Discourses at the Communion on Fridays

Discourses at the Communion on Fridays
Author: Søren Kierkegaard
Publsiher: Indiana University Press
Total Pages: 166
Release: 2011-07-28
Genre: Philosophy
ISBN: 9780253005571

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Søren Kierkegaard's 13 communion discourses constitute a distinct genre among the various forms of religious writing composed by Kierkegaard. Originally published at different times and places, Kierkegaard himself believed that these discourses served as a unifying element in his work and were crucial for understanding his religious thought and philosophy as a whole. Written in an intensely personal liturgical context, the communion discourses prepare the reader for participation in this rite by emphasizing the appropriate posture for forgiveness of sins and confession.

Christian Discourses And the Lilies of the Field and the Birds of the Air And Three Discourses at the Communion on Fridays

Christian Discourses  And  the Lilies of the Field and the Birds of the Air  And  Three Discourses at the Communion on Fridays
Author: Søren Kierkegaard
Publsiher: Unknown
Total Pages: 422
Release: 1961
Genre: Christianity
ISBN: UOM:39015049255212

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Christian Discourses etc

Christian Discourses  etc
Author: Søren Kierkegaard
Publsiher: Princeton University Press
Total Pages: 408
Release: 2015-03-08
Genre: Philosophy
ISBN: 9781400868636

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The edition includes "Christian Discourses," "The Lilies of the Field and the Birds of the Air" and "Three Discourses at the Communion on Fridays." Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Christian Discourses

Christian Discourses
Author: S©ıren Kierkegaard
Publsiher: Princeton University Press
Total Pages: 514
Release: 1997
Genre: Performing Arts
ISBN: 0691016496

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The dominant theme of Parts Two and Four, "States of Mind in the Strife of Suffering" and "Discourses at the Communion on Fridays," is a reassuring affirmation of the joy and blessedness of the Christian life in a world of adversity and suffering. Written in ordinary language, the work combines simplicity and inwardness with reflection and presents crucial Christian concepts and presuppositions with unusual clarity. Among the discourses are some of Kierkegaard's masterpieces.

Ten Discourses on the Communion Office of the Church of England With an Appendix

Ten Discourses on the Communion Office of the Church of England  With an Appendix
Author: Robert ANDERSON (Perpetual Curate of Trinity Chapel, Brighton.)
Publsiher: Unknown
Total Pages: 400
Release: 1835
Genre: Electronic Book
ISBN: BL:A0019867822

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Ten discourses on the Communion office of the Church of England with an appendix

Ten discourses on the Communion office of the Church of England  with an appendix
Author: Robert Anderson
Publsiher: Unknown
Total Pages: 388
Release: 1835
Genre: Lord's Supper (Liturgy)
ISBN: OXFORD:600002353

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Christian Discourses

Christian Discourses
Author: Soeren Kierkegaard,Søren Kierkegaard
Publsiher: Unknown
Total Pages: 0
Release: 1961
Genre: Christianity
ISBN: OCLC:1075654107

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Kierkegaard and the Staging of Desire

Kierkegaard and the Staging of Desire
Author: Carl S. Hughes
Publsiher: Fordham Univ Press
Total Pages: 272
Release: 2014-07-02
Genre: Religion
ISBN: 9780823257270

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Theology in the modern era often assumes that the consummate form of theological discourse is objective prose—ignoring or condemning apophatic traditions and the spiritual eros that drives them. For too long, Kierkegaard has been read along these lines as a progenitor of twentieth-century neo-orthodoxy and a stern critic of the erotic in all its forms. In contrast, Hughes argues that Kierkegaard envisions faith fundamentally as a form of infinite, insatiable eros. He depicts the essential purpose of Kierkegaard’s writing as to elicit ever-greater spiritual desire, not to provide the satisfactions of doctrine or knowledge. Hughes’s argument revolves around close readings of provocative, disparate, and (in many cases) little-known Kierkegaardian texts. The thread connecting all of these texts is that they each conjure up some sort of performative “stage setting,” which they invite readers to enter. By analyzing the theological function of these texts, the book sheds new light on the role of the aesthetic in Kierkegaard’s authorship, his surprising affinity for liturgy and sacrament, and his overarching effort to conjoin eros for God with this-worldly love.