Discover Uk Shoegaze And Dream Pop

Discover UK Shoegaze and Dream Pop is an excellent comprehensive guide to the development of both genres in the UK. It includes detailed discographies, personnel details, biographies, analysis of their music and, where applicable, rarity ratings for all the 80s and 90s acts featured. You’ll recognise some names but several less well known acts are included too. There’s also a detailed postscript section on the re-emergence of Shoegaze and Dream Pop in the UK in the 21st century and the bands involved in it. This book is the latest in a quartet of books Vernon has written about UK music commencing with the Two Volume Tapestry of Delights (2014), A Sharp Shock To The System (2019) and The Britpop Bible (2022). These three previous titles appeared in print but in view of the cost of living crisis Discover UK Shoegaze and Dream Pop has been published digitally to reduce the retail price and make it affordable for more of you. You will discover a lot about UK Shoegaze and Dream Pop from this book, which is profusely illustrated throughout. There is nothing similar out there!

Although Blur's Popscene single in March 1992 and Suede's single The Drowners in May 1992 are widely considered to be the best early examples of the genre, the term 'Britpop' was not used until 1993. Over the next few years it developed as a hugely significant, musical, cultural and social phenomenon in the UK. This book is a timely guide to many of the significant artists and recordings of the genre and quite a few less well known ones.

From 1987 to 1995, Bristol, England's Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native country-sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as “indie-pop,” “C86,” “cutie” and “twee”) whose moment had passed. Yet now, more than 20 years after its founders symbolically “destroyed” it, Sarah is among the most passionately fetishized record labels of all time. Its rare releases command hundreds of dollars, devotees around the world hungrily seek out any information they can find about its poorly documented history, and young musicians-some of them not yet born when Sarah shut down-claim its bands (such as Blueboy, the Field Mice, Heavenly, and the Wake) as major influences. Featuring dozens of exclusive interviews with the music-makers, producers, writers and assorted eyewitnesses who played a part in Sarah's eight-year odyssey, Popkiss: The Life and Afterlife of Sarah Records is the first authorised biography of an unlikely cult legend.

A history and criticism of psychedelic music of the late 60s.

Loveless remains an enigma, 15 years after its release - an album so influential and groundbreaking that its chief creator, Kevin Shields, has been unable or unwilling to release an official follow-up. In his book, Mike McGonigal talks to all the members of My Bloody Valentine, in an almost certainly futile attempt to get at the essence of this extraordinary record.

A bewitching memoir about the lures, torments, and rewards of making and performing music in the indie rock world Dean Wareham's seminal bands Galaxie 500 and Luna have long been adored by a devoted cult following and extolled by rock critics. Now he brings us the blunt, heartbreaking, and wickedly charismatic account of his personal journey through the music world-the artistry and the hustle, the effortless success and the high living, as well as the bitter pills and self-inflicted wounds. It captures, unsparingly, what has happened to the entire ecosystem of popular music over a time of radical change, when categories such as "indie" and "alternative" meant nothing to those creating the music, but everything to the major labels willing to pay for it. Black Postcards is a must-have for Wareham's many fans, anyone who has ever been in a band, or the listeners who have taken an interest in the indie rock scene over the last twenty years.

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.