Divinity And History

This work places Herodotus' religious beliefs at the centre of his conception of history, but by seeing instances of scepticism and of belief in relation to one another redresses the recent emphasis on the centrality of ritual.

A highly influential Sudanese reformist thinker, Mahmud Muhammad Taha is regarded as a product of a dual legacy rooted in mystical Islam on the one hand and in the tradition of modernity on the other. Publicly executed in 1985 folowing his conviction of apostasy, Taha offered distinctly original interpretations of the Qur’an and a radical theory of Islamic prayer. In Quest for Divinity, Mohamed Mahmoud presents an in-depth and balanced treatment of Taha’s controversial yet significant thought. The author’s ability to provide access to relevant literature in both Arabic and English offers readers a rare view of the considerable nuance in Taha’s thought. With rich detail Mahmoud explores Taha’s theories of human freedom and his social message, referred to as "the second message of Islam" with its emphasis on political, economic, and social equality. Taha’s embrace of modernity is further assessed relative to his position on science, law, and art-areas that have always attracted Muslim modernists. Quest for Divinity will attract attention to Taha’s compelling but little-known intellectual contribution as a seminal modern reformer of Islam. Such recognition is long overdue and will enrich the current debates on Islam and modernity.

In 1589 the Privy Council encouraged the Archbishop of Canterbury to take steps to control the theatres, which had offended authority by putting on plays which addressed 'certen matters of Divinytie and of State unfitt to be suffred'. How had questions of divinity and state become entangled? The Reformation had invested the English Crown with supremacy over the Church, and religious belief had thus been transformed into a political statement. In the plentiful chronicle literature of the sixteenth-century, questions of monarchical legitimacy and religious orthodoxy became intertwined as a consequence of that demand for a usable national past created by the high political developments of the 1530s. Divinity and State explores the consequences of these events in the English historiography and historical drama of the sixteenth century. It is divided into four parts. In the first, the impact of reformed religion on narratives of the national past is measured and described. Part II examines how the entanglement of the national past and reformed religion was reflected in historical drama from Bale to the early years of James I, and focuses on two paradigmatic characters: the sanctified monarch and the martyred subject. Part III considers Shakespeare's history plays in the light of the preceding discussion, and finds that Shakespeare's career as a historical dramatist shows him eventually re-shaping the history play with great audacity. Part IV corroborates this reading of Shakespeare's later history plays by reference to the dramatic ripostes they provoked.

"Dr. Harrison not only places Herodotus' religious beliefs at the centre of his conception of history, but by seeing instances of scepticism and of belief in relation to one another redresses the recent emphasis on the centrality of ritual, and paints a picture of Greek religion as a means for the explanation of events."--Résumé de l'éditeur.