Dove On A Barbed Wire

This is a story about a boy whose walk home from school becomes a 60-year odyssey of instinctive survival: from seven years of brutality under Nazi terror, navigating the post war

Searing images of suicide bombings and retaliatory strikes now define the Israeli-Palestinian conflict for many Westerners, but television and print media are not the only visual realms in which the conflict is playing out. Even tourist postcards and greeting cards have been pressed into service as vehicles through which Israelis and Palestinians present competing visions of national selfhood and conflicting claims to their common homeland. In this book, Tim Jon Semmerling explores how Israelis and Palestinians have recently used postcards and greeting cards to present images of the national self, to build national awareness and reinforce nationalist ideologies, and to gain international acceptance. He discusses and displays the works of numerous postcard/greeting card manufacturers, artists, and photographers and identifies the symbolic choices in their postcards, how the choices are arranged into messages, what the messages convey and to whom, and who benefits and loses in these presentations of national self. Semmerling convincingly demonstrates that, far from being ephemeral, Israeli and Palestinian postcards constitute an important arena of struggle over visual signs and the power to produce reality.

Nicely published (apparently with subsidy) by the Wildlife Management Institute, Washington, D.C. Comprehensively deals with the most numerous, widespread, and heavily hunted of North American gamebirds. Among the topics covered in 29 contributions: classification and distributions, migration, nesting, reproductive strategy, growth and maturation, feeding habits, diseases, survey procedures, population trends, care of captive mourning doves, and hunting. The final chapter identifies research and management needs. Annotation copyright by Book News, Inc., Portland, OR

Deborah Jorgenson is just four years old when she witnesses racism for the first time. Unfortunately, the hatred is directed at her. Born to Swedish parents in Minnesota in the early 1900s, Deborah believes her dark hair and skin come from a great-grandmother. When a fellow student bullies her and tells her she is an Indian, Deborah wonders why. Taught by her elderly Hopi Indian mentor to solve all her problems without resorting to violence, the strong-willed Deborah continues to hold her head high throughout her challenging coming-of-age journey. But when she is thirteen, her parents inexplicably turn against her and one another, setting off a chain of events that change the course of Deborah's future forever. She marries her childhood sweetheart Christian Nelson, and they have two sons, Jonathan and David. In 1929, they buy a farm in Northwest Kansas ignoring concerns about the future economy and drought. Christian worries about those in their county who believe Deborah to be Indian. Neither can begin to predict the challenges that await them. The Mourning Dove's Message shares the unforgettable journey of one woman's brave struggle to survive in the face of the chaos and adversity that overshadows 1930s America.

Banding plays an extremely important role in the management of the mourning dove, the most important single migratory game bird species in North America in terms of hunter harvest.

In the town of Urepel, Arizona, Xabier Etxea, a young Basque-American sheep rancher, and his wife grapple with the rituals, mores, and spirituality of their heritage and the realities of living in the new American West. Their tenuous balance of the past and the present is disrupted when Xabier’s father is unexpectedly killed. In the wake of this tragedy, Xabier learns that not only is the family ranch in jeopardy of foreclosure but his father’s death may not have been the accident it first appeared to be. Now, he must find a way to save his family’s ranch while unraveling the mysteries leading to his father’s death. Along the way, Xabier strives to adhere to his father’s memory and words—the invitation to stay true to who he is without losing his arima (soul). In lyrical language that evokes the mythologies that have shaped the Etxeas’s worldview, White Dove, Tell Me speaks to the divided self that seeks to honor the family’s Basque heritage, while they strive for understanding in a new land.

In his acclaimed memoir, 'Revolution from the Heart', O'Brien described his personal journey as a priest and the steps that led him to share the struggle - and the fate - of the poor on the island of Negros in the Philippines. In 'Island of Tears, Island of Hope', he wrestles with the form that commitment ought to take. The desperate plight of Negros's sugar workers cries to heaven for revolutionary change. But what are the appropriate means for Christians? While weighing the church's traditional defense of violence in a just cause, O'Brien outlines a case for active nonviolence. In focusing on the dilemma before him, he speaks to all Christians living in a world of revolution.

A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography’s tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu’Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge. In his prologue W.J.T. Mitchell writes: “Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography.” Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.