Don T Kill Me I M In Love

Karl and Ada love each other. Karl, however, is married to Maya, with whom he has a little daughter, Lilly. Ada thinks she has her feelings under control, until one morning she senses a powerful force slumbering inside her. She longs for the carefree lightness of simply being again and is now even willing to push her own boundaries to attain it. "An emotional story about love. Wild as a thunderstorm, tender as a feather" Calvin Burke, actor and screenwriter

Karl and Ada love each other. Karl, however, is married to Maya, with whom he has a little daughter, Lilly. Ada thinks she has her feelings under control, until one morning she senses a powerful force slumbering inside her. She longs for the carefree lightness of simply being again and is now even willing to push her own boundaries to attain it. "An emotional story about love. Wild as a thunderstorm, tender as a feather" Calvin Burke, actor and screenwriter

“...Babe, your mother made me a little nervous.” she said with a straight face. I rubbed her arms, “Why? I thought everybody was happy. What’s wrong? I’m here. You can always talk to me. We said we would stay honest and open with each other a long time ago, right?” She nodded, “But she told me to tell you that you need to tell me everything. What was she talking about?” I exhaled as a million thoughts ran through my mind. Where do I start? Let me think... Derek Greene finally had the woman of his dreams, Ciara. Now all he has to do is pray that he’s strong enough to prove that she can move on from being “Damaged Goods,” all while letting her into his life and what ultimately lead him back to her. They say, “What don’t kill you, makes you stronger,” but how strong can one person’s heart be?

"I don't care who you hire, or what the company has to pay him … so long as he's the best there is." This anguished cry from the wife of murder victim Dean Milo would draw private investigator Bill Dear into one of the most frustrating and ultimately triumphant cases of his career. Dean Milo was a phenomenally successful businessman who had built a tiny family business into a $50 million-a-year corporation. Along the way he had established a lengthy list of enemies that began with his immediate family and stretched throughout the social and business community. His fast-track ride to the top came to a violent halt on August 11, 1980, when Milo was found dead in his luxurious Ohio home, shot twice in the head. A blank telegram form lay nearby. Four months after his death, the investigation remained a confusing collection of non sequiturs. Clues pointed toward Milo's involvement with the Mafia, the drug world, and the gay community. His own family refused to cooperate with the author¬ities. And time was ticking by … In desperation, Maggie Milo turned to Texas private eye Bill Dear. This is the gripping story of the remarkable collaboration between Dear and the police detectives of Akron, Ohio, that led to eleven convictions, an Ohio record. It is also a tale of the human weakness, desperation, and overwhelming greed that led to a sudden death.

Making moonshine, working blue-collar jobs, picking fights in bars, chasing women, and living hardscrabble lives . . . Clayton and Saford Hall were born in the backwoods of Virginia in 1919, in a place known as The Hollow. Incredibly, they became legends in their day, rising from mountain-bred poverty to pickin’ and yodelin’ all over the airwaves of the South in the 1930s and 1940s, opening shows for the Carter Family, Roy Rogers, the Sons of the Pioneers, and even playing the most coveted stage of all: the Grand Ole Opry. They accomplished a lifetime’s worth of achievements in less than five years—and left behind only a few records to document their existence. Fortunately, Ralph Berrier, Jr., the grandson of Clayton Hall and a reporter for the Roanoke Times, brings us their full story for the first time in IF TROUBLE DON'T KILL ME. He documents how the twins’ music spread like wildfire when they moved from The Hollow to Roanoke at age twenty, and how their popularity was inflamed by their onstage zaniness, their roguish offstage shenanigans, and, above all, their ability to play old-time country music. But just as they arrived on the brink of major fame, World War II dashed their dreams. Berrier follows the Hall twins as they travel overseas, leaving behind their beloved music, and are thrust into the cauldron of a war that reshaped their lives and destinies. Through the brothers’ experiences, the story of World War II unfolds—Saford fought from the shores of North Africa to Sicily and Europe and finally into Germany; Clayton fought the Japanese in the brutal Pacific theater until the savage, final battle on Okinawa. They returned home after the war to find that the world had changed, music had changed . . . and they had, too. IF TROUBLE DON'T KILL ME paints a loving portrait of a vanishing yet exalted southern culture, shows us the devastating consequences of war, and allows us to experience the mountain voices that not only influenced the history of music but that also shaped the landscape of America.

A memoir of the then-fifteen-year-old author's high school experience to that point, in which diary entries reflect her struggles, angst, and rebellion.

A deeply personal collection of poetry and art by the award-winning actor, comedian, and composer. With a poetic voice that is by turns lyrical and plainspoken, Charlyne Yi writes about the uncertainty of relationships, the absurdity of societal expectations, family trauma, and identity. In this intimate collection, you’ll find poems and accompanying line illustrations that are playful and profound, sometimes darkly funny, and often acutely moving. “Direct, personal and attention holding. It’s Yi as you may not have seen or heard her before . . . In short bursts that barely fill a page, often accompanied by line illustrations to underscore them, the poetic voice in Yi’s first book of poetry can be alternately angry, playful, blunt, and lyrical.” —The MetroWest Daily News “It’s clear that the reader is about to embark on a literary journey marked by an acceptance—and worship—of all things tender, open, sensitive, authentic, and human. It also offers ideas on kindness, race, culture . . . a testimony to being alive—it’s powerful in its quietness, its exactness. It’s soft, real, and to the point.” —Little Infinite

Featuring storytelling as a central theme, this book examines the role of narrative inquiry in social processes of establishing teacher knowledge and identity to provide new insights into the role of storytelling in education’s teaching and learning paradigm. Gui and Wong engage with a body of academics, creative writers, and researchers looking at the role of storytelling in Hong Kong education. The book is split into three sections of storytelling: introspective, agentive, and collaborative. Examining personal accounts of teachers using storytelling to reflect on and transform feelings, the authors reconstruct the traditional pedagogical and learner practices into new opportunities for civic participation and generative community practices. With attention to educators who make use of collaborative experiences to develop narrative approaches and foster community identities, the chapters explore existing pedagogical, creative, and scholarly literature for re-purposing narratives, teacher transformation, and learner participation. With the use of autoethnographic accounts, this book’s innovative approach to storytelling will appeal to professional educators, teachers, and researchers in the fields of literacy, narrative inquiry, and creative writing. Scholars engaging with reflexive, participatory, and collaborative modes of teaching and learning will find this an essential read.