Double Takes

This book comprises a series of ten essays written by the authors both individually and collaboratively. While the subjects of these essays are wide ranging, they share a common recognition that issues at the forefront of contemporary Jewish thought must be measured against the background of ancient traditions, which revisit rabbinic and biblical times and beyond. The intent of these essays is to illustrate how shadows of longstanding traditions continue to shade current perceptions. Double Takes challenges the reader's assumptions about modern Jewish thought by demonstrating how the past can be an unpredictable lens for the present-day. An examination of contemporary themes in a historical perspective reveals unanticipated, even disconcerting, refractions. The book appears in the Studies in the Shoah series as volume 26.

Over the past forty years, Canadian literature has found its way to the silver screen with increasing regularity. Beginning with the adaptation of Margaret Laurence’s A Jest of God to the Hollywood film Rachel, Rachel in 1966, Canadian writing would appear to have found a doubly successful life for itself at the movies: from the critically acclaimed Kamouraska and The Apprenticeship of Duddy Kravitz in the 1970s through to the award-winning Love and Human Remains and The English Patient in the 1990s. With the more recent notoriety surrounding the Oscar-nominated Away from Her, and the screen appearances of The Stone Angel and Fugitive Pieces, this seems like an appropriate time for a collection of essays to reflect on the intersection between literary publication in Canada, and its various screen transformations. This volume discusses and debates several double-edged issues: the extent to which the literary artefact extends its artfulness to the film artefact, the degree to which literary communities stand to gain (or lose) in contact with film communities, and perhaps most of all, the measure by which a viable relation between fiction and film can be said to exist in Canada, and where that double-life precisely manifests itself, if at all. - This book is published in English.

Viewing cross-cultural differences through the lens of cinema.

Forty of the world’s most iconic images, meticulously reproduced in miniature by two Swiss photographers Double Take presents forty astonishingly accurate reconstructions of iconic photographs—ranging from the earliest known to the world’s most expensive. These images have been painstakingly re-created in miniature by two photographers, Jojakim Cortis and Adrian Sonderegger. Inspired by the record auction price of $4.3 million set by Andreas Gursky’s Rhein II in 2011, the duo set themselves a challenge: could they reconstruct that image in their Zürich studio? The photograph they created from a miniature diorama of Rhein II was a success and became a starting point for a larger personal project:a series of photographs of these miniature re-creations the team made themselves, imitating iconic photographs that captured pivotal historical events. A technical tour de force, Double Take asks of image making: can the image ever be trusted? With images showing the reconstruction process, a supporting essay, and an in-depth interview with the photographers, Double Take is for lovers of photography or miniatures—with a twist.

Two families are enjoying a trip in a hot-air balloon, but not everyone realises that Soon is scared of heights. Bird's-eye view explores the developments that have allowed people to view and photograph Earth from above.

FBI agents Dillon Savich and Lacey Sherlock are joined by one of their own and a Virginia sheriff in an extraordinary case that immerses them in the world of psychic visions, mind benders, and communications with the dead It's been more than six months since her husband's brutal death, and Julia Ransom is just beginning to breathe again. She loved her husband, renowned psychic August Ransom, but the media frenzy that followed his murder sapped what little strength she had left. Now, after dinner with friends, strolling along San Francisco's Pier 39, she realizes that she's happy. Standing at the railing, she savors the sounds around her-tourists, seals on a barge-and for a moment enjoys the sheer normalcy of it all. And then it comes to an end. Out of nowhere she's approached by a respectable-looking man who distracts her with conversation before violently attacking her and throwing her the railing. If it hadn't been for Special Agent Cheney Stone, out to stretch his legs between courses at a local restaurant, Julia would have vanished into the bay's murky depths. Not only does he save her from a watery grave, but he senses a connection between her assault and her husband's death, and sets out to serve as her protector while reopening August Ransom's murder investigation. Meanwhile, in Maestro, Virginia, Sheriff Dixon Noble-last seen in Point Blank-still mourns his wife, Christie, who vanished hree years earlier. His life, too, is just getting back to normal when he learns of a San Francisco woman named Charlotte Pallack, whose shocking resemblance to Christie sends Dix across the country. Though he knows in his heart that she can't possibly be his wife, Dix is compelled to see her with his own eyes. Once in San Francisco, Dix and Cheney's paths inevitably cross. With the help of agents Dillon Savich and Lacey Sherlock, whose San Francisco connections prove essential in unlocking the mystery behind Charlotte Pallack's identity as well as the forces behind Julia Ransom's attempted murder, Sheriff Noble and Agent Stone push deep into a complex world of psychics and poseurs. As the stakes and the body count rise, Savich, Sherlock, Dix, and Cheney fight for answers-and their lives.