Disenchanted Night

Wolfgang Schivelbusch tells the story of the development of artificial light in the nineteenth century. Not simply a history of a technology, Disenchanted Night reveals the ways that the technology of artificial illumination helped forge modern consciousness. In his strikingly illustrated and lively narrative, Schivelbusch discusses a range of subjects including the political symbolism of streetlamps, the rise of nightlife and the shopwindow, and the importance of the salon in bourgeois culture.

Anke Gleber examines one of the most intriguing and characteristic figures of European urban modernity: the observing city stroller, or flaneur. In an age transformed by industrialism, the flaneur drifted through city streets, inspired and repelled by the surrounding scenes of splendor and squalor. Gleber examines this often elusive figure in the particular contexts of Weimar Germany and the intellectual sphere of Walter Benjamin, with whom the concept of flanerie is often associated. She sketches the European influences that produced the German flaneur and establishes the figure as a pervasive presence in Weimar culture, as well as a profound influence on modern perceptions of public space. The book begins by exploring the theory of literary flanerie and the technological changes--street lighting, public transportation, and the emergence of film--that gave a new status to the activities of seeing and walking in the modern city. Gleber then assesses the place of flanerie in works by Benjamin, Siegfried Kracauer, and other representatives of Weimar literature, arts, and theory. She draws particular attention to the works of Franz Hessel, a Berlin flaneur who argued that flanerie is a "reading" of the city that perceives passersby, streets, and fleeting impressions as the transitory signs of modernity. Gleber also examines connections between flanerie and Weimar film, and discusses female flanerie as a means of asserting female subjectivity in the public realm. The book is a deeply original and searching reassessment of the complex intersections among modernity, vision, and public space.

A fascinating and vivid picture of the perils and promises of nocturnal life in cities in the early modern Middle East.

The first book in a new paranormal romance series by New York Times bestselling author Lynn Viehl. In the Provincial Union of Victoriana, a steampunk America that lost the Revolutionary War, Charmian “Kit” Kittredge makes her living investigating crimes of magic. While Kit tries to avoid the nobs of high society, she follows mysteries wherever they lead. In the Provincial Union of Victoriana, a steampunk America that lost the Revolutionary War, Charmian “Kit” Kittredge makes her living investigating crimes of magic. While Kit tries to avoid the nobs of high society, she follows mysteries wherever they lead. Unlike most folks, Kit doesn’t believe in magic, but she can’t refuse to help Lady Diana Walsh, who claims a curse is viciously wounding her while she sleeps. As Kit investigates the Walsh family, she becomes convinced that the attacks are part of a more ominous plot—one that may involve the lady’s obnoxious husband. Sleuthing in the city of Rumsen is difficult enough, but soon Kit must also skirt the unwanted attentions of a nefarious deathmage and the unwelcome scrutiny of the police chief inspector. Unwilling to surrender to either man’s passion for her, Kit struggles to remain independent as she draws closer to the heart of the mystery. For the truth promises to ruin her life—and turn Rumsen into a supernatural battleground from which no one will escape alive.

People often associate postwar Germany with technology and with its products of mass consumption, such as luxury cars. Even pop music, most notably Kraftwerk (literally 'power station') with songs such as Autobahn, Radioactivity or We are the Robots, disseminates the stereotype of a close link between German culture and technology. Technology in Modern German History explores various forms of technology in 200 years of German history and explains how technology has been fundamental to the shaping of modern Germany. The book investigates the role technology played in transforming Germany's culture, society and politics during the 19th and 20th centuries. Key topics covered include the different stages of industrialization, the growth of networked cities, and the triumph of a teleological narrative of technology as progress. Moreover, it provides a critical revision of the history of high technology which reveals how high-tech euphoria determined certain paths in history regardless of whether the respective technology proved to be successful. In its second part, the volume introduces new avenues in scholarship. Karsten Uhl examines neglected areas, such as rural technologies or the often-overlooked importance of everyday technologies: How did consumers or workers use new technologies? How did they appropriate and modify them? Lastly, the book considers the final decades of the 20th century and asks if they provided a significant new quality of technological change: To what degree and effects did computerization transform professional and private life in Germany? In culture and politics, reinforced by the German variety of environmentalism, the idea of progress was challenged, as the once prevailing vision of progress gave way to new apprehensions of uncertainty evident to this day. Technology in Modern German History brings fascinating insight into a much neglected area of German history for students and scholars alike.

A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.

She hates her family. He's hiding behind his teenage sex life. They form a band as an escape. On tour, can they start over....or will all secrets come out on the open road? Carla Bucchio never cared about things like boyfriends and SATs. If she did, maybe life at 20 would be more exciting than developing photos on Long Island. When she chooses the guitar over a social life, it only makes sense because no one talks to her anyway. Music may be Pete Albrecht's life but what good is his talent if he has no one to share it with? When he's not getting bitched about coffee at work, he's getting nagged about college by his girlfriend. What would they say if they really knew about him? At the outset of the new millennium where boy bands and backup dancers have saturated pop culture, the two college dropouts start a rock band. Despite his girlfriend's manipulations and her mother's drunken disapproval, they form a secret connection through the music. Before heading out on their cross-country tour, tragedy turns the world upside down forcing them to decide if the band is just a teenage dream or their gateway to freedom...and to each other? Slanted and Disenchanted is the provocative first book in Lisa Czarina Michaud's coming-of-age Disenchanted series. Told with wry humor with nostalgic 90's undertones, it's High Fidelity meets Moxie that explores sexual tension in friendships, the confusion of adulting, the love and chaos of family....and the soundtracks that get us through it all. Readers of Moxie by Jennifer Mathieu, Girl by Blake Nelson, and Nick and Nora's Infinite Playlist by Rachel Cohn and David Levithan will fall for Slanted and Disenchanted! Jump on tour today!

When late eighteenth-century New Spanish viceregal administrators installed public lamps in the streets of central Mexico City, they illuminated the bodies of Indigenous, Afro-descended, and plebeian Spanish urbanites. The urban patrolmen, known as guarda faroleros, or “lantern guards,” maintained the streetlamps and attempted to clear the streets of plebeian sexuality, embodiment, and sociability, all while enforcing late colonial racial policies amid frequent violent resistance from the populace. In The Enlightened Patrolman Nicole von Germeten guides readers through Mexico City’s efforts to envision and impose modern values as viewed through the lens of early law enforcement, an accelerated process of racialization of urban populations, and burgeoning ideas of modern masculinity. Germeten unfolds a tale of the losing struggle for elite control of the city streets. As surveillance increased and the populace resisted violently, a pause in the march toward modernity ensued. The Enlightened Patrolman presents an innovative study on the history of this very early law enforcement corps, providing new insight into the history of masculinity and race in Mexico, as well as the eighteenth-century origins of policing in the Americas.