Down By The Jetty

Over 120,000 American troops were stationed in Australia during the Second World War. Hundreds of thousands more passed through the country between 1941 and 1945. Because of Japan’s conquest of the Philippines in 1942, Australia was transformed into the principle base for the United States Army in the Southwest Pacific. This American occupation of an allied country resulted in several areas of tension between friends. The examination of these “fault lines,” which have, for the most part, received little attention from historians, is the purpose of this book. Jurisdictional and policing disputes and problems between Australian workers and American authorities are examined. American personnel committed thousands of crimes during the occupation, many of which were notorious. How Australians reacted to these crimes and how the American military sought to limit their negative effect on wartime relations is a major focus of this book. How the US military tried to protect GIs from prosecution by spiriting them out of Australia is also explored. Other areas of tension such as race and gender relations, which have been looked at by other historians, are examined in a new light; this book provides novel insights and challenges the existing historiography with regard to relations between black Americans and Australian civilians. How leaders on both sides, in particular Douglas MacArthur and John Curtin, managed crises and relations between civilians and GIs are studied. Sexual relations, an area of particular concern for authorities, were directed towards short-term flings and prostitution. In contrast, authorities did all they could to discourage long-term relations (i.e., marriage). Authorities obsessed over interracial sexual relations and doubled efforts to discourage them. Conflicts between American personnel and Australian civilians during the occupation did not threaten the alliance against Japan. Nevertheless, there were myriad problems between allies that led to friction and ill-will. These problems demanded management from above.

John Ajvide Lindqvist has taken the horror world by storm. His first novel, Let the Right One In, has been made into critically acclaimed films in both Sweden and in the U.S (as Let Me In). His second novel, Handling the Undead, is beloved by horror lovers everywhere. Now, with Harbor, a stunning and chilling masterpiece, Lindqvist firmly cements his place as the heir apparent to Stephen King. One ordinary winter afternoon on a snowy island, Anders and Cecilia take their six-year-old daughter Maja across the ice to visit the lighthouse in the middle of the frozen channel. While they are exploring the lighthouse, Maja disappears – either into thin air or under thin ice -- leaving not even a footprint in the snow. Two years later, Anders, a broken man, moves back to his family's abandoned home on the island. He soon realizes that Maja's disappearance is only one of many strange occurrences, and that his fellow islanders, including his own grandmother, know a lot more than they're telling. As he digs deeper, Anders begins to unearth a dark and deadly secret at the heart of this small, seemingly placid town. As he did with Let the Right One In and Handling the Undead, John Ajvide Lindqvist serves up a blockbuster cocktail of high-tension suspense in a narrative that barely pauses for breath.

Includes the Report of the Mississippi River Commission, 1881-19 .

Nat, Lise, and Sofia are best friends. This year, their last year of high school, none of them foresees the changes that will occur in their lives. This is the year that Nat—the go-between, the peacemaker—gets a job and meets a drop-dead gorgeous chef named Josh. This is the year that Lise—quiet, shy, and solitary Lise—decides to take control of her life by taking control of her weight. This is the year that Sofia—the ultimate guy magnet—gets her nose pierced and falls seriously in love for the first time in her life. This is the year that will change each of them forever.