Digging Into The Dark Ages

What does the ‘Dark Ages’ mean in contemporary society? Tackling public engagements through archaeological fieldwork, heritage sites and museums, fictional portrayals and art, and increasingly via a broad range of digital media, this is the first-ever dedicated collection exploring the public archaeology of the Early Middle Ages.

Fully illustrated with 180 photographs, artworks and maps, The 'Dark' Ages is an exciting, engaging and highly informative exploration of this often-overlooked period in early medieval history.

Viking Heritage and History in Europe presents new research and perspectives on the use of the Vikings in public history, especially in relation to museums, re-creation, and re-enactment in a European context. Taking a critical heritage approach, the volume provides new insights into the re-creation of history, imagining the past, interpretation, ambivalence of authenticity, authority of History, remembrance and memory, medievalism, and public history. Highlighting the complexity of the field of public history today, the fourteen chapters all engage with questions of historical authenticity and authority. The volume also critically examines the public’s reception, engagement with, and interpretation of the Viking Age and the concepts of who these individuals were. Each chapter illuminates an aspect of these themes in relation to museums, leisure activities, politics, tourism, re-enactment, and popular culture – all from the vantage point of Viking cultural heritage. Viking Heritage and History in Europe is one of the first volumes to examine the use and role of the Vikings within the field of public history, both past and present. The book will be of interest to those engaged in the study of heritage, public history, history, the Vikings, vikingism, medievalism, and media history.

Select proceedings of the 4th University of Chester Archaeology Student conference (Chester, 20 March 2019) investigate real-world ancient and modern frontier works, the significance of graffiti, material culture, monuments and wall-building, as well as fictional representations of borders and walls in the arts, as public archaeology.

"A brief, accessible primer explaining the basics of archaeology from "How do you know where to dig?" to "Do you get keep what you find?""--

The idea that with the decline of the Roman Empire Europe entered into some immense ‘dark age’ has long been viewed as inadequate by many historians. How could a world still so profoundly shaped by Rome and which encompassed such remarkable societies as the Byzantine, Carolingian and Ottonian empires, be anything other than central to the development of European history? How could a world of so many peoples, whether expanding, moving or stable, of Goths, Franks, Vandals, Byzantines, Arabs, Anglo-Saxons, Vikings, whose genetic and linguistic inheritors we all are, not lie at the heart of how we understand ourselves? The Inheritance of Rome is a work of remarkable scope and ambition. Drawing on a wealth of new material, it is a book which will transform its many readers’ ideas about the crucible in which Europe would in the end be created. From the collapse of the Roman imperial system to the establishment of the new European dynastic states, perhaps this book’s most striking achievement is to make sense of an immensely long period of time, experienced by many generations of Europeans, and which, while it certainly included catastrophic invasions and turbulence, also contained long periods of continuity and achievement. From Ireland to Constantinople, from the Baltic to the Mediterranean, this is a genuinely Europe-wide history of a new kind, with something surprising or arresting on every page.

Progress can be unstoppable at times, and not even death can prevent the desire for knowledge. A dark trade has long existed to provide fuel for the fires of research, a trade which is viewed by many as the most despicable occupation of all.The resurrection men of Yorkshire came from all walks of life, and employed a myriad of macabre methods to raise their defenseless prey from beneath the consecrated ground. This was a trade which offered great reward, but was definitely not for the faint of heart.Throughout this journey into the dark past of Yorkshire, we meet an infamous celebrity who made an unexpected reappearance, a traveling minstrel who was to become the talk of many towns, a child whose death was just the beginning of a tragic tale, and a holy man who helped a community but earned his own illicit rewards in return.Also to be raised from the dead are a number of explosive events, all of which lit a fire beneath the local communities and led the people of Yorkshire to the streets in violent protest. A medical school reduced to ashes, a gang of professionals moonlighting in the darkest occupation, and a scandal which would engulf a city many years after the threat of the body snatchers had been all but ended.Spanning over almost three centuries, this grim compendium of tales casts a shadow over the beauty of Yorkshire, a dark veil which reaches out in all directions, threatening the peace of the dearly departed across the length and breadth of the nations largest county.

1210 and a black force is sweeping England. For a vengeful King John has seized control of the Church, leaving corpses to lie in unconsecrated ground, babies unbaptized in their cradles and the people terrified of dying in sin. And in the village of Gastmere, the consequences grow darker still when Elena, a servant girl, is dragged into a conspiracy to absolve the sins of the lord of the manor. As the terrors that soon begin to plague Elena's sleep grow darker, in desperation she visits the cunning woman, who has been waiting for just such an opportunity to fulfil an ancient curse conjured at the gallows. Elena, haunted by this curse and threatened with death for a crime she didn't commit, flees the village ... only to find her nightmare has barely begun. For treachery lurks in every shadow as King John's brutal reign makes enemies of brothers, murderers of virgins and sinners of us all.