Domechild

A SUICIDA MACHINE. A CHILD WITH A SECRET THAT CAN CHANGE THE WORLD. THE MAN TRAPPED BETWEEN THEM. In the City, where machines take care of everything, lives Albert, an ordinary citizen with an extraordinary problem: He’s being blackmailed into becoming the first person in living memory to actually do something. What begins as a chance encounter with an outlaw child swiftly spirals out of control as Albert is trapped between the authorities and the demands of his unusual blackmailer. Forced to go on the run for his life, he finds himself in a shadow world of cyber-junkies, radicals and rebels, where he discovers the horrifying truth behind the City, a truth that will make him question everything he has ever known.

Jove Hendricks wishes he had never moved to Shangbei: it's too hot and humid and the religious conflicts are even more intense than in his hometown Hamberwa. Soon war looms in this post-robot-apocalypse world of church politics and intrigue. Jove's boss, the Grand Priestess of the Good Faith sect, teams up with her allies against the Mukol doomsday faith, which promises relief from worldly misery by destroying the cause of all human suffering: the earth itself. On top of the political bickering, Jove suffers from a recurring nightmare in which he sees a place he dubbed the "Dome of Souls" - a giant hall where he lies immobile and suspended in thin air among billions of people. One night, the Dome gives Jove a four-word message that can save the world. Trouble is, he doesn't understand what "Lenny escaped and survived" means. The only one who does is Grand Priest Shavendra, the head of the Mukol doomsday cult that wants to destroy the planet.

India is mutating – and its Science Fiction with it. Star Warriors of the Modern Raj is a critical catalogue of contemporary India’s anglophone SF, a path-breaking work that flits between texts, vantage points and frameworks. An alternative to a Eurocentric perspective of SF, this study avoids essentialising definitions and delves into how the world of SF (text) intersects with that of the writer/reader. Fusing paradigms of Science Fiction Studies, South Asian Studies and Postcolonial Studies, among others, the book explicates how India and its SF negotiate one another. It evolves a ‘transMIT thesis’ to analyse how mythology (M), ideology (I) and technology (T) contour Indian SF and its fictional reimaginings. This study identifies the manifestations of divine beings within SF as differing epistemological categories, locates the modes of marginalisation within Indian popular imagination as altars of alterity, before proceeding to analyse how newer technologies engage with socio-political anxieties in and through SF. Interested in learning about Science Fiction and South Asia? Click on the link below to read Mithila Review interview with Sami Ahmad Khan where he discusses his upcoming volume Star Warriors of the Modern Raj. https://mithilareview.com/ahmad_03_21/

The first major English translation of one of France’s most admired writers, Cosmos Incorporated is a triumph of science fiction–a masterwork of cataclysm, mysticism, and suspense. Fifty years of warfare, disease, and strife have decimated the world’s population. Those who remain are motes in the mind of UniWorld, a superstate that monitors humanity via a vast computer metastructure that catalog everything about everyone on the planet–race, religion, genetic codes, even fantasies. Those who have the means escape UniWorld’s tight control through the Orbital Ring. Though his memory has been wiped clean and his history fabricated in order to pass through UniWorld’s check points, Sergei Diego Plotkin knows his name.And he knows his mission: to murder a man in the city of Grand Junction, a Vegas-like outpost that is home to the private launching pad to the Ring. But this sense of purpose is compromised by random memories that flash through Plotkin’s brain. England and Argentina. The shores of Lake Baikal. And something else. Something indescribable. Now Plotkin is about to meet his maker. As his identity and mission incrementally resurface in his conscious mind, and in the presence of an eerily beautiful woman, Plotkin will soon discover that he has come here not just to kill but to be born. . . . “Like Houellebecq, Dantec takes inspiration from both high and low culture; he is the sort of writer who cites Sun Tzu’s Art of War and the Stooges’ Search and Destroy with equal facility.” –The New York Times “DNA is to Dantec what the swan was to romantic poetry: an invitation to dream. . . . This rocker-writer teleports us into the cyberpunk beyonds of literature. Fasten your seatbelts!” –Le Nouvel Observateur

Strange. Surreal. Shocking. Beautiful. APEX MAGAZINE is a digital dark science fiction and fantasy genre zine that features award-winning short fiction, essays, and interviews. Established in 2009, our fiction has won several Hugo and Nebula Awards. We publish every other month. Issue 143 contains the following short stories, essays, reviews, and interviews. EDITORIAL Musings from Maryland by Lesley Conner ORIGINAL SHORT FICTION The Ghost Tenders of Chornobyl by Nika Murphy Everything in the Garden is Lovely by Hannah Yang Complete Log of Week 893819 – Dana's Story by Renan Bernardo Chị Tấm is Tired of Being Dead by Natasha King The Ferns and the Fiddleheads by Leah Ning FLASH FICTION The End of the Middle by Andrew Kozma A Ring Around by Lyndsey Croal HOLIDAY HORROR MICROFICTION Racing Headless Jenny by Kati Bumbera Where the Flowers Bloom So Fair by Faith Allington The Kingdom of Wax by Circe Moskowitz CLASSIC FICTION Both Hands by Christopher Caldwell The Feeding of Closed Mouths by Eden Royce NONFICTION Treat 'Em Right: Science Fiction vs Art Classification by Shiv Ramdas Escapism is a Lie by E.D.E. Bell Words for Thought: Short Fiction Review by AC Wise INTERVIEWS Interview with Author Natasha King by Marissa van Uden Interview with Author Nika Murphy by Marissa van Uden Interview with Cover Artist Caroline Jamhour by Bradley Powers

