Dictionary Of Modern Italian History

Italy is a country that exercises a hold on the imagination of people all over the world. Its long history has left an inexhaustible treasure chest of cultural achievement. The historic cities of Rome, Florence, and Venice are among the most sought-after destinations in the world for tourists and art lovers, and Italy's natural beauty and cuisine are rightly renowned. Italy's history and politics are also a source of endless fascination. Modern Italy has consistently been a political laboratory for the rest of Europe. In the 19th century, Italian patriotism was of crucial importance in the struggle against the absolute governments reintroduced after the Congress of Vienna, 1814-15. After the fall of Fascism during World War II, Italy became a model of rapid economic development, though its politics has never been less than contentious and its democracy has remained a troubled one. The second edition of Historical Dictionary of Modern Italy is an attempt to introduce the key personalities, events, social developments, and cultural achievements of Italy since the beginning of the 19th century, when Italy first began to emerge as something more than a geographical entity and national feeling began to grow. This is done through a chronology, a list of acronyms and abbreviations, an introductory essay, a map, a bibliography, and some 400 cross-referenced dictionary entries on prominent individuals, basic institutions, crucial events, history, politics, economics, society, and culture.

Italy is a country that exercises a hold on the imagination of people all over the world. Its long history has left an inexhaustible treasure chest of cultural achievement. The historic cities of Rome, Florence, and Venice are among the most sought-after destinations in the world for tourists and art lovers, and Italy's natural beauty and cuisine are rightly renowned. Italy's history and politics are also a source of endless fascination. Modern Italy has consistently been a political laboratory for the rest of Europe. In the 19th century, Italian patriotism was of crucial importance in the struggle against the absolute governments reintroduced after the Congress of Vienna, 1814-15. After the fall of Fascism during World War II, Italy became a model of rapid economic development, though its politics has never been less than contentious and its democracy has remained a troubled one. The second edition of Historical Dictionary of Modern Italy is an attempt to introduce the key personalities, events, social developments, and cultural achievements of Italy since the beginning of the 19th century, when Italy first began to emerge as something more than a geographical entity and national feeling began to grow. This is done through a chronology, a list of acronyms and abbreviations, an introductory essay, a map, a bibliography, and some 400 cross-referenced dictionary entries on prominent individuals, basic institutions, crucial events, history, politics, economics, society, and culture.

Italian cinema is now regarded as one of the great cinemas of the world. Historically, however, its fortunes have varied. Following a brief moment of glory in the early silent era, Italian cinema appeared to descend almost into irrelevance in the early1920s. A strong revival of the industry which gathered pace during the 1930s was abruptly truncated by the advent of World War II. The end of the war, however, initiated a renewal as films such as Roma città aperta (Rome Open City), Sciuscià (Shoeshine, 1946), and Ladri di biciclette (Bicycle Thieves, 1948), flagbearers of what soon came to be known as Neorealism, attracted unprecedented international acclaim and a reputation that only continued to grow in the following years as Italian films were feted worldwide. Ironically, they were celebrated nowhere more than in the United States, where Italian films consistently garnered the lion's share of the Oscars, with Lina Wertmüller becoming the first woman to ever be nominated for the Best Director award. This second edition of Historical Dictionary of Italian Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on major movements, directors, actors, actresses, film genres, producers, industry organizations and key films. This book is an excellent resource for students, researchers, and anyone wanting to know more about Italian Cinema.

A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.

Fully annotated and completely updated—the most comprehensive guide to reference books in the field of history. Reference Sources in History catalogs atlases, encyclopedias, dictionaries, handbooks, sourcebooks, bibliographies, and chronologies and makes sense of it all. Its broad scope and systematic organization make it an accessible, reliable resource for experienced and inexperienced researchers alike. Fully annotated and updated, the new edition summarizes hundreds of reference works on every conceivable subject in history—from ancient to modern, from Afghanistan to Zimbabwe. This edition also reflects the dramatic impact of the digital revolution on historical research by integrating a wide range of Internet and CD-ROM sources. Reference Sources in History is a time-saving alternative to searching the reference stacks or getting lost in an online thicket of dubious historical websites.

This essential book fills a serious gap in the field by synthesizing modern Italian history and placing it in a fully European context. Emphasizing globalization, Italy traces the country's transformation from a land of emigration to one of immigration and its growing cultural importance. Including coverage of the April 2008 elections, this updated edition offers expanded examinations of contemporary Italy's economic, social, and cultural development, a deepened discussion on immigration, and four new biographical sketches. Author Spencer M. Di Scala discusses the role of women, gives ample attention to the Italian South, and provides a picture of how ordinary Italians live. Cast in a clear and lively style that will appeal to readers, this comprehensive account is an indispensable addition to the field.

People may choose to ignore their animal heritage by interpreting their behavior as divinely inspired, socially purposeful, or even self-serving, all of which they attribute to being human, but they masticate, fornicate, and procreate, much as chimps and apes do, so they should have little cause to get upset if they learn that they act like other primates when they politically agitate, debate, abdicate, placate, and administrate, too." -- from the book King of the Mountain presents the startling findings of Arnold M. Ludwig's eighteen-year investigation into why people want to rule. The answer may seem obvious -- power, privilege, and perks -- but any adequate answer also needs to explain why so many rulers cling to power even when they are miserable, trust nobody, feel besieged, and face almost certain death. Ludwig's results suggest that leaders of nations tend to act remarkably like monkeys and apes in the way they come to power, govern, and rule. Profiling every ruler of a recognized country in the twentieth century -- over 1,900 people in all­­, Ludwig establishes how rulers came to power, how they lost power, the dangers they faced, and the odds of their being assassinated, committing suicide, or dying a natural death. Then, concentrating on a smaller sub-set of 377 rulers for whom more extensive personal information was available, he compares six different kinds of leaders, examining their characteristics, their childhoods, and their mental stability or instability to identify the main predictors of later political success. Ludwig's penetrating observations, though presented in a lighthearted and entertaining way, offer important insight into why humans have engaged in war throughout recorded history as well as suggesting how they might live together in peace.

A unique bibliographic and historiographic guide to the study of contemporary Italy, this book points to over 650 texts that have shaped the academic and scholarly study of postwar Italy. It is the first guide to include a genuine mix of English-language and Italian-language materials and to approach these materials in a historiographic as well as a bibliographic manner. It is an ideal guide for English, North American, and Italian scholars who have just begun their study of Italy or want to know more about research in areas outside their area of expertise. Following the introduction, which outlines the context within which the evolution of Italian studies should be viewed, the book is divided into two parts. Part I includes five historiographic chapters providing a detailed survey and analysis of works published in history, politics, government, the economy, and society. Part II is an annotated bibliographic guide to all of the texts pointed to in Part I.