Disbelief

Willing Suspension of Disbelief: Poetic Faith in Film is a study of the way we watch film. Anthony Ferri explores the way expectations influence what they see, feel, and experience. Using Coleridge's term "willing suspension of disbelief" as a starting point, Ferri sets forth a fascinating study of the psychology of watching film. While film scholars and professionals have alluded to Coleridge's term in a parenthetical or tertiary manner, this volume makes a definitive account for the concept and provides a contemporary analysis of the film viewing process from a variety of critical and empirical perspectives.Willing Suspension of Disbelief is valuable for film scholars and students of film.

Does God exist? This straightforward question has spawned endless debate, ranging from apologists’ supposed proofs of God’s existence to New Atheist manifestos declaring belief in God a harmful delusion. In Disbelief, Will M. Gervais, Phd., a global leader in the psychological study of atheism, shows that the ubiquity of religious belief and the peculiarities of atheism are connected pieces in the puzzle of human nature. It’s undeniable that religion is a core tenet of human nature. It is also true that our overwhelmingly religious species is also as atheistic as it’s ever been. Yet, no scientific understanding of religion is complete without accounting for those who actively do not believe. In this refreshing and revelatory book, Gervais argues that religion is not an evolutionary puzzle so much as two evolutionary puzzles that can only be solved together. First is the Puzzle of Faith: the puzzle of how Homo sapiens – and Homo sapiens alone – came to be a religious species. Second is the Puzzle of Atheism: how disbelief in gods can exist within our uniquely religious species. The result is a radically cohesive theory of both faith and atheism, showing how we became a uniquely religious species, and why many are now abandoning their belief. Through a firsthand account of breakthroughs in the scientific study of atheism, including key findings from cognitive science, cultural evolution, and evolutionary psychology, Disbelief forces a rethinking of the prevailing theories of religion and reminds both believers and atheists of the shared psychologies that set them on their distinct religious trajectories. In casual prose and with compelling examples, Gervais explains how we became religious, why we’re leaving faith behind, and how we can get along with others across the religious divides we’ve culturally evolved.

A revelatory book about death and mourning by a psychotherapist faced with sudden bereavement. When Juliet Rosenfeld's husband dies of lung cancer only seven months into their marriage, everything she has learnt about death as a psychotherapist is turned on its head. As she attempts to navigate her way through her own devastating experience of loss, Rosenfeld turns to her battered copy of Freud's seminal essay 'Mourning and Melancholia'. Inspired by the distinction Freud draws between the savage trauma of loss that occurs at the moment of death - grief - and the longer, unpredictable evolution of that loss into something that we call mourning, Rosenfeld finds herself dramatically rethinking the commonly held therapeutic idea of 'working through stages of grief.

Samuel Taylor Coleridge's conception of "the willing suspension of disbelief" marks a pivotal moment in the history of literary theory. Returning to Coleridge's thought and Shakespeare criticism to reconstruct this idea as a form of "poetic faith", Michael Tomko here lays the foundations of a new theologically oriented mode of literary criticism. Bringing Coleridge into dialogue with thinkers ranging from Augustine to Josef Pieper, contemporary critics such as Stephen Greenblatt and Terry Eagleton as well as writers like J.R.R. Tolkien and Wendell Berry, Beyond the Willing Suspension of Disbelief offers a method of reading for post-secular literary criticism that is not only historically and politically aware but also deeply engaged with aesthetic form.

Filled with wit, humor, and clear metaphor, this exploration into atheism is written specifically for young adults, though any adult interested in learning more about atheism will find value within. Not just focused on atheism, this crash course in logical thinking addresses the issues of indoctrination, whether it be religious, political, or commercial, and makes the case that morality is created through reasoning and logic, not through divine communication. Many hot topics are touched upon, such as traditional arguments for God's existence, the relationship of evolution and religious belief, the incompatible nature of science and religion, and the harmfulness of both Christianity and Islam.

The exhibition catalogue is a beautiful full colour publication that accompanied "Suspend Disbelief", Stuart Semple's 2013 solo exhibition in London that was an immersive experience held over two floor of Victoria House in Bloomsbury. Ingeniously designed, the 77 page bound book is assembled in a red custom acrylic slip case that includes numerous inserts that feature the essay "I Just Can't Help Believing" by Clare Hazelton and photography by Nadia Amura. The collection of work from "Suspend Disbelief" by Stuart Semple toy with the notion of pausing disbelief in obvious fictions within entertainment in exchange for pleasure. However it comes at a cost. By turning our backs on the truth of the situation we allow ourselves to be duped into the rejection of essential realities. "Suspension of disbelief doesn't stop at entertainment. It extends to our whole lives, especially in the West. I think we've suspended disbelief in the fact that we're all dying. That's universal. We're all mortal, but it's not a bad thing. Only by acknowledging the inevitability of death are we able to truly live."

50 Voices of Disbelief: Why We Are Atheists presents a collection of original essays drawn from an international group of prominent voices in the fields of academia, science, literature, media and politics who offer carefully considered statements of why they are atheists. Features a truly international cast of contributors, ranging from public intellectuals such as Peter Singer, Susan Blackmore, and A.C. Grayling, novelists, such as Joe Haldeman, and heavyweight philosophers of religion, including Graham Oppy and Michael Tooley Contributions range from rigorous philosophical arguments to highly personal, even whimsical, accounts of how each of these notable thinkers have come to reject religion in their lives Likely to have broad appeal given the current public fascination with religious issues and the reception of such books as The God Delusion and The End of Faith