Down In The Chapel

A bold and provocative interpretation of one of the most religiously vibrant places in America—a state penitentiary Baraka, Al, Teddy, and Sayyid—four black men from South Philadelphia, two Christian and two Muslim—are serving life sentences at Pennsylvania's maximum-security Graterford Prison. All of them work in Graterford's chapel, a place that is at once a sanctuary for religious contemplation and an arena for disputing the workings of God and man. Day in, day out, everything is, in its twisted way, rather ordinary. And then one of them disappears. Down in the Chapel tells the story of one week at Graterford Prison. We learn how the men at Graterford pass their time, care for themselves, and commune with their makers. We observe a variety of Muslims, Protestants, Catholics, and others, at prayer and in study and song. And we listen in as an interloping scholar of religion tries to make sense of it all. When prisoners turn to God, they are often scorned as con artists who fake their piety, or pitied as wretches who cling to faith because faith is all they have left. Joshua Dubler goes beyond these stereotypes to show the religious life of a prison in all its complexity. One part prison procedural, one part philosophical investigation, Down in the Chapel explores the many uses prisoners make of their religions and weighs the circumstances that make these uses possible. Gritty and visceral, meditative and searching, it is an essential study of American religion in the age of mass incarceration.

A bold and provocative interpretation of one of the most religiously vibrant places in America—a state penitentiary Baraka, Al, Teddy, and Sayyid—four black men from South Philadelphia, two Christian and two Muslim—are serving life sentences at Pennsylvania's maximum-security Graterford Prison. All of them work in Graterford's chapel, a place that is at once a sanctuary for religious contemplation and an arena for disputing the workings of God and man. Day in, day out, everything is, in its twisted way, rather ordinary. And then one of them disappears. Down in the Chapel tells the story of one week at Graterford Prison. We learn how the men at Graterford pass their time, care for themselves, and commune with their makers. We observe a variety of Muslims, Protestants, Catholics, and others, at prayer and in study and song. And we listen in as an interloping scholar of religion tries to make sense of it all. When prisoners turn to God, they are often scorned as con artists who fake their piety, or pitied as wretches who cling to faith because faith is all they have left. Joshua Dubler goes beyond these stereotypes to show the religious life of a prison in all its complexity. One part prison procedural, one part philosophical investigation, Down in the Chapel explores the many uses prisoners make of their religions and weighs the circumstances that make these uses possible. Gritty and visceral, meditative and searching, it is an essential study of American religion in the age of mass incarceration.

2021 Illumination Book Awards, Gold Medal: Spirituality What is the “inner chapel”? The place within where God meets us. We can trust God—and we can trust in God’s promises to us, including: We are never alone. We are loved--unconditionally. We have a companion in our suffering. Each of us has a unique call. But how do we experience all that God has given us? By going to the inner chapel, that sacred place within each person where God waits to love us unconditionally. There, God gives us all we need to find our way to a life of hope instead of despair, peace instead of continued restlessness, and joy instead of anxiety. Becky Eldredge offers readers down-to-earth stories, prayer experiences to try, and enthusiastic encouragement for spiritual growth and a deeper friendship with God. The Inner Chapel will inspire individuals but also provide excellent material for small groups and people going on retreat.​

THE CONJURING meets HEREDITARY Based on real events... Rick Bakos never had a chance at happiness. After enduring the tragic death of his father in a car accident, Rick grew up to helplessly watch both his older brother Lenny and his mother Agnes succumb to madness and suicide. Nor were they the first members of his family to kill themselves. Suicide has steadily stalked the Bakos family since they first arrived in Baltimore from Bohemia at the turn of the 20th Century. Turning to genealogy to better understand his self-destructive family, Rick works as a volunteer for the website RestingPlace. After photographing the grave of Betty Kostek for the webpage, Rick finds himself drawn into a maelstrom of horror. Each night he finds himself inexorably drawn closer to self-destruction. Rick’s only ally is a fellow volunteer named Teri Poskocil. She, too, has fallen under the suicidal spell of the late Betty Kostek. The couple soon discovers their pairing wasn’t a coincidence. Their great-grandparents were next door neighbors on Chapel Street nearly a century earlier. So were Betty’s grandparents. Together Rick and Teri must solve the mystery of Chapel Street before they find death at their own hands.

Recently widowed, unhappily stuck on a pricey whiplash tour of Italy, Elizabeth Berman comes face to face with the first documented painting of a teardrop in human history, and in the presence of that tearful mother, and the arresting company of the renowned and anonymous women painted by Giotto in the Arena Chapel, she wakes up to the possibility that she is not lost. Mitchell left me everything, just as he promised. "Everything," he liked to say during his last month on the sofa, "everything will be yours," as if it wasn't yet. I was left with that and two adult children who could not tolerate my sitting in my home by myself—admittedly, rather too often in a capacious pink flannel nightgown and the green cardigan Mitchell was wearing on the afternoon he died. That's how Elizabeth winds up on a tour better suited to her late–husband, a Dante scholar. Mitchell masterminded the itinerary as a surprise for their thirty–fifth wedding anniversary. Itching to leave as soon as she arrives in Padua, Elizabeth's efforts to book a ticket home are stymied by her aggressively supportive children, the ministrations of an incomprehensibly Italian hotel staff, and the prospect of forfeiting the sizable

NOMINATED FOR THE 2019 NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY ONE OF NPR'S BEST BOOKS OF THE YEAR SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NONFICTION SHORTLISTED FOR THE RATHBONES FOLIO PRIZE LONGLISTED FOR THE RSL ONDAATJE PRIZE The acclaimed New York Times bestselling author of The Vanishing Velazquez shares a riveting true story “with as many twists and turns as any mystery” (Los Angeles Times) describing her mother’s mysterious kidnapping as a toddler in a small English coastal village—“an incredible and incredibly unusual book about family secrets” (Nick Hornby, The Believer). In the fall of 1929, when Laura Cumming’s mother was three years old, she was kidnapped from a beach on the Lincolnshire coast of England. There were no screams when she was taken, suggesting the culprit was someone familiar to her, and when she turned up again in a nearby village several days later, she was happy and in perfect health. No one was ever accused of a crime. The incident quickly faded from her memory, and her parents never discussed it. To the contrary, they deliberately hid it from her, and she did not learn of it for half a century. This was not the only secret her parents kept from her. For many years, while raising her in draconian isolation and protectiveness, they also hid the fact that she’d been adopted, and that shortly after the kidnapping, her name was changed from Grace to Betty. “Both page-turning and richly absorbing” (The Providence Journal), On Chapel Sands (originally titled Five Days Gone) unspools the tale of Cumming’s mother’s life and unravels the multiple mysteries at its core. Using photographs from the time, historical documents, and works of art, Cumming investigates this case of stolen identity w​ith the toolset of a detective and the unique intimacy of a daughter trying to understand her family’s past and its legacies. “Brilliant” (The Guardian) and “a story told with such depth of feeling and observation and such lyrical writing I couldn’t put it down” (Anna Quindlen), On Chapel Sands is a masterful blend of memoir and history, an extraordinary personal narrative unlike any other.

There’s more than one way for a case to ruin your life. Bodies are being found drained of their blood; a serial killer is on a rampage, leaving no clues except phone calls and letters to the police. With public pressure mounting and the force under immense pressure, one detective will do whatever he can to catch the person the press have dubbed the ‘Vampire.’ But how far can this person go and still uphold the ideals of the law before he ends up on the same side as the man he’s hunting?