Life Writing In The Anthropocene

Life Writing in the Anthropocene is a collection of timely and original approaches to the question of what constitutes a life, how that life is narrated, and what lives matter in autobiography studies in the Anthropocene. This era is characterised by the geoengineering impact of humans, which is shaping the planet’s biophysical systems through the combustion of fossil fuels, production of carbon, unprecedented population growth, and mass extinction. These developments threaten the rights of humans and other-than-humans to just and sustainable lives. In exploring ways of representing life in the Anthropocene, this work articulates innovative literary forms such as ecobiography (the representation of a human subject's entwinement with their environment), phytography (writing the lives of plants), and ethological poetics (the study of nonhuman poetic forms), providing scholars and writers with innovative tools to think and write about our strange new world. In particular, its recognition on plant life reminds us of how human lives are entwined with vegetal lives. The creative and critical essays in this book, shaped by a number of Antipodean authors, bear witness to a multitude of lives and deaths. The chapters in this book were originally published as a special issue of a/b: Auto/Biography Studies.

Life Writing in the Posthuman Anthropocene is a timely collection of insightful contributions that negotiate how the genre of life writing, traditionally tied to the human perspective and thus anthropocentric qua definition, can provide adequate perspectives for an age of ecological disasters and global climate change. The volume's eight chapters illustrate the aptness of life writing and life writing studies to critically reevaluate the role of "the human" vis-à-vis non-human others while remaining mindful of persisting inequalities between humans regarding who causes and who suffers damage in the Anthropocene age. The authors in this collection not only expand the toolbox of life writing studies by engaging with critical insights from the fields of posthumanism and ecocriticism, but, in turn, also enrich those fields by offering unique approaches to contemplate the responsibility of humans for as well as their relational existence in the posthuman Anthropocene. Ina Batzke is researcher and lecturer in American Studies at the University of Augsburg, Germany. Lea Espinoza Garrido is a researcher and lecturer in American Literary and Cultural Studies at the University of Wuppertal, Germany. Linda M. Hess is a senior lecturer and postdoctoral researcher at the Chair of American Studies at the University of Augsburg, Germany. .

Life Writing in the Posthuman Anthropocene is a timely collection of insightful contributions that negotiate how the genre of life writing, traditionally tied to the human perspective and thus anthropocentric qua definition, can provide adequate perspectives for an age of ecological disasters and global climate change. The volume’s eight chapters illustrate the aptness of life writing and life writing studies to critically reevaluate the role of “the human” vis-à-vis non-human others while remaining mindful of persisting inequalities between humans regarding who causes and who suffers damage in the Anthropocene age. The authors in this collection not only expand the toolbox of life writing studies by engaging with critical insights from the fields of posthumanism and ecocriticism, but, in turn, also enrich those fields by offering unique approaches to contemplate the responsibility of humans for as well as their relational existence in the posthuman Anthropocene.

Life Writing in the Posthuman Anthropocene is a timely collection of insightful contributions that negotiate how the genre of life writing, traditionally tied to the human perspective and thus anthropocentric qua definition, can provide adequate perspectives for an age of ecological disasters and global climate change. The volume's eight chapters illustrate the aptness of life writing and life writing studies to critically reevaluate the role of "the human" vis-à-vis non-human others while remaining mindful of persisting inequalities between humans regarding who causes and who suffers damage in the Anthropocene age. The authors in this collection not only expand the toolbox of life writing studies by engaging with critical insights from the fields of posthumanism and ecocriticism, but, in turn, also enrich those fields by offering unique approaches to contemplate the responsibility of humans for as well as their relational existence in the posthuman Anthropocene. Ina Batzke is researcher and lecturer in American Studies at the University of Augsburg, Germany. Lea Espinoza Garrido is a researcher and lecturer in American Literary and Cultural Studies at the University of Wuppertal, Germany. Linda M. Hess is a senior lecturer and postdoctoral researcher at the Chair of American Studies at the University of Augsburg, Germany. .

“Masterful. The Anthropocene Reviewed is a beautiful, timely book about the human condition—and a timeless reminder to pay attention to your attention.” —Adam Grant, #1 bestselling author of Think Again and host of the podcast Re:Thinking Instant #1 bestseller! A deeply moving collection of personal essays from John Green, the author of The Fault in Our Stars and Turtles All the Way Down. “Gloriously personal and life-affirming. The perfect book for right now.” —People “Essential to the human conversation.” —Library Journal, starred review The Anthropocene is the current geologic age, in which humans have profoundly reshaped the planet and its biodiversity. In this remarkable symphony of essays, bestselling author John Green reviews different facets of the human-centered planet on a five-star scale—from the QWERTY keyboard and sunsets to Canada geese and Penguins of Madagascar. Funny, complex, and rich with detail, the reviews chart the contradictions of contemporary humanity. John Green’s gift for storytelling shines throughout this masterful collection. The Anthropocene Reviewed is an open-hearted exploration of the paths we forge and an unironic celebration of falling in love with the world.

Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch. Contributors: Karen Barad, U of California, Santa Cruz; Kate Brown, U of Maryland, Baltimore; Carla Freccero, U of California, Santa Cruz; Peter Funch, Aarhus U; Scott F. Gilbert, Swarthmore College; Deborah M. Gordon, Stanford U; Donna J. Haraway, U of California, Santa Cruz; Andreas Hejnol, U of Bergen, Norway; Ursula K. Le Guin; Marianne Elisabeth Lien, U of Oslo; Andrew Mathews, U of California, Santa Cruz; Margaret McFall-Ngai, U of Hawaii, Manoa; Ingrid M. Parker, U of California, Santa Cruz; Mary Louise Pratt, NYU; Anne Pringle, U of Wisconsin, Madison; Deborah Bird Rose, U of New South Wales, Sydney; Dorion Sagan; Lesley Stern, U of California, San Diego; Jens-Christian Svenning, Aarhus U.

The Anthropocene has fundamentally changed the way we think about our relation to nonhuman life and to the planet. This book is the first to critically survey how the Anthropocene is enriching the study of literature and inspiring contemporary poetry and fiction. Engaging with topics such as genre, life, extinction, memory, infrastructure, energy, and the future, the book makes a compelling case for literature’s unique contribution to contemporary environmental thought. It pays attention to literature’s imaginative and narrative resources, and also to its appeal to the emotions and its relation to the material world. As the Anthropocene enjoins us to read the signals the planet is sending and to ponder the traces we leave on the Earth, it is also, this book argues, a literary problem. Literature and the Anthropocene maps key debates and introduces the often difficult vocabulary for capturing the entanglement of human and nonhuman lives in an insightful way. Alternating between accessible discussions of prominent theories and concise readings of major works of Anthropocene literature, the book serves as an indispensable guide to this exciting new subfield for academics and students of literature and the environmental humanities.

Australia — and the world — is changing. On the Great Barrier Reef corals bleach white, across the inland farmers struggle with declining rainfall, birds and insects disappear from our gardens and plastic waste chokes our shores. The 2019–20 summer saw bushfires ravage the country like never before and young and old alike are rightly anxious. Human activity is transforming the places we live in and love. In this extraordinarily powerful and moving book, some of Australia's best-known writers and thinkers — as well as ecologists, walkers, farmers, historians, ornithologists, artists and community activists — come together to reflect on what it is like to be alive during an ecological crisis. They build a picture of a collective endeavour towards a culture of care, respect, and attention as the physical world changes around us. How do we hold onto hope? Personal and urgent, this is a literary anthology for our age, the age of humans. Contributors include: Michael Adams — Nadia Bailey — Saskia Beudel — Tony Birch — James Bradley — Jo Chandler — Adrienne Corradini — Sophie Cunningham — John Dargavel — Penny Dunstan — Delia Falconer — Laura Fisher — Suzy Freeman-Greene — Andrea Gaynor — Joëlle Gergis — Billy Griffiths — Ashley Hay — Justine Hyde — Lucas Ihlein — Jennifer Lavers — Ian Lunt — George Main — Cameron Allan Mckean — Gretchen Miller — Ruth A. Morgan — Stephen Muecke — Cameron Muir — Jenny Newell — Emily O'gorman — Kate Phillips — Alison Pouliot — Jane Rawson — Annalise Rees — Lauren Rickards — David Ritter — Libby Robin — John Charles Ryan — Katrina Schlunke — Ray Thompson — Angela Tiatia — Ellen Van Neerven — Adriana Vergés — Kirsten Wehner — Gib Wettenhall — Josh Wodak — Kate Wright 'Living with the Anthropocene is an illuminating deep-dive in this 'storm of our own making'. With such a diverse and expansive collection of voices, what makes this book stand out is its unity. Thinking about climate change can be lonely and devastating but here you can be assured of being held, not only in thrall, but in great company.' — Anna Krien 'An important book that speaks to our time.' — Tim Flannery 'With this marvellous book the term Anthropocene loses its academic tinge to become a pervasive and pressing reality. A pantheon of Australia's finest environmental writers reveals the haunting personal costs of living in a world that humans have already turned upside down.' — Iain McCalman 'Scientists originated the term and concept of the Anthropocene. But this work takes a much deeper dive into what the Anthropocene really means for us humans now and into the future, and – importantly – what the Anthropocene means for the rest of life with which we share this planet.' — Will Steffen 'The beauty of this collection is that it walks a tightrope over this chasm of self-disgust and dread without toppling into it...From James Bradley on cuttlefish to Saskia Beudel on the changing soundscape of her mother's garden, the quality of writing in these pieces, their delight in nature and their determination not to give in to despair make for stirring reading despite the grim truths they confront.' — Fiona Capp, Sydney Morning Herald Non-Fiction Pick of the Week 'Stomach-churning figures cast shadows of profound anguish across many of the unexpectedly intimate stories shared by the collection's contributors, an impressive array of scientists, novelists, journalists and essayists...Mostly written prior to both the late 2019–20 bush fires and the Covid-19 pandemic, this anthology is perhaps even more relevant, timely and important now...the writing in each essay is almost without exception heartfelt, thoughtful and compelling. Living With the Anthropocene is both acknowledgment that change is here as well as a quiet warning of the dangerous uncertainty to come.' — Warren Bonett, Books+Publishing