Diving Deep And Surfacing

Diving Deep and Surfacing reveals how the writings of Kate Chopin, Margaret Atwood, Doris Lessing, Adrienne Rich, and Ntozake Shange can inform women's search for spiritual renewal. A new afterword testifies to the importance of spiritual autobiography for women.

Diving Deep and Surfacing reveals how the writings of Kate Chopin, Margaret Atwood, Doris Lessing, Adrienne Rich, and Ntozake Shange can inform women's search for spiritual renewal. A new afterword testifies to the importance of spiritual autobiography for women.

From the author of the New York Times bestselling novels The Handmaid’s Tale—now an Emmy Award-winning Hulu original series—and Alias Grace, now a Netflix original series. Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose. Here is a rich mine of ideas from an extraordinary writer about contemporary life and nature, families and marriage, and about women fragmented...and becoming whole.

What are the implications of adopting a primacy of praxis position in feminist theology? How can we respect the diversity of women's experience while retaining it as a useful analytic category? Do these twin resources of women's experience and praxis together imply that feminist theology is ultimately relativist? Through an analysis of the work of some of today's key feminist theologians – Christian, womanist and post-Christian – Linda Hogan considers these and other methodological questions.

From Watt Key, the author of the acclaimed Alabama Moon, comes a thrilling middle grade survival story about a scuba dive gone wrong and two enemies who must unite to survive. It's the most important rule of scuba diving: If you don't feel right, don't go down. So after her father falls ill, twelve-year-old Julie Sims must take over and lead two of his clients on a dive miles off the coast of Alabama while her father stays behind in the boat. When the clients, a reckless boy Julie's age and his equally foolhardy father, disregard Julie's instructions during the dive, she quickly realizes she's in over her head. And once she surfaces, things only get worse: One of the clients is in serious condition, and their dive boat has vanished—along with Julie's father, the only person who knows their whereabouts. It's only a matter of time before they die of hypothermia, unless they become shark bait first. Though Julie may not like her clients, it's up to her to save them all.

While Sartre was committed to liberation struggles around the globe, his writing never directly addressed the oppression of women. Yet there is compatibility between his central ideas & feminist beliefs. In this first feminist collection on Sartre, philosophers reassess the merits of Sartre's radical philosophy of freedom for feminist theory. Contributors are Hazel E. Barnes, Linda A. Bell, Stuart Z. Charme, Peter Diers, Kate & Edward Fullbrook, Karen Green, Sarah Lucia Hoagland, Sonia Kruks, Guillermine de Lacoste, Thomas Martin, Phyllis Sutton Morris, Constance Mui, & Iris Marion Young.

What has Luce Irigaray’s statement that women need a God to do with her thoughts on the relation between body and mind, or the sensible and the intelligible? Using the theological notion ‘incarnation’ as a hermeneutical key, Anne-Claire Mulder brings together and illuminates the interrelations between these different themes in Luce Irigaray’s work. Seesawing between Luce Irigaray’s critique of philosophical discourse and her constructive philosophy, Mulder elucidates Irigaray’s thoughts on the relations between ‘becoming woman’ and ‘becoming divine’. She shows that Luce Irigaray’s restaging of the relation between the sensible and the intelligible, between flesh and Word, is key to her reinterpretation of the relation between woman and God. In and through her interpretation of Luce Irigaray’s thoughts on the flesh she argues that the relation between flesh and Word must be seen as a dialectical one, instead of as a dualistic relation. This means that ‘incarnation’ is no longer seen as a one-way process of Word becoming flesh, but as a continuing process of flesh becoming word and word becoming flesh. For all images and thoughts – including those of ‘God’ – are produced by the flesh, divine in its creativity inexhaustibility, in response to the touch of the other. And these images, thoughts, words in turn become embodied, by touching and moving the flesh of the subject.

First published in 1999. One of the most unexpected developments of the late twentieth century is the rebirth of the religion of the Goddess in western cultures. Though we were taught that the Gods and Goddesses died with the triumph of Christianity, the re-emergence of the Goddess is not as surprising as it might seem. This book explores the meaning of the Goddess, and the questions we ask as well as the ways we answer them.