Doppelganger

Ever since its literary coinage in Jean Paul's novel, Siebenkäs (1796), the concept of Doppelgänger has had significant influence upon representations of the self in German literature. This study charts the development of the double from its origins in the Romantic period, through its more marginal - but nonetheless significant - manifestations in the post-Romantic culture, to its revival at the fin-de-siècle and transfer to the silent screen. The book features an introduction to the practice and theory underlying the use of the Doppelgänger, with particular reference to psychoanalysis, followed by chapters on Jean Paul, Hoffmann, Kleist, poetic realism (Droste-Hülshoff, Keller, Storm) and modernism (Kafka, Rilke, Hoffmannsthal, Schnitzler, Meyrink, Werfal). This study shows that the often underestimated figure of the double may provide a key to the epistomological, aesthetic and psychosexual structures of the texts it visits and revisits, with a particular focus on its effects in the fields of vision and language.

The Doppelganger presents literature as the double of philosophy. This relation is historically rooted in the genesis of the doppelganger as literature's response to the philosophical focus on subjectivity: The term doppelganger was coined by the German author Jean Paul in 1796 as a critique of Idealism's assertion of subjective autonomy, individuality, and human agency. This critique prefigures late twentieth- century extrapolations of the subject as decentered. From this perspective, the doppelganger has a family resemblance to current conceptualizations of subjectivity. It becomes the emblematic subject of modernity. This is the first significant study of the doppelganger's influence on philosophical thought. Reading literature philosophically and philosophy as literature, Vardoulakis examines authors such as Franz Kafka, Maurice Blanchot, and Alexandros Papadiamantes and philosophers such as Immanuel Kant, Walter Benjamin, and Jacques Derrida to show how the doppelganger emerges as a hidden and unexplored element both in conceptions of subjectivity and in philosophy's relation to literature.

Get the Summary of Naomi Klein's Doppelganger in 20 minutes. Please note: This is a summary & not the original book. "Doppelganger" by Naomi Klein is a deep dive into the author's unsettling experience of being mistaken for her ideological opposite, Naomi Wolf. Klein's journey is sparked by her own mistaken identity during Occupy Wall Street and leads her to investigate the rise of anti-democratic forces and the cultural dynamics of doubling, where online avatars and personal brands create fragmented identities. The book examines the psychological and societal implications of having a doppelganger, the polarization of identities, and the historical doubling of race, ethnicity, and gender. Klein contrasts her consistent focus on corporate exploitation and environmentalism with Wolf's shift towards authoritarianism and conspiracy theories, highlighting the confusion and frustration caused by their digital identity mix-up.

"A thoroughly engaging read for anyone, whether new to the series or not." - BooklistOnly a few months have passed since the day Kester Lanner forced an angry ghost through the spirit door, but business prospects for Dr. Ribero's supernatural agency haven’t improved. Things are looking grim when the agency lands a contract which they must share with a rival agency headed by Dr Ribero’s sworn enemy, Larry Higgins. Desperate for the job, the team accepts and begins to investigate the seaside town of Lyme Regis, where elderly victims are dying. The same mysterious clue links the horrendous deaths: the victims all see a double of themselves before dying. The teams wonder if they are dealing with a rogue doppelgänger, one that isn’t content just predicting deaths, but carrying them out as well. The victims’ connection to an ancient grave site leads to speculation that they may have disturbed a spirit more powerful than the two agencies can handle. One thing is certain, the won’t stop unless Kester and the others can overcome their rivalry and stop this deadly spirit.

Doppelgangers are monsters, hardwired for murder. They are not supposed to have doubts, but this one does. He wishes he could be different. More human, maybe. But even that can't stop him from killing people so he can take their places and live their lives. He has to do it; it's who he is. But when the doppelganger murders a small-town teenager, assumes his shape, and takes over his life, he's shocked by the world he steps into. Engulfed in a whirlwind of peer pressure, messy family dynamics, and a provocative relationship with a beautiful girl, he quickly learns that there's more than one way to be human, and many ways to be a monster. Told in the tortured voice of a most extraordinary teen, this contemporary gothic romance brews a captivating combination of violence, desire, and atonement. Here is the story of a monster yearning for a human life.

The notion of a person--or even an object--having a "double" has been explored in the visual arts for ages, and in myriad ways: portraying the body and its soul, a woman gazing at her reflection in a pool, or a man overwhelmed by his own shadow. In this edited collection focusing on nineteenth- and twentieth-century western art, scholars analyze doppelgangers, alter egos, mirror images, double portraits and other pairings, human and otherwise, appearing in a large variety of artistic media. Artists whose works are discussed at length include Richard Dadd, Salvador Dali, Egon Schiele, Frida Kahlo, the creators of Superman, and Nicola Costantino, among many others.