Diego Rivera S America

Diego Rivera’s America revisits a historical moment when the famed muralist and painter, more than any other artist of his time, helped forge Mexican national identity in visual terms and imagined a shared American future in which unity, rather than division, was paramount. This volume accompanies a major exhibition highlighting Diego Rivera’s work in Mexico and the United States from the early 1920s through the mid-1940s. During this time in his prolific career, Rivera created a new vision for the Americas, on both national and continental levels, informed by his time in both countries. Rivera’s murals in Mexico and the U.S. serve as points of departure for a critical and contemporary understanding of one of the most aesthetically, socially, and politically ambitious artists of the twentieth century. Works featured include the greatest number of paintings and drawings from this period reunited since the artist’s lifetime, presented alongside fresco panels and mural sketches. This catalogue serves as a guide to two crucial decades in Rivera’s career, illuminating his most important themes, from traditional markets to modern industry, and devoting attention to iconic paintings as well as works that will be new even to scholars—revealing fresh insights into his artistic process. Published by the San Francisco Museum of Modern Art in association with University of California Press Exhibition dates: San Francisco Museum of Modern Art: July 16, 2022—January 1, 2023 Crystal Bridges Museum of American Art, Bentonville, Arkansas: March 11—July 31, 2023

Chronicles the life of Mexican artist Diego Rivera and discusses the artists who influenced him, his involvement in Communism, his family life, and other related topics.

Discusses the life of Diego Rivera and describes his unique style of art.

They met in 1928, Frida Kahlo was then 21 years old and Diego Rivera was twice her age. He was already an international reference, she only aspired to become one. An intense artistic creation, along with pain and suffering, was generated by this tormented union, in particular for Frida. Constantly in the shadow of her husband, bearing his unfaithfulness and her jealousy, Frida exorcised the pain on canvas, and won progressively the public’s interest. On both continents, America and Europe, these commited artists proclaimed their freedom and left behind them the traces of their exceptional talent. In this book, Gerry Souter brings together both biographies and underlines with passion the link which existed between the two greatest Mexican artists of the twentieth century.

During the 1930s San Francisco's most ambitious public murals were painted by artists on the left. In this study, Anthony Lee shows how these painters, led by Diego Rivera, sought to transform murals into a vehicle for their rejection of the economic and political status quo and their support of labor and radical ideologies, including Communism. In addressing these subjects, the mural painters developed a new imagery, based on the activities of the city's laboring population - its efforts to organize, its protests, its strikes.

Diego Rivera's (1886-1957) Detroit Industry fresco cycle in the Detroit Institute of Arts is the finest Mexican-style mural in the United States. Completed in nine months, between July 1932 and March 1933, the murals are a tribute to Detroit industry and labour, and Rivera considered the cycle to be the most successful work of his career. Throughout the mural Rivera celebrates the harmonies between man, nature and machine. The cycle begins on the east wall, which depicts the origins of human life and technology. The panels on the west wall represent technologies of air and water and introduce the automobile industry. The north wall is devoted to representations of two races of humanity, the automobile industry and scenes from other major Detroit industries: medicine, pharmaceuticals and commercial chemicals. Panels on the south wall primarily depict the production of an automobile body. This unique volume will detail the murals with horizontal and vertical fold-outs ideal for the paintings size and scope. A lively text will include information on the artist and his technique, the patron (Edsel Ford) and a detailed analysis of the various panels that make up the fresco cycle. 50 colour illustrations

Diego Rivera is famous for painting murals of everyday life in Mexico. But he was also known for his work in literature, cinematography, and his marriage to another artist, Frida Kahlo. Discover the world of Diego Rivera, from the Mexican Revolution to the Museum of Modern Art in New York City, learn all about this talented artist and his creative life.

Diego Rivera witnessed a changing world after the Mexican Revolution of 1910. The Mexican muralist painter became the head of a new school of Mexican art, painting murals to explain Mexican history on behalf of his benefactors, the new socialist government of Mexico. He believed this new world needed a new art that spoke to the common people and worked with the government to turn public walls into enormous murals celebrating the nation's people, history, and culture. Learn more about this controversial figure whose desire to associate with the wealthy class that funded much of his work conflicted with his political ideals in Diego Rivera, Second Edition.