Dingo Makes Us Human

This ethnography explores the culture of the Yarralin people in the Northern Territory.

This original ethnography brings indigenous people's stories into conversations around troubling questions of social justice and environmental care. Deborah Bird Rose lived for two years with the Yarralin community in the Northern Territory's remote Victoria River Valley. Her engagement with the people's stories and their action in the world leads her to this analysis of a multi-centred poetics of life and land. The book speaks to issues that are of immediate and broad concern today: traditional ecological knowledge, kinship between humans and other living things, colonising history, environmental history, and sacred geography. Now in paperback, this award-winning exploration of the Yarralin people is available to a whole new readership. The boldly direct and personal approach will be illuminating and accessible to general readers, while also of great value to experienced anthropologists.

In the late nineteenth and early twentieth centuries, indigenous communities in the United States and Australia suffered a common experience at the hands of state authorities: the removal of their children to institutions in the name of assimilating American Indians and protecting Aboriginal people. Although officially characterized as benevolent, these government policies often inflicted great trauma on indigenous families and ultimately served the settler nations? larger goals of consolidating control over indigenous peoples and their lands. White Mother to a Dark Racetakes the study of indigenous education and acculturation in new directions in its examination of the key roles white women played in these policies of indigenous child-removal. Government officials, missionaries, and reformers justified the removal of indigenous children in particularly gendered ways by focusing on the supposed deficiencies of indigenous mothers, the alleged barbarity of indigenous men, and the lack of a patriarchal nuclear family. Often they deemed white women the most appropriate agents to carry out these child-removal policies. Inspired by the maternalist movement of the era, many white women were eager to serve as surrogate mothers to indigenous children and maneuvered to influence public policy affecting indigenous people. Although some white women developed caring relationships with indigenous children and others became critical of government policies, many became hopelessly ensnared in this insidious colonial policy.

We are living in the midst of the Earth's sixth great extinction event, the first one caused by a single species: our own. In Wild Dog Dreaming, Deborah Bird Rose explores what constitutes an ethical relationship with nonhuman others in this era of loss. She asks, Who are we, as a species? How do we fit into the Earth's systems? Amidst so much change, how do we find our way into new stories to guide us? Rose explores these questions in the form of a dialogue between science and the humanities. Drawing on her conversations with Aboriginal people, for whom questions of extinction are up-close and very personal, Rose develops a mode of exposition that is dialogical, philosophical, and open-ended. An inspiration for Rose--and a touchstone throughout her book--is the endangered dingo of Australia. The dingo is not the first animal to face extinction, but its story is particularly disturbing because the threat to its future is being actively engineered by humans. The brazenness with which the dingo is being wiped out sheds valuable, and chilling, light on the likely fate of countless other animal and plant species. "People save what they love," observed Michael Soul , the great conservation biologist. We must ask whether we, as humans, are capable of loving--and therefore capable of caring for--the animals and plants that are disappearing in a cascade of extinctions. Wild Dog Dreaming engages this question, and the result is a bold account of the entangled ethics of love, contingency, and desire.

Life Writing in the Anthropocene is a collection of timely and original approaches to the question of what constitutes a life, how that life is narrated, and what lives matter in autobiography studies in the Anthropocene. This era is characterised by the geoengineering impact of humans, which is shaping the planet’s biophysical systems through the combustion of fossil fuels, production of carbon, unprecedented population growth, and mass extinction. These developments threaten the rights of humans and other-than-humans to just and sustainable lives. In exploring ways of representing life in the Anthropocene, this work articulates innovative literary forms such as ecobiography (the representation of a human subject's entwinement with their environment), phytography (writing the lives of plants), and ethological poetics (the study of nonhuman poetic forms), providing scholars and writers with innovative tools to think and write about our strange new world. In particular, its recognition on plant life reminds us of how human lives are entwined with vegetal lives. The creative and critical essays in this book, shaped by a number of Antipodean authors, bear witness to a multitude of lives and deaths. The chapters in this book were originally published as a special issue of a/b: Auto/Biography Studies.

The seven sisters of the Pleiades are known throughout the world and appear again and again in stories from many cultures. Beginning with her grandmother's tale, Munya Andrews takes the reader to the stars, around and across the planet through Indigenous North America, Australia, Japan and the Pacific, and back through time to Ancient Egypt, India, Greece and South America. She explores the commonalities of legends to discover our common human origins. The Subaru from Japan share much with the young women depicted as birds in the stories from Greece and Indigenous Australia. The Pleiades have been the source of much mythology, wisdom and science over many millennia. The book is also an examination of culture and how culture is expressed through symbols and stories related to stars and other astronomical phenomena. Her work is distinguished from other studies in the field because she brings to it an Indigenous perspective which enriches its interpretative power. No other writer has captured the richness of this mysterious constellation.

"Raymond Pierotti and Brandy Fogg change the narrative about how wolves became dogs and, in turn, humanity's best friend. Rather than recount how people mastered and tamed an aggressive, dangerous species, the authors describe coevolution and mutualism. Wolves, particularly ones shunned by their packs, most likely initiated the relationship with Paleolithic humans, forming bonds built on mutually recognized skills and emotional capacity. This interdisciplinary study draws on sources from evolutionary biology as well as tribal and indigenous histories to produce an intelligent, insightful, and often unexpected story of cooperative hunting, wolves protecting camps, and wolf-human companionship"--Dust jacket flap.

The chunk of land bordering Western Australia, South Australia, and Queensland is known as Namatjira. For most of us it is remote; geographically and metaphorically it is the heart of Australia. After a period of loss and much change, Saskia Beudel was inspired to begin long distance walking. Within 18 months, she had walked Australia's Snowy Mountains, twice along the South Coast of Tasmania, the MacDonnell Ranges west of Alice Springs, the Arnhem Land plateau in Kakadu, the Wollemi National Park in New South Wales, and in Ladakh in the Himalayas. Throughout the course of her journeys, she experienced passages of reverie, of forgetfulness, of absorption in her surroundings, of an immense but simple pleasure, and of rhythm. The book that emerged contrasts her internal landscape with the external landscape, considering her relationships with her family in the context of environmental and anthropological histories. It champions the history of Australia's Namatjira country and conveys social and environmental issues. A Country in Mind is a narrative memoir of one woman's reflections on home, family, and belonging, while traversing remote and ancient landscapes. *** "The Australian Outback is depicted with such gorgeous language in Beudel's book that it almost feels as though you're seeing it with your own eyes. There is, however, more to this book than just description. The history and spirituality of the region is the glue that binds this alluring memoir together and turns it into a journey through Australia unlike any other." - World Literature Today, Jan/Feb 2015Ã?Â?Ã?Â?Ã?Â?Ã?Â?