Public Archaeologies Of Frontiers And Borderlands

Select proceedings of the 4th University of Chester Archaeology Student conference (Chester, 20 March 2019) investigate real-world ancient and modern frontier works, the significance of graffiti, material culture, monuments and wall-building, as well as fictional representations of borders and walls in the arts, as public archaeology.

ODJ has a concerted focus on the Anglo-Welsh borderlands alongside wider themes, debates and investigations concerning boundaries and barriers, edges and peripheries, from prehistory through to recent times. The public archaeology and heritage of frontiers and borderlands is also considered.

Frontiers and territorial borders are places of contested power where societies collide, interact, and interconnect. Using bioanthropological case studies from around the world, this volume explores how people in the past created, maintained, or changed their identities while living on the edge between two or more different spheres of influence. Examining a wide range of borderland settings, essays in this volume discuss the mobility of people in Roman Egypt and investigate patterns of genetic difference in Iron Age Italy. They show how social and cultural interactions helped buffer the stressful physical environment of eleventh-century Iceland and describe bioarchaeological evidence of traumatic injuries indicating tension across regional borders in the precontact American Great Basin and Southwest. Contributors look at isotope data, skeletal stress markers, craniometric and dental metric information, mortuary arrangements, and other evidence to examine how frontier life can affect health and socioeconomic status. Illustrating the many meanings and definitions of frontiers and borderlands, they question assumptions about the relationships between people, place, and identity. As national borders continue to ignite controversy in today’s society and politics, the research presented here is more important than ever. The long history of people who have lived in borderland areas helps us understand the challenges of adapting to these dynamic and often violent places. A volume in the series Bioarchaeological Interpretations of the Human Past: Local, Regional, and Global Perspectives, edited by Clark Spencer Larsen

ODJhas a concerted focus on the Anglo-Welsh borderlands alongside wider themes, debates and investigations concerning boundaries and barriers, edges and peripheries, from prehistory through to recent times. The public archaeology and heritage of frontiers and borderlands is also considered.

Select proceedings of the 5th University of Chester Archaeology Student Conference (31 January 2020) reflect on the shifting and conflicting meanings, values and significances for treasure in archaeology’s public engagements, interactions and manifestations.

Viking Heritage and History in Europe presents new research and perspectives on the use of the Vikings in public history, especially in relation to museums, re-creation, and re-enactment in a European context. Taking a critical heritage approach, the volume provides new insights into the re-creation of history, imagining the past, interpretation, ambivalence of authenticity, authority of History, remembrance and memory, medievalism, and public history. Highlighting the complexity of the field of public history today, the fourteen chapters all engage with questions of historical authenticity and authority. The volume also critically examines the public’s reception, engagement with, and interpretation of the Viking Age and the concepts of who these individuals were. Each chapter illuminates an aspect of these themes in relation to museums, leisure activities, politics, tourism, re-enactment, and popular culture – all from the vantage point of Viking cultural heritage. Viking Heritage and History in Europe is one of the first volumes to examine the use and role of the Vikings within the field of public history, both past and present. The book will be of interest to those engaged in the study of heritage, public history, history, the Vikings, vikingism, medievalism, and media history.

This book adds to the scant academic literature investigating how comics transmit knowledge of the past and how this refraction of the past shapes our understanding of society and politics in sometimes damaging ways. The volume comes at these questions from a specifically archaeological perspective, foregrounding the representation and narrative use of material cultures. It fulfils its objectives through three reception studies in the first part of the volume and three chapters by comic creators in the second part. All six chapters aim to grapple with a set of central questions about the power inherent in drawn images of various kinds.