Essays on speculative/science fiction explore the futures that feed our most cherished fantasies and terrifying nightmares, while helping diverse communities devise new survival strategies for a tough millennium. The explosion in speculative/science fiction (SF) across different media from the late twentieth century to the present has compelled those in the field of SF studies to rethink the community’s identity, orientation, and stakes. In this edited collection, more than forty writers, critics, game designers, scholars, and activists explore core SF texts, with an eye toward a future in which corporations dominate both the means of production and the means of distribution and governments rely on powerful surveillance and carceral technologies. The essays, international in scope, demonstrate the diversity of SF through a balance of popular mass-market novels, comics, films, games, TV shows, creepypastas, and more niche works. SF works explored range from Riot Baby by Tochi Onyebuchi, 2084: The End of the World by Boualem Sansal, Terra Nullius by Claire Coleman, Watchmen and X-Men comics, and the Marvel film Captain America: The Winter Soldier, to the MaddAddam trilogy by Margaret Atwood, The Dispossessed by Ursula K. Le Guin, The Wandering Earth by Liu Cixin, and the Wormwood trilogy by Tade Thompson. In an era in which ecological disaster and global pandemics regularly expose and intensify deep political-economic inequalities, what futures has SF anticipated? What survival strategies has it provided us? Can it help us to deal with, and grow beyond, the inequalities and injustices of our times? Unlike other books of speculative/science fiction criticism, Uneven Futures uses a think piece format to make its critical insights engaging to a wide audience. The essays inspire visions of better possible futures—drawing on feminist, queer, and global speculative engagements with Indigenous, Latinx, and Afro- and African futurisms—while imparting important lessons for political organizing in the present. Contributors: Ben Abraham, Emmet Asher-Perrin, Brent Ryan Bellamy, Gerry Canavan, Andrew Ferguson, Fabio Fernandes, Dexter Gabriel, M. Elizabeth Ginway, Sean Guynes, Ouissal Harize, David M. Higgins, Veronica Hollinger, Allanah Hunt, Nicola Hunte, Nathaniel Isaacson, Ayana Jamieson, Darshana Jayemanne, Gwyneth Jones, Brendan Keogh, Sami Ahmad Khan, Cameron Kunzelman, Bryan Kamaoli Kuwada, Isiah Lavender III, Caryn Lesuma, Karen Lord, Sarah Marrs, Farah Mendlesohn, Cathryn Merla-Watson, Hugh Charles O’Connell, B. Pladek, John Rieder, Lysa Rivera, Kim Stanley Robinson, Steven Shaviro, Rebekah Sheldon, Alison Sperling, Alfredo Suppia, Bogi Takács, Taryne Jade Taylor, Sherryl Vint, Kirin Wachter-Grene, Ida Yoshinaga.

Nominated, 2023 Teaching Literature Book Award Indian Science Fiction has evolved over the years and can be seen making a mark for itself on the global scene. Dalit speculative fiction writer and editor Mimi Mondal is the first SF writer from India to have been nominated for the prestigious Hugo award. In fact, Indian SF addresses themes such as global climate change. Debates around G.C.C are not just limited to science fiction but also permeate in critical discussions on SF. This volume seeks to examine the different ways by which Indian SF narratives construct possible national futures. For this looking forward necessarily germinates from the current positional concerns of the nation. While some work has been done on Indian SF, there is still a perceptible lack of an academic rigor invested into the genre; primarily, perhaps, because of not only its relative unpopularity in India, but also its employment of futuristic sights. Towards the same, among other things, it proposes to study the growth and evolution of science fiction in India as a literary genre which accommodates the duality of the national consciousness as it simultaneously gazes ahead towards the future and glances back at the past. In other words, the book will explore how the tensions generated by the seemingly conflicting forces of tradition and modernity within the Indian historical landscape are realized through characteristic tropes of SF storytelling. It also intends to look at the interplay between the spatio-temporal coordinates of the nation and the SF narratives produced within to see, firstly, how one bears upon the other and, secondly, how processes of governance find relational structures with such narratives. Through these, the volume wishes to interrogate how postcolonial futures promise to articulate a more representative and nuanced picture of a contemporary reality that is rooted in a distinct cultural and colonial past.