasporas that emphasize the importance of regional, transnational or global dimensions over the national.

Historical work on the late nineteenth and early twentieth centuries suggests that as nation-states were solidifying throughout Western Europe, exiled groups tended to develop rival national identities—an occurrence that had been fairly uncommon in the two preceding centuries. Diaspora Identities draws on eight case studies, ranging from the early modern period through the twentieth century, to explore the interconnectedness of exile, nationalism, and cosmopolitanism as concepts, ideals, attitudes, and strategies among diasporic groups. Die hier versammelten Studien eröffnen neue Perspektiven auf Nationalismus und Kosmopolitismus. Sie machen deutlich, dass schon vor dem »nationalen « 19. Jahrhundert im Kontext von Diaspora, Exil und Migration Identitäten und Verhaltensweisen entstanden, die zugleich kosmopolitisch und nationalistisch waren.

Migration is the most volatile sociopolitical issue of our time, as the current escalation of discourse and action in the United States and Europe concerning walls, border security, refugee camps, and deportations indicates. The essays by the international and interdisciplinary group of scholars assembled in this volume offer critical filters suggesting that this escalation and its historical precedents do not preclude redemptive counterstrategies. Encoded in narratives of affiliation and escape, these counterstrategies are variously launched as literary, cinematic, and civic interventions in past and present constructions of diasporic, migratory, or exilic identities. The essays trace these narratives through the figure of the “exile” as it moves across times, borders, and genres, transmogrifying into the fugitive, the escapee, the refugee, the nomad, the Other. Arguing that narratives and figures of migration to and in Europe and the Americas share tropes that link migration to kinship, community, refuge, and hegemony, the volume identifies a transhistorical, transcultural, and transnational common ground for experiences of mediated diaspora, migration, and exile at a time when public discourse and policy-making emphasize borders, divisions, and violent confrontations.

This collection of essays looks at the shared experience of exile across different groups in the early modern period. Contributors argue that exile is a useful analytical tool in the study of a wide variety of peoples previously examined in isolation.

This volume explores the ways that people create and represent a home away from home. The authors emphasize politics of identity that have characterized the postcolonial and post-World War II eras, and examine the ways in which different communities have

How do the concepts ?border,” ?exile,” and ?diaspora” shape individual and group identities across cultures? Taking this question as a point of departure, this wide-ranging volume explores the ways that people create and represent a home away from home. Throughout, the authors emphasize the multiple subjectivities, cultural displacements, and identity politics that have characterized the postcolonial and post-World War II eras. They simultaneously affirm and challenge previous understandings of these three terms, and they investigate their malleability?the extent to which they apply to diverse communities. Once the idea of diaspora is dissociated from the historical experiences of a particular group of people, it becomes a universal designation, applicable to all displaced groups. This understanding of diaspora also allows for the creation of a ?nonnormative” intellectual community, one experienced by many contemporary critics and with which they identify. In the postcolonial context, a global ?middle voice” emerges that incorporates the critic and his or her identity as the participant-observer of the discourses on identity. As personal narratives transcend the autobiographical, they become indispensable guarantors of a free theoretical field, without a priori boundaries. The diaspora's voice is thus national and cultural, but it lacks the nation or the geographical definition that would constrain its subject. The essays in this volume approach the ideas of border, exile, and diaspora primarily as subjects of literary representations while recognizing the political stakes of diasporic identity. They synthesize the poetic with the political, but they also probe the existential consequences of displacement and cultural dislocation. The essays compel us to examine, within a dialogical complex, antagonistic but concurrent phenomena endowed with a new internal logic. This volume serves as a canvas representing the open-ended, discontinuous, and syncretic nature of the postmodern world. Rather than give definitive answers, the essays provide contingent responses to the myriad questions about culture, identity, and language embedded in modern history.