Diderot

Best Book of the Year – Kirkus Reviews A spirited biography of the prophetic and sympathetic philosopher who helped build the foundations of the modern world. Denis Diderot is often associated with the decades-long battle to bring the world’s first comprehensive Encyclopédie into existence. But his most daring writing took place in the shadows. Thrown into prison for his atheism in 1749, Diderot decided to reserve his best books for posterity–for us, in fact. In the astonishing cache of unpublished writings left behind after his death, Diderot challenged virtually all of his century's accepted truths, from the sanctity of monarchy, to the racial justification of the slave trade, to the norms of human sexuality. One of Diderot’s most attentive readers during his lifetime was Catherine the Great, who not only supported him financially, but invited him to St. Petersburg to talk about the possibility of democratizing the Russian empire. In this thematically organized biography, Andrew S. Curran vividly describes Diderot’s tormented relationship with Rousseau, his curious correspondence with Voltaire, his passionate affairs, and his often iconoclastic stands on art, theater, morality, politics, and religion. But what this book brings out most brilliantly is how the writer's personal turmoil was an essential part of his genius and his ability to flout taboos, dogma, and convention.

‘Love is harder to explain than hunger, for a piece of fruit does not feel the desire to be eaten’: Denis Diderot’s Éléments de physiologie presents a world in flux, turning on the relationship between man, matter and mind. In this late work, Diderot delves playfully into the relationship between bodily sensation, emotion and perception, and asks his readers what it means to be human in the absence of a soul. The Atheist’s Bible challenges prevailing scholarly views on Diderot’s Éléments, asserting its contemporary philosophical importance, and prompting its readers to inspect more closely this little-known and little-studied work. In this timely volume, Warman establishes the place of Diderot’s Éléments in the trajectory of materialist theories of nature and the mind stretching back to Epicurus and Lucretius, and explores the fascinating reasons behind scholarly neglect of this seminal work. In turn, Warman outlines the hitherto unacknowledged dissemination and reception of Diderot’s Éléments, demonstrating how Diderot’s Éléments was circulated in manuscript-form as early as the 1790s, thus showing how the text came to influence the next generations of materialist thinkers. This book is accompanied by a digital edition of Jacques-André Naigeon’s Mémoires historiques et philosophiques sur la vie et les ouvrages de Denis Diderot (1823), a work which, Warman argues, represents the first publication of Diderot’s Éléments, long before its official publication date of 1875. The Atheist’s Bible constitutes a major contribution to the field of Diderot studies, and will be of further interest to scholars and students of materialist natural philosophy in the Age of Enlightenment and beyond.

In a dual biography crafted around the famous encounter between the French philosopher who wrote about power and the Russian empress who wielded it with great aplomb, Robert Zaretsky invites us to reflect on the fraught relationship between politics and philosophy, and between a man of thought and a woman of action.

Drawing upon the rich heterogeneity of Denis Diderot's texts-whether scientific, aesthetic, philosophic or literary-Andrew Clark locates and examines an important epistemological shift both in Diderot's oeuvre and in the eighteenth century more generally. In Western Europe during the 1750s, the human body was reconceptualized as physiologists began to emphasize the connections, communication, and relationships among relatively autonomous somatic parts and an animated whole. This new conceptualization was part of a larger philosophical and epistemological shift in the relationship of part to whole, as discovered in that of bee to swarm; organ to body; word to phrase; dissonant chord to harmonic progression; article to encyclopedia; and individual citizen to body politic. Starting from Diderot's concept of the body as elaborated from the physiological research and speculation of contemporaries such as Haller and Bordeu, the author investigates how the logic of an unstable relationship of part to whole animates much of Diderot's writing in genres ranging from art criticism to theatre to philosophy of science. In particular, Clark examines the musical figure of dissonance, a figure used by Diderot himself, as a useful theoretical model to give insight into these complex relations. This study brings a fresh approach to the classic question of whether Diderot's work represents a consistent point of view or a series of ruptures and changes of position.

18th Century Frenchman Diderot uses a fictional conversation between two men to criticize those who argued against the Enlightenment. As his prior works of political opinion had caused his imprisonment, Diderot was especially careful to craft "Rameau's Nephew" in such a way to not face further trouble.

Denis Diderot (1713-1784) was one of the most significant figures of the French enlightenment. His political writings cover the period from the first volume of the Encyclopedie (1751), of which he was principal editor, to the third edition of Raynal's Histoire des Deux Indes (1780), one of the most widely read books of the pre-revolutionary period. This volume contains the most important of Diderot's articles for the Encyclopedie, a substantial number of his contributions to the Histoire, the complete texts of his Supplement au Voyage de Bougainville, one of his most visionary works, and his Observations sur le Nakaz, a precise and detailed political work translated here into English for the first time. The editors' introduction sets these works in their context and shows the underlying coherence of Diderot's thought. A chronology of events and a bibliography are included as further aids to the reader.

Chance ordained that Denis Diderot (1713-1784) was not only a philosopher, playwright and writer, but also a salonnier. In other words, an art critic. In 1759, his friend Grimm entrusted him with a project that forced him to acquire "thoughtful notions concerning painting and sculpture" and to refine "art terms, so familiar in his words yet so vague in his mind". Diderot wrote artistic reviews of exhibitions – Salons – that were organized bi-annually at the Louvre by the Académie Royale de Peinture et de Sculpture. These reviews, published in the Correspondence Littéraire, were Diderot’s unique contribution to art criticism in France. He fulfilled his task of salonnier on nine occasions, despite occasional dips in his enthusiasm and self-confidence. Compiled and presented by Jean Szenec, this anthology helps the contemporary reader to familiarize himself with Diderot’s aesthetic thought in all its greatness. It includes eight illustrations and is followed by texts from Jean Starobinski, Michel Delon, and Arthur Cohen. ‘On Art and Artists’ is translated by John Glaus, professor of French and an amateur expert of the XVIIIth century.

In addition to his philosophical works and innovative novels, the eighteenth-century writer Denis Diderot is most often recognized as one of the major authors of the Encyclopédie. Described by scholars as a modern and provocative thinker and writer, Diderot inspired intellectual discussion with his theories of artistic mimesis, in which he placed special emphasis on what is not stated in words, but is conveyed through gestures and other non-verbal methods of communication. This book explores Diderot's representation of the body as a tableau vivant - a literary painting in which the narrator portrays his characters as if suspended in a state of oscillation between paralysis and movement. The Function of the Dream and the Body in Diderot's Works discusses how Diderot's depiction of the body poses problems of interpretation for the serious reader/spectator, who, as in Freudian dream analysis, must generate a narrative based on a visual painting of the body's silent speech.