Drama Queen Of The Mirrored Walls

A scholar and bride-to-be spends a year without mirrors to get a better view of what really matters When Kjerstin Gruys became engaged, she was thrilled—until it was time to shop for a wedding dress. Having overcome an eating disorder years before, Gruys found herself struggling to maintain a positive self-image; so she decided to refocus her attention. Mirror, Mirror Off the Wall charts Gruys’s awakening as she vows to give up mirrors and other reflective surfaces, relying on friends and her fiancé to help her gauge both her appearance and outlook on life. The result? A renewed focus on what truly matters, regardless of smeared makeup or messy hair. With humorous and poignant scenes from Gruys’ life, Mirror, Mirror Off the Wall sparks important conversations about body image and reclaiming the power to define beauty.

Starting from the assumption that all theater is at least implicitly participatory, Professor Whitaker approaches thirteen plays, from Ibsen's Rosmersholm to Beckett's Endgame and Stoppard's Rosencrantz and Guildenstern Are Dead. He asks the reader to commit himself to a variety of points of view—those of witnesses, actors, directors, and characters—as a series of "critical fictions" lead him toward the experience of each play in performance. The author supplies detailed readings of the plays in various modes. The styles of the chapters vary according to the issues dominant in the plays discussed, and the reader experiences simultaneously a sense of approaching the meaning of performance and of gaining a deeper understanding of the play through a subtle and allusive commentary. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Jane Boyers, sleek, gorgeous and highly successful TV executive, barely has time to eat and sleep, let alone keep up with old friends. Especially ones like Miranda, who has rejected glamorous New York in favour of settling with the love of her life in rural Ireland. But when Jane's career comes crashing down, her panicked response is to jump straight on a plane to Dublin and throw herself on Miranda's mercy. Life there is definitely not what Jane is used to, and the culture shock goes both ways. When she gets herself mixed up with an independent theatre company, her no nonsense American approach gets right up the natives' noses ? particularly the rather attractive nose of Shay Gallagher, the enthusiastic, if hopelessly disorganised director. And sparks really fly when Shay and Jane are forced to take the lead roles in the company's first production...

New edition (revised and expanded) available 8/13/02. Fairy tales are one of the most enduring forms of literature, their plots retold and characters reimagined for centuries. In this elegant and thought-provoking collection of original essays, Kate Bernheimer brings together twenty-eight leading women writers to discuss how these stories helped shape their imaginations, their craft, and our culture. In poetic narratives, personal histories, and penetrating commentary, the assembled authors bare their soul and challenge received wisdom. Eclectic and wide-ranging, Mirror, Mirror on the Wall is essential reading for anyone who has ever been bewitched by the strange and fanciful realm of fairy tales. Contributors include: Alice Adams, Julia Alvarez, Margaret Atwood, Ann Beattie, Rosellen Brown, A. S. Byatt, Kathryn Davis, Chitra Banerjee Divakaruni, Deborah Eisenberg, Maria Flook, Patricia Foster, Vivian Gornick, Lucy Grealy, bell hooks, Fanny Howe, Fern Kupfer, Ursula K. Le Guin, Carole Maso, Jane Miller, Lydia Millet, Joyce Carol Oates, Connie Porter, Francine Prose, Linda Gray Sexton, Midori Snyder, Fay Weldon, Joy Williams, Terri Windling.

How to turn forty: 1. Set yourself a personal challenge. 2. Clear wardrobe of all age inappropriate clothing. 3. Relax. How not to turn forty: 1. Have a complete meltdown . . . High flier Matt Beckford's sole ambition is to turn forty with his life sorted. And with a Porsche on the drive and a job that requires him to spend more time in BA's club lounge than his own lounge, it looks like things are going in the right direction. But when Matt's wife unexpectedly calls time on their marriage, a chain of events is set in motion that very quickly sees him facing forty broke, homeless and completely alone. But all is not lost because Matt has a plan . . . Wise, witty and wonderful . . . a triumph! Jenny Colgan Look out for Mike's new novel, All the Lonely People, available now in paperback!

In the history of cinema, many film genres have gained and lost popularity with the changing times, but one has maintained its supreme reign—the royal biopic. In Royal Portraits in Hollywood: Filming the Lives of Queens, authors Elizabeth A. Ford and Deborah C. Mitchell follow the lives of historical queens as depicted on film from the 1930s to the present. Women as diverse as Catherine the Great, Cleopatra, Mary Stuart, and Marie Antoinette have been represented on the silver screen, dominating the masculine world of politics while maintaining their femininity. During the golden age of American film, these roles gave Hollywood a means of portraying powerful women without threatening the patriarchal social order. Depictions of the lives of queens have progressed from idealized and romanticized portraits to the more personal, complex portrayals of modern Hollywood. By walking the line between fact and fiction, these royal portraits of queens reveal just as much our society as they do about the historical periods they represent. Audiences are drawn to the theaters year after year because the lives of queens promise good drama and attract some of the most talented actresses. The success of Hollywood’s leading ladies in playing queens further solidifies the link between Hollywood royalty and authentic royalty. Actresses such as Bette Davis, Judy Dench, Helen Mirren, Elizabeth Taylor, and Greta Garbo have done more than influence the way we imagine historical queens—they also have changed how we perceive women in powerful positions today. Royal Portraits in Hollywood analyzes seventy-five years of films about queens as well as the lives of the actresses who starred in them. Combining biographical sketches and excerpts from letters and journals, Ford and Mitchell show how filmmaking and our society’s perceptions of gender have changed. The authors compare Hollywood’s on-screen portrayals to the historical records, often drawing connections to the actresses’ careers and personal lives. This comprehensive analysis provides a more complete picture of the lives that take place behind the thrones—both real and fictional. The spectacle of a woman dressed in the full regalia of power remains a compelling image in our society. Hollywood actresses and the queens they portray are women who wield power, and by examining the lives of these women, the authors reveal not only society’s perceptions about female power but also how those perceptions continue to evolve.

#1 Essence® bestselling author La Jill Hunt presents Drama Queen, a hilariously funny, fast-paced novel that will drag you away from your own problems and bring you into someone else’s—now in mass market. Kayla Hopkins is young, beautiful, and can’t win for losing. That’s why everyone calls her the Drama Queen. She doesn’t go looking for drama; it just happens to find her. Take, for instance, her love life. Kayla’s not satisfied with just one man. She has two—one she’s in love with and another she’s pregnant by. It’s a ready-made formula for disaster, but will Kayla see it before everything blows up in her face? Her track record says no, but her friends and family can only hope.