Disruption New Short Fiction From Africa

These stories by new and emerging writers from the continent of Africa all tackle the theme of 'Disruption' in ingenious ways and represent a range of genres, from Innocent Ilo's imaginative exploration of a post-apocalyptic African village, to Victor Forna's stylistic take on the destruction of humanity. Masiyaleti Mbewe's brutal tale of Apartheid and climate change through the eyes of a time-traveling cyborg sits alongside Genna Gardini's diverting allegory of companionship and an escaped exotic pet. The 2021 anthology features stories from across the continent, from Libya to Sierra Leone to Zambia to South Africa, and also includes a translated story, 'Armando's Virtuous Crime' by Najwa Bin Shatwan, translated from Arabic into English by Sawad Hussain.

A dazzling collection from across the African continent and diaspora here SHORT STORY DAY AFRICA has assembled the best nineteen stories from their 2013 competition. Food is at the centre of stories from authors emerging and established, blending the secular, the supernatural, the old and the new in a spectacular celebration of short fiction. Civil wars, evictions, vacations, feasts and romances the stories we bring to our tables that bring us together and tear us apart.

Short Story day africabrings together writers, readers, booksellers, publishers, teachers and school children from all over the globe to write, submit, read, workshop and discuss stories. The theme for Short Story Day Africa's (SSDA) latest anthology is 'Identity'. It's annual competition sought innovative short fiction exploring identity, especially (but not limited to) the themes of gender identity and sexuality. The shortlist of 1st, 2nd and 3rd place will be announced in early 2018. Limbo by Innocent Ilo - Nigeria All Our Lives by Okafor Tochukwu - Nigeria Borrowed by the Wind by David Medalie - South Africa God Skin by Michael Yee - South Africa Who We Were Then, Who We Are Now by Nadu Ologoudou - Benin Plums by Kharys Laue - South Africa Waiting by Harriet Anena - Uganda The Piano Player by Agazit Abate - Ethiopia A Brief Eruption Of Madness by Eric Essono Tsimi - Cameroon When the War Came Home by Heran Abate - Ethiopia Ibinabo by Michael Agugom - Nigeria Fever by Alithnayn Abdulkareem - Nigeria Unblooming by Alexis Teyie - Kenya Transubstantiation by Genna Gardini - South Africa Taba by Adelola Ojutiku - Nigeria Bloated by Hanna Ali - Somalia The Geography of Sunflowers by Michelle Angwenyi - Kenya The House on the Corner by Lester Walbrugh - South Africa Blue in Green by Chourouq Nasri -Morocco Sew Your Mouth by Cherrie Kandie - Kenya South of Samora by Farai Mudzingwa - Zimbabwe

This book considers the key critical interventions on short story writing in South Africa written in English since the year 2000. The short story genre, whilst often marginalised in national literary canons, has been central to the trajectory of literary history in South Africa. In recent years, the short story has undergone a significant renaissance, with new collections and young writers making a significant impact on the contemporary literary scene, and subgenres such as speculative fiction, erotic fiction, flash fiction and queer fiction expanding rapidly in popularity. This book examines the role of the short story genre in reflecting or championing new developments in South African writing and the ways in which traditional boundaries and definitions of the short story in South Africa have been reimagined in the present. Drawing together a range of critical interventions, including scholarly articles, interviews and personal reflective pieces, the volume traces some of the aesthetic and thematic continuities and discontinuities in the genre and sheds new light on questions of literary form. Finally, the book considers the place of the short story in twenty-first century writing and interrogates the ways in which the short story form may contribute to, or recast ideas of, the post-apartheid or post-transitional. The perfect guide to contemporary short story writing in South Africa, this book will be essential reading for researchers of African literature.

Bequeathing an enduring tenet for the creative enterprise, African Short Stories vol 2 boldly seeks to upturn the status quo by the art of narration. Whether they are stories of the whistle blower estranged and yet sounding the warning for heaven and earth to hear, or a ragtag army fleeing in the wake of a monstrous reptilian onslaught upon her peace, there pervades a sense of ultimate victory in this collection. We can feel the gentle kick of a baby in the womb of a maiden in desperation, or we can muse at the two adolescent genii on the trail of their dreams from the sunset of mutual deceit into the daylight of true becoming. Victory is laid out in that awesome kindness of a total stranger which affirms the divinity latent in even our most harrowing existence. With thirty five stories in two parts these literary experiments compel attention to the courageous hearts and minds that brighten the African universe of narration. Their vibrant notes coming from all corners of north, west, east and south fill us with encouragement and optimism for the contemporary short fiction in Africa.

The prestigious annual story anthology includes prize-winning stories by Jamil Jan Kochai, David Ryan, Kirstin Valdez Quade, Lisa Taddeo, Ling Ma, Catherine Lacey, and Cristina Rivera Garza. “[A] standout collection . . . . Dazzling performances from some of today’s most exciting writers. . . . This is one of the best fiction anthologies in years.” —Publishers Weekly starred review Continuing a century-long tradition of cutting-edge literary excellence, this year's edition contains twenty prizewinning stories chosen from the thousands published in magazines over the previous year. Guest editor Lauren Groff has brought her own refreshing perspective to the prize, selecting stories by an engaging mix of celebrated names and emerging voices and including several stories in translation. The winning stories are accompanied by an introduction by Groff, observations from the winning writers on what inspired them, and an extensive resource list of magazines that publish short fiction. AN ANCHOR BOOKS ORIGINAL. THE WINNING STORIES: “Office Hours,” by Ling Ma “Man Mountain,” by Catherine Lacey “Me, Rory and Aurora,” by Jonas Eika, translated from the Danish by Sherilyn Nicolette Hellberg “The Complete,” by Gabriel Smith “The Haunting of Hajji Hotak," by Jamil Jan Kochai “Wisconsin,” by Lisa Taddeo “Ira & the Whale,” by Rachel B. Glaser “The Commander’s Teeth,” by Naomi Shuyama-Gómez “The Mad People of Paris,” Rodrigo Blanco Calderón, translated from the Spanish by Thomas Bunstead “Snake & Submarine,” by Shelby Kinney-Lang “The Mother,” by Jacob M’hango “The Hollow,” by ’Pemi Aguda “Dream Man,” by Cristina Rivera Garza, translated from the Spanish by Francisca González-Arias “The Locksmith,” by Grey Wolfe LaJoie “After Hours at the Acacia Park Pool,” by Kirstin Valdez Quade “Happy Is a Doing Word,” by Arinze Ifeakandu “Elision,” by David Ryan “Xífù,” by K-Ming Chang “Temporary Housing,” by Kathleen Alcott “The Blackhills,” by Eamon McGuinness